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Duke University 2009-2010 - Office of the Registrar - Duke University

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206. Russian Modernism. Russian culture between <strong>the</strong> 1890s and <strong>the</strong> 1920s, including visual, musical, literary arts, and<br />

developments ranging from Neo-Christian mysticism, cosmism, syn<strong>the</strong>sis <strong>of</strong> <strong>the</strong> arts, and revolutionary activism. Focus<br />

on literary-philosophical thought <strong>of</strong> that period. Taught in English. Instructor: Mickiewicz. 3 units.<br />

208. Stylistic and Compositional Elements <strong>of</strong> Scholarly Russian. Intensive study <strong>of</strong> Russian scholarly and scientific<br />

texts from a variety <strong>of</strong> disciplines, including biology, business, anthropology, economics, law, history, ma<strong>the</strong>matics,<br />

physics, political sciences, sociology, psychology, linguistics, and literary criticism. Mastery <strong>of</strong> stylistic and discourse<br />

strategies. Analysis <strong>of</strong> cultural patterning in textual construction in <strong>the</strong> humanities, social and natural sciences. Taught<br />

in Russian. Prerequisite: Russian 64 or consent <strong>of</strong> instructor. Instructor: Maksimova. 3 units.<br />

211. Legal and Business Russian. Analysis <strong>of</strong> Russian language and culture in <strong>the</strong> area <strong>of</strong> legal studies and conducting<br />

business in or with Russia and o<strong>the</strong>r Commonwealth <strong>of</strong> Independent States countries. Primary materials include legal<br />

codes, law journals, contracts, advertising, financial documents, redactions <strong>of</strong> <strong>the</strong> Soviet and Russian constitutions<br />

(1905-present). Specific attention given to <strong>the</strong> analysis <strong>of</strong> evolution <strong>of</strong> property and ownership legislation, <strong>the</strong> workings<br />

<strong>of</strong> <strong>the</strong> legislative, executive and judicial branches <strong>of</strong> <strong>the</strong> Russian Federation government and contrastive analysis <strong>of</strong><br />

Soviet, Russian (and where relevant Western) systems <strong>of</strong> jurisprudence. Taught in Russian. Prerequisite: Russian 102S<br />

or equivalent. Instructor: Andrews or Maksimova. 3 units.<br />

215. Theory and Methods <strong>of</strong> Comparative Linguistics. Diachronic and synchronic approaches to <strong>the</strong> study <strong>of</strong><br />

comparative linguistics in phonology, morphology, morphophonemics, syntax, and lexical categories in <strong>the</strong> context <strong>of</strong><br />

<strong>the</strong> world's languages. Both Indo-European and non-Indo-European languages. Topics include <strong>the</strong>ories <strong>of</strong> reconstruction,<br />

languages in contact, abductive processes, questions <strong>of</strong> linguistic typology and cultural-based approaches to <strong>the</strong><br />

analytical study <strong>of</strong> human languages. Research project required. Instructor: Andrews. 3 units.<br />

218S. The Russian Intelligentsia and <strong>the</strong> Origins <strong>of</strong> <strong>the</strong> Revolution. 3 units. C-L: see History 201S<br />

243. Contemporary Russian Culture: Detective Novels and Film. Popular novelists and film/television from 1900searly<br />

twenty first century Russia. Theories <strong>of</strong> genre, anthropological approaches to defining cultural trends, mass<br />

cultural phenomena, and impact <strong>of</strong> globalization. Authors include Marinina, Dashkova, Dontsova, Kunin, Ustinova, and<br />

Serova. Readings and films in Russian. Research paper <strong>of</strong> publishable quality required. Instructor: Andrews. 1 unit.<br />

245. Theory and Practice <strong>of</strong> Translation. Detailed study <strong>of</strong> <strong>the</strong> American, European, and Slavic scholarly literature on<br />

translation combined with close analysis <strong>of</strong> existing literary and journalistic translations and a program <strong>of</strong> practical<br />

translation exercises and projects from English to Russian and Russian to English. Prerequisite: three years <strong>of</strong> Russian<br />

language study or consent <strong>of</strong> instructor. Instructor: Flath. 3 units.<br />

