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Conceptual Art: A Critical Anthology - uncopy

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388<br />

14. Dan Graham in a letter to the author.<br />

15. Ibid.<br />

16. On his relationship to the work of Daniel Buren, Graham commented as follows: “I found<br />

out about Buren’s theory and works many years later. I think ofthem as a clear advancement of<br />

Flavin’s, Judd’s, LeWitt’s positions. It now seems to me that some ofthe ideas in Schema foreshadow<br />

aspects ofBuren’s theory/practice (I don’t think he knew about the piece until 1970 . . .<br />

although it is possible that he did, as it was published in <strong>Art</strong> & Language in 1968).” (In a letter<br />

to the author.)<br />

17. Ibid.<br />

18. Dan Graham, “Sol LeWitt—Two Structures,” End Moments, p. 65.<br />

19. In a letter to the author.<br />

20. Wolfgang Pohrt, Theorie des Gebrauchswertes (Frankfurt, 1976).<br />

This essay was first published in “Moments ofHistory in the Work ofDan Graham,” in Dan Graham:<br />

<strong>Art</strong>icles (Eindhoven: Van Abbemuseum, 1978), pp. 211–216.

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