pdf - Roger Gaskell Rare Books
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135<br />
MERCKLIN, Georg Abraham (1644–1702?)<br />
Tractatio med. curiosa, de ortu & occasu transfusionis<br />
sanguinis, qua haec, quae Wt è bruto in brutum, à foro medico penitus<br />
eliminatur; illa, quae è bruto in hominem peragitur, refutatur, &<br />
ista, quae ex homine in hominem exercetur, ad experientiae examen<br />
relegatur.<br />
Nuremberg: sumptibus Johannis Ziegeri, bibliopolae, typis Christohori<br />
Gerhardt, 1679.<br />
8vo: )(– 2)( 8 (–)(7,8) A–G8 H2 (=2)(7,8?), 72 leaves, pp. [28], 112, [4],<br />
engraved title on )(8 which is bound before the printed title on )(1.<br />
197 x 92mm. Paper slightly weak at the beginning; browned.<br />
Binding: Eighteenthcentury calf, rebacked. Bound with an unrelated<br />
work in Dutch, Lange, Schaadelyke veepest, Amsterdam, 1719.<br />
Provenance: Owners stamp of Dr. med. Merzbach, Berlin, on free<br />
endleaf.<br />
First edition. Wellcome IV, p. 115; Krivatsy 7774; Heirs of Hippocrates 653.<br />
‘Following Lower and Denis, [Mercklin] was one of the earliest medical writers<br />
to discuss the history, value, dangers, and methods of blood transfusion. In<br />
this work Mercklin recognizes and understands what is now known as a<br />
transfusion reaction, and he was not entirely convinced of the wisdom of<br />
performing transfusions. Transfusions were then done from an animal,<br />
usually a sheep, to a human being, or from person to person. The technical<br />
diYculties were great and Mercklin pointed out the dangers and drawbacks as<br />
he understood them. The Wrst two chapters of his book deal with the history<br />
of transfusion and the techniques and instrumentation to be employed. In<br />
the remainder of the volume Mercklin discusses case histories, indications,<br />
and diseases that were improved or left unchanged by blood transfusion.’<br />
(Heirs of Hippocrates.)<br />
The engraved titlepage displays scenes of blood transfusions, between a<br />
dog and a young man, and two between young men.<br />
136<br />
MICHAELSPACHER, Stephan, publisher<br />
Cabala, Spiegel der Kunst unnd Natur: in Alchymia: Was der<br />
weisen uralte stein, doch für ein ding sey, der, da dreyfach, und nur<br />
ein Stein ist.<br />
Augsburg: bey Johann Schultes, in verlegung SteVan Müschelspachern<br />
auß Tyroll, 1615.<br />
4to: A–B 8 (–B8), 7 leaves unpaginated.<br />
4 large folding engraved plates (c. 320 x 250mm), the Wrst signed<br />
‘Raphael Custodis. Sculpsit. Stephan Michelspacher Ex’., the second<br />
‘R.C.S’, the third ‘PC. Sculps’, the fourth ‘R.C.’