Duke University 2009-2010 - Office of the Registrar - Duke University
Duke University 2009-2010 - Office of the Registrar - Duke University
Duke University 2009-2010 - Office of the Registrar - Duke University
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• A capstone research paper (in history, this may be a part <strong>of</strong> <strong>the</strong> student's portfolio)<br />
• A preliminary examination field in <strong>the</strong> non~degree discipline<br />
• A dissertation prospectus that draws on <strong>the</strong> joint interests <strong>of</strong> historians and anthropologists<br />
• At least one member <strong>of</strong> <strong>the</strong> dissertation defense committee from <strong>the</strong> non-degree department<br />
• Monitoring <strong>of</strong> student progress will be carried out by <strong>the</strong> director <strong>of</strong> graduate studies in each department.<br />
They will be assisted by one member <strong>of</strong> <strong>the</strong> affiliated faculty from each department—initially William Reddy<br />
and Irene Silverblatt—who will review each student's dossier at least once a year<br />
PhD students in o<strong>the</strong>r <strong>Duke</strong> departments and programs may also earn a Certificate in Anthropology and History;<br />
for details, see www.duke.edu/~wmr/anthandhist.htm.<br />
Art, Art History and Visual Studies<br />
Pr<strong>of</strong>essor Van Miegroet, Chair (115B East <strong>Duke</strong> Building); Associate Pr<strong>of</strong>essor Dillon, Director <strong>of</strong> Graduate Studies<br />
(116A East <strong>Duke</strong>); Pr<strong>of</strong>essors Antliff, Bruzelius, Leighten, McWilliam, D. Morgan, Powell, Seaman, Stiles, Wharton;<br />
Associate Pr<strong>of</strong>essors Abe, Dillon, Gabara, and Weisenfeld; Assistant Pr<strong>of</strong>essor Galletti<br />
The Department <strong>of</strong> Art, Art History, and Visual Studies <strong>of</strong>fers graduate work leading to <strong>the</strong> PhD degree in art<br />
history. The doctoral program in <strong>the</strong> history <strong>of</strong> art is competitive with <strong>the</strong> leading art history programs in <strong>the</strong> country.<br />
We are committed to full and equal funding <strong>of</strong> our students during <strong>the</strong>ir time in residence at <strong>Duke</strong>. Admission to <strong>the</strong><br />
program is limited to between four and six new students per year.<br />
The PhD program in <strong>the</strong> history <strong>of</strong> art is integrally connected with many interdisciplinary, <strong>the</strong>oretical, and<br />
international initiatives in <strong>the</strong> humanities at <strong>Duke</strong>. The doctoral program is distinguished by its flexibility and crossdisciplinarity.<br />
It requires a thorough grounding in <strong>the</strong> form and meaning <strong>of</strong> objects and sites, as well as in <strong>the</strong>ir <strong>the</strong>oretical<br />
and historical contexts. Course work has been designed to prepare students for careers in art and architectural criticism,<br />
research and teaching in <strong>the</strong> academy, museum, and art gallery. Faculty in <strong>the</strong> program are expert in a broad range <strong>of</strong><br />
areas <strong>of</strong> art history, as well as in a variety <strong>of</strong> media, from architecture, sculpture and painting to video and cybernetics.<br />
CERTIFICATE <strong>of</strong> MUSEOLOGY<br />
Concurrent with <strong>the</strong>ir work toward a PhD, students may satisfy <strong>the</strong> requirements for a certificate <strong>of</strong> museology.<br />
Students are required to demonstrate <strong>the</strong>ir ability to read those languages necessary to <strong>the</strong>ir research fields as<br />
determined by <strong>the</strong>ir faculty advisors; exams must be passed in at least two foreign languages before taking <strong>the</strong><br />
preliminary examinations.<br />
For fur<strong>the</strong>r information on <strong>the</strong> PhD Program, prospective applicants may look at <strong>the</strong> Department's Web site: http:/<br />
/www.duke.edu/web/art/, or write to <strong>the</strong> director <strong>of</strong> graduate studies.<br />
The department also participates in a program with <strong>the</strong> Law School leading to a joint JD/MA degree. The Guidelines<br />
for Graduate Students in <strong>the</strong> Doctoral Program in Art History and <strong>the</strong> Guidelines for Graduate Students in <strong>the</strong> JD/MA<br />
Program fully describe <strong>the</strong>se and additional requirements and <strong>the</strong> detailed steps in <strong>the</strong> student’s graduate career.<br />
For information on <strong>the</strong> JD/MA Program please contact <strong>the</strong> departmental Web site at: http://www.duke.edu/<br />
web/art/announce/JDMAinAH.pdf or send e-mail to DeptAAH@duke.edu for fur<strong>the</strong>r information.<br />
Art History (ARTHIST)<br />
201S. Topics in Greek Art. Specific aspects <strong>of</strong> <strong>the</strong> art or architecture in <strong>the</strong> Greek world from <strong>the</strong> late Geometric to <strong>the</strong><br />
Hellenistic periods. Subject varies from year to year. Consent <strong>of</strong> instructor required. Instructor: Staff. 3 units. C-L:<br />
Classical Studies 220S<br />
210S. Topics in Renaissance Studies. 3 units. C-L: see Italian 210S; also C-L: Medieval and Renaissance Studies 210S<br />
227S. Roman Painting. 3 units. C-L: see Classical Studies 236S<br />
236S. Topics in Romanesque and Gothic Art and Architecture. Analysis <strong>of</strong> an individual topic. Subject varies from year<br />
to year. Consent <strong>of</strong> instructor required. Instructor: Bruzelius. 3 units. C-L: Medieval and Renaissance Studies 237S<br />
237S. Greek Painting. 3 units. C-L: see Classical Studies 232S<br />
238S. Greek Sculpture. 3 units. C-L: see Classical Studies 231S<br />
240S. Technology and New Media: Academic Practice. 3 units. C-L: see Information Science and Information Studies<br />
240S; also C-L: Visual Studies 250BS<br />
241. History <strong>of</strong> Ne<strong>the</strong>rlandish Art and Visual Culture in a European Context. A contextual study <strong>of</strong> visual culture in<br />
<strong>the</strong> Greater Ne<strong>the</strong>rlands and its underlying historical and socioeconomic assumptions from <strong>the</strong> late medieval to early<br />
modern period, through immediate contact with urban cultures, such as Amsterdam, Leiden, Utrecht, Brussels, Ghent,<br />
Bruges, and Antwerp. Includes daily visits to major museums, buildings, and sites; hands-on research in various<br />
collections; discussion sessions with leading scholars in <strong>the</strong> field; and a critical introduction to various research<br />
strategies. (Taught in <strong>the</strong> Ne<strong>the</strong>rlands.) Not open to students who have taken Art History 158-159. Course credit<br />
contingent upon completion <strong>of</strong> Art History 242. Instructor: Van Miegroet. 3 units. C-L: Medieval and Renaissance<br />
Studies 241, Visual Studies 210<br />
Departments, Programs, and Course Offerings 56