AMS Philadelphia 2009 Abstracts - American Musicological Society
AMS Philadelphia 2009 Abstracts - American Musicological Society
AMS Philadelphia 2009 Abstracts - American Musicological Society
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Friday evening, 13 November<br />
101 Debating Musical Identity: Shifts in Aesthetic Understandings<br />
in Mexico from the Seventeenth to the twentieth Century<br />
105 Staging the Baroque: Perils and Pleasures of<br />
Baroque Opera DVDs in the classroom<br />
106 Transatlantic Connections<br />
Saturday morning, 14 November<br />
108 <strong>American</strong> Recorded Repertories<br />
112 Displacements<br />
116 Frankish Chant: Diverse Responses to Rome<br />
120 Haydn<br />
123 Music Historiography in Cold War Contexts<br />
124 Performance Practices<br />
128 Representation in the Third Republic<br />
Saturday noon, 14 November<br />
132 An Early Sixteenth-Century Mass Introduced: The<br />
Anonymous Missa sine nomine in JenaU 21<br />
133 Piano Music in Vienna beyond the Second Viennese School: An Exploration<br />
of the Repertories in the Context of Alban Berg’s Piano Sonata, op. 1<br />
134 Walter Gieseking as Composer: Premieres of representative<br />
works from his unpublished manuscripts<br />
Saturday afternoon, 14 November<br />
135 <strong>American</strong> Modernism<br />
139 British Topics<br />
142 France: The Long View<br />
146 Imaginary Landscapes<br />
150 “Only Connect”: The Role of Musicology in Community Engagement<br />
151 Sacred and Secular Polyphony in Florence and Ferrara, c. 1430–1480<br />
154 Wagner and Mahler<br />
Saturday evening, 14 November<br />
159 Opera and the THeater of Pluralism<br />
161 Virtuoso Improvisation: Musical Practices and <strong>Musicological</strong> Discourses<br />
Sunday morning, 15 November<br />
162 Cage and Company<br />
166 Cinematic Imagination
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