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AnnuAl REPORT 2011-2012 - Sbs

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Goal 2: Objective 2.2<br />

For australians who use SBS services to use<br />

more of them and more often<br />

SbS endeavours to utilise its television, radio and online<br />

platforms to engage audiences and encourage them<br />

to use more of SbS’s services, more often. the unique<br />

nature of SbS’s services, particularly its in-language radio<br />

services, can be a barrier to cross-platform take-up. in<br />

<strong>2011</strong>, SbS continued its chinese Language Project (see<br />

page 38) which SbS implemented as an innovative way<br />

to collate and curate in-language content and engage<br />

audiences across platforms. SbS led a strategy to<br />

find new ways to connect with audiences on available<br />

platforms and devices by making as much of our content<br />

available as possible on the platforms and devices our<br />

audiences are using.<br />

Engaging audiences online<br />

SbS Online led a range of cross-platform projects,<br />

delivering on SbS’s objective to deepen audience<br />

engagement with content by making it available on a<br />

range of available platforms and devices.<br />

Key cross-platform projects included eurovision <strong>2012</strong>,<br />

Once Upon a time in cabramatta, Danger 5, the Family<br />

and bollywood Star also featured a strong cross-platform<br />

component, demonstrating how SbS is leading the way in<br />

Australia with developing innovative engaging content to<br />

support SbS programming.<br />

SbS Online produced a number of dedicated Online<br />

only projects to connect with audiences including Goa<br />

Hippy tribe which won best Film & tv Site at the SXSW<br />

Awards <strong>2012</strong>, Dragon children, a finalist at the AiMiA<br />

Awards <strong>2012</strong> which included multilingual content and the<br />

block, launched in july <strong>2012</strong>, which provides an insightful<br />

and historical account of residents in the Sydney suburb<br />

of Redfern.<br />

the News and current Affairs (NAcA) Online team creates<br />

and produces multiplatform content for WNA, insight,<br />

Dateline and Living black.<br />

NAcA Online’s websites experienced sustained traffic<br />

growth in the last quarter of <strong>2011</strong>–12, recording an<br />

average of 337,177 monthly unique browsers (Ub).<br />

this was driven by technical and editorial changes to<br />

the WNA site. the overall monthly average for <strong>2011</strong>–12<br />

was 255,000 unique browsers.<br />

the service expanded onto new platforms, with SbS<br />

Online launching the WNA Android app and a mobile site<br />

designed for smartphone browsers. the WNA iPhone app<br />

has been downloaded a total of 228,000 times, the iPad<br />

app 112,000 times, and the newer Android app 19,000.<br />

NAcA Online’s social media channels also experienced<br />

growth, with WNA rising to 30,000 twitter followers, and<br />

insight 23,000 Facebook ‘likes’.<br />

SbS Sport’s the World Game app was upgraded to<br />

include all of the World Game content. News, video<br />

highlights and blogs were added to the existing live<br />

scores and results content. A eURO<strong>2012</strong> mobile site was<br />

created to capitalise on mobile search requests. total<br />

downloads to date are: 24,453 (iOS) and 2689 (Android).<br />

the World Game engages with audiences on social media<br />

sites and to date has over 56,000 Facebook likes and<br />

14,000 twitter followers.<br />

the tour de France app was updated for the <strong>2012</strong> tour.<br />

total downloads to date: 209,000 (iOS) and 59559<br />

(Android). On social media platforms, cycling central has<br />

more than 26,000 likes on Facebook and over 16,000<br />

twitter followers.<br />

Tour de France<br />

SbS’s commitment to providing audiences with a true<br />

cross-platform experience, strengthening and growing<br />

our online platform and increasing our reach by using<br />

multiple distribution platforms is demonstrated in our<br />

coverage of the tour de France. tour de France content<br />

online recorded a 25 per cent increase in traffic on the<br />

2010 event, with 578,000 unique browsers and 5.4 million<br />

page impressions. the event was live streamed across<br />

online and mobile, including iPhone, iPad and Android<br />

applications, another SbS first. the cycling central<br />

Facebook page acquired more than 10,000 new ‘likes’<br />

as a result of the tour de France.<br />

in addition, on Youtube, the SbS tour de France page<br />

recorded close to 800,000 video views and almost<br />

250,000 unique views. the tour de France Fantasy page<br />

continued to be a popular section, with 255,000 page<br />

impressions – and more than 19,305 active game players.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 47

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