Revista 25 aniversario - eoi de salamanca - Junta de Castilla y León
Revista 25 aniversario - eoi de salamanca - Junta de Castilla y León
Revista 25 aniversario - eoi de salamanca - Junta de Castilla y León
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Eça <strong>de</strong> Queiroz<br />
El primo Basilio<br />
“Literatura añorada...ya no se escribe así.<br />
Una obra maestra”<br />
Amélie Nothomb,<br />
Estupor y temblores<br />
“El estereotipo japonés exprimido al<br />
máximo”<br />
Oscar Wil<strong>de</strong><br />
El retrato <strong>de</strong> Dorian Gray<br />
Nuestro próximo compañero <strong>de</strong> viaje<br />
E per il piacere <strong>de</strong>lla lettura...<br />
Gli stu<strong>de</strong>nti <strong>de</strong>l 5º anno di italiano vi consigliano<br />
L’ALCHIMISTA ( P. Coelho)<br />
Quando vuoi qualcosa, l'universo intero cospirerà<br />
attorno a te affinché lo raggiunga.<br />
Gema Ruiz<br />
LA BIBLIA DE BARRO (Julia Navarro)<br />
Un’affascinante storia che ha come protagonista il<br />
mondo <strong>de</strong>ll’archeologia e dove la ven<strong>de</strong>tta e l’ambizione<br />
sono le cose più importanti.<br />
Pili Martín<br />
CAMERE SEPARATE ( P. Ton<strong>de</strong>lli)<br />
La letteratura non salva. Solo salva l’amore e la fe<strong>de</strong>.<br />
E questo senso di colpa per essere nato, per aver<br />
occupato un posto che non voleva, (...) si è dislocato in un<br />
mondo separato, quello <strong>de</strong>lla letteratura.<br />
Pedro Ingelmo<br />
L’ISOLA DEL TESORO (Stevenson)<br />
Ci sono isole nel tempo dove mi sarebbe piaciuto<br />
vivere; credo che una <strong>de</strong>lle più belle sia “L’isola <strong>de</strong>l<br />
Tesoro”<br />
Pablo C. Díaz<br />
IL LUPO DELLA STEPPA (H. Hesse)<br />
La solitudine è indipen<strong>de</strong>nza: l’avevo <strong>de</strong>si<strong>de</strong>rata e me<br />
l’ero conquistata in tanti anni. Era fredda, questo sì, ma<br />
era anche silenziosa, meravigliosamente silenziosa e<br />
gran<strong>de</strong> come lo spazio freddo e silente nel quale girano<br />
gli astri.<br />
Julia García-Arévalo<br />
LE LACRIME DI HENAN (Antonio Gómez Rufo)<br />
Così presto raggiungi un sogno, così effimero diventa.<br />
María Vicente<br />
I PILASTI DELLA TERRA<br />
(Ken Follett)<br />
Un'allodola presa nella rete.<br />
Cantava soavemente più che<br />
mai. Come se il canto suo<br />
potesse ancora. Separare le ali<br />
dalla rete.<br />
Alberto Fernán<strong>de</strong>z<br />
PICCOLI DEI (Terry Prachett)<br />
Il Tempo è una droga. In eccesso può ucci<strong>de</strong>rvi.<br />
Alberto Fernán<strong>de</strong>z<br />
Il riso è il sole che scaccia l’inverno dal volto umano<br />
Victor Hugo<br />
About the Plaza Mayor of the 21 st Century<br />
From the end of the 18th century, the time in which<br />
they finished the works of construction of the Plaza<br />
Mayor in Salamanca, this space has been the neuralgic<br />
centre of our city. In it all kinds of events have been<br />
celebrated, from markets to acts justice, and the<br />
principal streets of the city <strong>de</strong>part from it. Our square<br />
has been a witness, throughout the centuries, of the<br />
principal events of the history of the city, and has<br />
become the heart of Salamanca: a place of intersection<br />
of multiple paths, a place to arrange an appointment and<br />
pass through on our way, an obligatory visit for all<br />
tourists, a place for international summits, holidays<br />
(parties), bullfights …<br />
In 2005, we celebrated the <strong>25</strong>0th anniversary of the<br />
Main Square. Architects all over the world thought<br />
about the public space of the square and its<br />
surroundings, proposing suggestions, perspectives and<br />
invitations to enter the Plaza Mayor of the 21st century,<br />
with a new look: "Emptinesses of light, the Main<br />
Beach, Main Stadium, <strong>25</strong>0 Stars, Ephemeral Plots,<br />
Emptying the Emptiness…", are examples of some of<br />
these reflections. We can penetrate into these i<strong>de</strong>as and<br />
more in the book, "SALAMANCA. SIGLO XXI.<br />
PLAZA MAYOR".<br />
"…The Presi<strong>de</strong>nt of the United States travels to<br />
Salamanca to give a speech in a conference. In the<br />
middle of the political meeting, someone tries to<br />
commit an outrage right at this moment, against his life.<br />
The history is told through the eyes of eight persons<br />
who were there at the time. Eight points of view, each<br />
one with a different version of the only truth. What<br />
really happened? ". This is the plot of the movie "<br />
VANTAGE POINT ", a recently released American<br />
movie, which has its principal scene in a replica of the<br />
Plaza Mayor of Salamanca, set up in a film studio of<br />
Mexico. Another <strong>de</strong>monstration of the Plaza Mayor as<br />
a stage of events.<br />
In conclusion, I would say that thronghot time places<br />
pass through different phases to then be reinvented .<br />
This is the case of our Plaza Mayor. As the centuries<br />
have passed by in Salamanca, we have experimented<br />
different visions of this stage, which adapts and evolves<br />
with time just as a living organism does, to the cultural,<br />
social and temporary changes.<br />
Elena Herrero Rodríguez, 2ºE NB Inglés