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Conceptual Art: A Critical Anthology - uncopy

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to argue for a video of representation. to argue<br />

for a video against the mythology of everyday life<br />

martha rosler<br />

I<br />

Where do ideas come from? All the myths of everyday life stitched together form a seamless<br />

envelope of ideology, the false account of everything thinkable. Ideology is a readymade always<br />

ready to stand in for a closer understanding of the world and its workings. The myths of<br />

ideology cushion us, it is true, from the paranoia that is engendered by mistrust of cultural<br />

givens. But they are not nurturant. The interests served by ideology are not human interests<br />

properly defined; rather, ideology serves society in shoring up its particular form of social organization.<br />

In class society, ideology serves the interests of the class that dominates. Through<br />

the channels of mass communication, which it controls, our dominant class holds its own<br />

ideology up to our whole society as the real and proper set of attitudes and beliefs. The impetus<br />

is then strong for everyone to identify her/himself as a member of the “middle class,” a mystified<br />

category standing in for the image of the dominant class. We have all come to aspire to<br />

the condition of the petty bourgeoisie: to be, paradigmatically, “one’s own boss.” Thus the<br />

legitimate desire for control over one’s own life is flattened out, transmuted into a desire to<br />

own one’s own business—or, failing that, to construct a “private” life in opposition to the<br />

world out there.

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