AnnuAl REPORT 2011-2012 - Sbs
AnnuAl REPORT 2011-2012 - Sbs
AnnuAl REPORT 2011-2012 - Sbs
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Goal 2: Objective 2.2<br />
For australians who use SBS services to use<br />
more of them and more often<br />
SbS endeavours to utilise its television, radio and online<br />
platforms to engage audiences and encourage them<br />
to use more of SbS’s services, more often. the unique<br />
nature of SbS’s services, particularly its in-language radio<br />
services, can be a barrier to cross-platform take-up. in<br />
<strong>2011</strong>, SbS continued its chinese Language Project (see<br />
page 38) which SbS implemented as an innovative way<br />
to collate and curate in-language content and engage<br />
audiences across platforms. SbS led a strategy to<br />
find new ways to connect with audiences on available<br />
platforms and devices by making as much of our content<br />
available as possible on the platforms and devices our<br />
audiences are using.<br />
Engaging audiences online<br />
SbS Online led a range of cross-platform projects,<br />
delivering on SbS’s objective to deepen audience<br />
engagement with content by making it available on a<br />
range of available platforms and devices.<br />
Key cross-platform projects included eurovision <strong>2012</strong>,<br />
Once Upon a time in cabramatta, Danger 5, the Family<br />
and bollywood Star also featured a strong cross-platform<br />
component, demonstrating how SbS is leading the way in<br />
Australia with developing innovative engaging content to<br />
support SbS programming.<br />
SbS Online produced a number of dedicated Online<br />
only projects to connect with audiences including Goa<br />
Hippy tribe which won best Film & tv Site at the SXSW<br />
Awards <strong>2012</strong>, Dragon children, a finalist at the AiMiA<br />
Awards <strong>2012</strong> which included multilingual content and the<br />
block, launched in july <strong>2012</strong>, which provides an insightful<br />
and historical account of residents in the Sydney suburb<br />
of Redfern.<br />
the News and current Affairs (NAcA) Online team creates<br />
and produces multiplatform content for WNA, insight,<br />
Dateline and Living black.<br />
NAcA Online’s websites experienced sustained traffic<br />
growth in the last quarter of <strong>2011</strong>–12, recording an<br />
average of 337,177 monthly unique browsers (Ub).<br />
this was driven by technical and editorial changes to<br />
the WNA site. the overall monthly average for <strong>2011</strong>–12<br />
was 255,000 unique browsers.<br />
the service expanded onto new platforms, with SbS<br />
Online launching the WNA Android app and a mobile site<br />
designed for smartphone browsers. the WNA iPhone app<br />
has been downloaded a total of 228,000 times, the iPad<br />
app 112,000 times, and the newer Android app 19,000.<br />
NAcA Online’s social media channels also experienced<br />
growth, with WNA rising to 30,000 twitter followers, and<br />
insight 23,000 Facebook ‘likes’.<br />
SbS Sport’s the World Game app was upgraded to<br />
include all of the World Game content. News, video<br />
highlights and blogs were added to the existing live<br />
scores and results content. A eURO<strong>2012</strong> mobile site was<br />
created to capitalise on mobile search requests. total<br />
downloads to date are: 24,453 (iOS) and 2689 (Android).<br />
the World Game engages with audiences on social media<br />
sites and to date has over 56,000 Facebook likes and<br />
14,000 twitter followers.<br />
the tour de France app was updated for the <strong>2012</strong> tour.<br />
total downloads to date: 209,000 (iOS) and 59559<br />
(Android). On social media platforms, cycling central has<br />
more than 26,000 likes on Facebook and over 16,000<br />
twitter followers.<br />
Tour de France<br />
SbS’s commitment to providing audiences with a true<br />
cross-platform experience, strengthening and growing<br />
our online platform and increasing our reach by using<br />
multiple distribution platforms is demonstrated in our<br />
coverage of the tour de France. tour de France content<br />
online recorded a 25 per cent increase in traffic on the<br />
2010 event, with 578,000 unique browsers and 5.4 million<br />
page impressions. the event was live streamed across<br />
online and mobile, including iPhone, iPad and Android<br />
applications, another SbS first. the cycling central<br />
Facebook page acquired more than 10,000 new ‘likes’<br />
as a result of the tour de France.<br />
in addition, on Youtube, the SbS tour de France page<br />
recorded close to 800,000 video views and almost<br />
250,000 unique views. the tour de France Fantasy page<br />
continued to be a popular section, with 255,000 page<br />
impressions – and more than 19,305 active game players.<br />
<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 47