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Duke University 2009-2010 - Office of the Registrar - Duke University

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251. Topics in French Literature <strong>of</strong> <strong>the</strong> Eighteenth Century. Close study <strong>of</strong> a particular author, genre, or interpretive<br />

category <strong>of</strong> Enlightenment literature. Instructor: Staff. 3 units.<br />

252. Topics in French Literature <strong>of</strong> <strong>the</strong> Modern Era. Close study <strong>of</strong> a particular author, genre, or interpretive category<br />

<strong>of</strong> <strong>the</strong> twentieth century. May include issues such as authorship, translation, reception or critical <strong>the</strong>ory. Instructor: Staff.<br />

3 units.<br />

256. Modern Literature and History. The interaction <strong>of</strong> history and literature in a particular period, for example: <strong>the</strong><br />

occupation <strong>of</strong> France, <strong>the</strong> French Revolution. Problems <strong>of</strong> interpretation, historical memory, social identity, and<br />

narrative. Instructor: Staff. 3 units. C-L: History 256, International Comparative Studies 280B<br />

261. French Symbolism. Poetry and literary <strong>the</strong>ories <strong>of</strong> Baudelaire, Rimbaud, Mallarmé. Writings <strong>of</strong> Laforgue,<br />

Lautréamont, Huysmans, Louys, and o<strong>the</strong>rs as <strong>the</strong>y define new aes<strong>the</strong>tical and ethical values in <strong>the</strong> framework <strong>of</strong> <strong>the</strong><br />

Symbolist and <strong>the</strong> Decadent intellectual movements. Instructor: Staff. 3 units.<br />

281. Paradigms <strong>of</strong> Modern Thought. An introduction to contemporary French philosophy and thought with a focus on<br />

identity and difference, truth and falsehood in enunciation, globalization and nationalism. Research work in French.<br />

Instructor: Staff. 3 units.<br />

For Graduate Students Only<br />

300. Graduate Reading Course. An intensive course in French to develop rapidly <strong>the</strong> ability to read French in several<br />

fields. Graduate students only. Instructor: Staff. 0 units.<br />

306S. Teaching French at <strong>the</strong> Post-Secondary Level: Theories and Techniques. An overview <strong>of</strong> approaches to teaching<br />

French and <strong>of</strong> <strong>the</strong> <strong>the</strong>oretical notions underlying current trends. Focus is both <strong>the</strong>oretical and practical. Course<br />

objectives: (1) to investigate current issues in foreign language teaching and <strong>the</strong> relevance <strong>of</strong> linguistics and research<br />

in second language acquisition for language teaching; and (2) to guide <strong>the</strong> student as he/she develops techniques for<br />

effective classroom teaching, and learns to evaluate teaching performance and materials, and to develop good<br />

assessment tools and to valuate outcomes. Instructor: Tufts. 3 units.<br />

315. Medieval and Modern Theatrical Culture. A comparative inquiry into <strong>the</strong> public rituals and spectacles in<br />

premodern France and <strong>the</strong> European world <strong>of</strong> <strong>the</strong>ater in <strong>the</strong> twentieth century. Offers a chapter in <strong>the</strong> history <strong>of</strong> criticism:<br />

what is <strong>the</strong> part <strong>of</strong> medieval play in modernist aes<strong>the</strong>tics and politics. Medieval works will range from mystery, miracle,<br />

and carnival plays to royal ceremonies and legal trials. Modern works will include d'Annunzio, Artaud, Cocteau,<br />

Giraudoux, Sartre, Claudel, Fo. Instructor: Solterer. 3 units. 3 units.<br />

325. Topics in Renaissance Prose. Rabelais, Marguerite de Navarre, Montaigne, and o<strong>the</strong>rs. Instructor: Staff. 3 units.<br />

326. Topics in Renaissance Poetry. Instructor: Staff. 3 units.<br />

347. Topics in Seventeenth-Century French Literature. Includes genres, authors, movements, and works. Instructor:<br />

Longino. 3 units.<br />

348. The Enduring Classic. Studies <strong>of</strong> <strong>the</strong> influence <strong>of</strong> <strong>the</strong> French classics over time and <strong>the</strong>ir function in <strong>the</strong> formation<br />

<strong>of</strong> French collective identity. Instructor: Longino. 3 units.<br />

349. The Epistolary Genre. Fundamental questions <strong>of</strong> referentiality, materiality, and communication in writing. The<br />

first half is <strong>the</strong>oretical; <strong>the</strong> second explores issues raised through a selection <strong>of</strong> readings across time. Attention to gender<br />

and genre considerations. Instructor: Longino. 3 units.<br />

351. Literature <strong>of</strong> <strong>the</strong> Eighteenth Century. Problems <strong>of</strong> literary history, critical reading, and interpretation, focused on<br />

varying topics. Instructor: Staff. 3 units.<br />

352. Literature <strong>of</strong> <strong>the</strong> Eighteenth Century. Problems <strong>of</strong> literary history, critical reading, and interpretation, focused on<br />

varying topics. Instructor: Staff. 3 units.<br />

355. Romantic Literature and French Culture and Politics. A study <strong>of</strong> French literature in <strong>the</strong> context <strong>of</strong> postrevolutionary<br />

society and culture. Readings might include nineteenth-century poetry (Hugo, Desbordes-Valmore), <strong>the</strong>ater<br />

(Musset), political or philosophical prose, and historical discourse as well as contemporary critical and historical<br />

analyses <strong>of</strong> <strong>the</strong> period. Instructor: Staff. 3 units.<br />

356. Topics in Nineteenth-Century French Literature. Includes genres, authors, movements, and works. Instructor: Bell<br />

or Jameson. 3 units.<br />

366. Topics in Twentieth-Century French Literature. Includes genres, authors, movements, and works. Instructor: Moi.<br />

3 units.<br />

367. Contemporary French Novel. A chronological and <strong>the</strong>oretical approach to <strong>the</strong> major writers and movements since<br />

1970. Selections from Duras, LeClézio, Sallenave, Modiano, Sollers, Tournier, Oulipo, Yourcenar, and o<strong>the</strong>rs.<br />

Instructor: Staff. 3 units.<br />

368. Structuralism. Introduction to <strong>the</strong> history <strong>of</strong> an intellectual movement from Ferdinand de Saussure to Roland<br />

Bar<strong>the</strong>s, Claud Levi-Strauss, Jacques Lacan, and Michel Foucault. An emphasis is given to questions <strong>of</strong> method and<br />

issues concerning <strong>the</strong> individuation <strong>of</strong> cultures and individualities. Additional readings include chapters from Georges<br />

Canguilhem, Vincent Descombes, Jean Hyppolite, Alexandre Kojeve, and Maurice Merlau-Ponty. Particular attention<br />

will be given to "non-Western" societies. Instructor: Mudimbe. 3 units. 3 units.<br />

Departments, Programs, and Course Offerings 210

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