246. Media in Post-Communist Societies (B). 3 units. C-L: see Public Policy Studies 243; also C-L: Political Science 276<br />

258. The Russian Novel. Close reading <strong>of</strong> Tolstoy's Anna Karenina, Dostoevsky's Possessed, Andrey Bely's Petersburg,<br />

Bulgakov's Master and Margarita, Nabokov's The Gift, and Makine's Memoirs <strong>of</strong> My Russian Summers. Discussions<br />

will focus on <strong>the</strong>se representative writers' changing perceptions <strong>of</strong>, and responses to social and ethical issues and <strong>of</strong><br />

creativity, itself, as <strong>the</strong> genre evolved in <strong>the</strong> modern times between <strong>the</strong> 1870s and now. Final research paper required<br />

and can include in-depth discussion <strong>of</strong> one <strong>of</strong> <strong>the</strong> works or <strong>the</strong> comparison <strong>of</strong> one or more aspects <strong>of</strong> several texts. Taught<br />

in English. Readings in Russian. Instructor: Mickiewicz. 3 units.<br />

262. Masterpieces <strong>of</strong> Nineteenth-Century Russian Literature II. Selected authors, works, and genres from <strong>the</strong> second<br />

half <strong>of</strong> <strong>the</strong> nineteenth century. Authors include Turgenev, Chernyshevsky, Dostoevsky, Tolstoy, Saltykov-Shchedrin,<br />

and Chekhov. Taught in English. Readings in Russian. Instructor: Staff. 3 units.<br />

269. Women and Russian Literature. Issues <strong>of</strong> gender and society in women's writing in Russian from <strong>the</strong> eighteenth<br />

to <strong>the</strong> twentieth centuries. Both autobiographical writings and prose fiction. Discussions <strong>of</strong> whe<strong>the</strong>r Russian women's<br />

writings constitute a tradition and what role <strong>the</strong>se works have played in Russian literature and culture. Taught in English.<br />

Readings in Russian. Instructor: Gheith. 3 units.<br />

271S. Bunin: Mystery <strong>of</strong> <strong>the</strong> Russian Soul and Metaphysical Memory. Same as Russian 171S, but includes additional<br />

assignments. Taught in Russian. Readings in Russian. Intensive critical component. Instructor: Maksimova. 3 units.<br />

275. Tolstoy. Introduction to life, works, and criticism, including Tolstoy's philosophical and ethical discourse.<br />

Readings include: War and Peace, Anna Karenina, <strong>the</strong> shorter fiction, dramatic works and essays. Taught in English.<br />

Readings in Russian. Instructor: Van Tuyl. 3 units.<br />

276. Dostoevsky. Introduction to life, works, and criticism. Readings include: Crime and Punishment, The Idiot, and The<br />

Bro<strong>the</strong>rs Karamazov. Taught in English. Readings in Russian. Instructor: Flath or Gheith. 3 units.<br />

277S. Chekhov. Drama and prose works. Readings in Russian. Instructor: Flath. 3 units.<br />

286S. Zamyatin. The novel We, short fiction, plays, and critical essays. In-depth textual analysis and study <strong>of</strong> Russian,<br />

American, and European criticism on Zamyatin, including his role in science fiction and anti-utopian literature in Russia<br />

and <strong>the</strong> West. Readings in Russian and English. Final research project required. Instructor: Andrews or Maksimova.<br />

3 units.<br />

288AS. Apocalyptic Visions and Diabolic Drama: The Works <strong>of</strong> Mixail Bulgakov. Critical analysis <strong>of</strong> Bulgakov's short<br />

stories, novellas, plays and novels. In-depth exposure to major critical works on Bulgakov and influential figures.<br />

Taught in Russian. Readings in Russian. Instructor: Andrews. 3 units.<br />

Departments, Programs, and Course Offerings 216

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