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Revista 25 aniversario - eoi de salamanca - Junta de Castilla y León

Revista 25 aniversario - eoi de salamanca - Junta de Castilla y León

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Eça <strong>de</strong> Queiroz<br />

El primo Basilio<br />

“Literatura añorada...ya no se escribe así.<br />

Una obra maestra”<br />

Amélie Nothomb,<br />

Estupor y temblores<br />

“El estereotipo japonés exprimido al<br />

máximo”<br />

Oscar Wil<strong>de</strong><br />

El retrato <strong>de</strong> Dorian Gray<br />

Nuestro próximo compañero <strong>de</strong> viaje<br />

E per il piacere <strong>de</strong>lla lettura...<br />

Gli stu<strong>de</strong>nti <strong>de</strong>l 5º anno di italiano vi consigliano<br />

L’ALCHIMISTA ( P. Coelho)<br />

Quando vuoi qualcosa, l'universo intero cospirerà<br />

attorno a te affinché lo raggiunga.<br />

Gema Ruiz<br />

LA BIBLIA DE BARRO (Julia Navarro)<br />

Un’affascinante storia che ha come protagonista il<br />

mondo <strong>de</strong>ll’archeologia e dove la ven<strong>de</strong>tta e l’ambizione<br />

sono le cose più importanti.<br />

Pili Martín<br />

CAMERE SEPARATE ( P. Ton<strong>de</strong>lli)<br />

La letteratura non salva. Solo salva l’amore e la fe<strong>de</strong>.<br />

E questo senso di colpa per essere nato, per aver<br />

occupato un posto che non voleva, (...) si è dislocato in un<br />

mondo separato, quello <strong>de</strong>lla letteratura.<br />

Pedro Ingelmo<br />

L’ISOLA DEL TESORO (Stevenson)<br />

Ci sono isole nel tempo dove mi sarebbe piaciuto<br />

vivere; credo che una <strong>de</strong>lle più belle sia “L’isola <strong>de</strong>l<br />

Tesoro”<br />

Pablo C. Díaz<br />

IL LUPO DELLA STEPPA (H. Hesse)<br />

La solitudine è indipen<strong>de</strong>nza: l’avevo <strong>de</strong>si<strong>de</strong>rata e me<br />

l’ero conquistata in tanti anni. Era fredda, questo sì, ma<br />

era anche silenziosa, meravigliosamente silenziosa e<br />

gran<strong>de</strong> come lo spazio freddo e silente nel quale girano<br />

gli astri.<br />

Julia García-Arévalo<br />

LE LACRIME DI HENAN (Antonio Gómez Rufo)<br />

Così presto raggiungi un sogno, così effimero diventa.<br />

María Vicente<br />

I PILASTI DELLA TERRA<br />

(Ken Follett)<br />

Un'allodola presa nella rete.<br />

Cantava soavemente più che<br />

mai. Come se il canto suo<br />

potesse ancora. Separare le ali<br />

dalla rete.<br />

Alberto Fernán<strong>de</strong>z<br />

PICCOLI DEI (Terry Prachett)<br />

Il Tempo è una droga. In eccesso può ucci<strong>de</strong>rvi.<br />

Alberto Fernán<strong>de</strong>z<br />

Il riso è il sole che scaccia l’inverno dal volto umano<br />

Victor Hugo<br />

About the Plaza Mayor of the 21 st Century<br />

From the end of the 18th century, the time in which<br />

they finished the works of construction of the Plaza<br />

Mayor in Salamanca, this space has been the neuralgic<br />

centre of our city. In it all kinds of events have been<br />

celebrated, from markets to acts justice, and the<br />

principal streets of the city <strong>de</strong>part from it. Our square<br />

has been a witness, throughout the centuries, of the<br />

principal events of the history of the city, and has<br />

become the heart of Salamanca: a place of intersection<br />

of multiple paths, a place to arrange an appointment and<br />

pass through on our way, an obligatory visit for all<br />

tourists, a place for international summits, holidays<br />

(parties), bullfights …<br />

In 2005, we celebrated the <strong>25</strong>0th anniversary of the<br />

Main Square. Architects all over the world thought<br />

about the public space of the square and its<br />

surroundings, proposing suggestions, perspectives and<br />

invitations to enter the Plaza Mayor of the 21st century,<br />

with a new look: "Emptinesses of light, the Main<br />

Beach, Main Stadium, <strong>25</strong>0 Stars, Ephemeral Plots,<br />

Emptying the Emptiness…", are examples of some of<br />

these reflections. We can penetrate into these i<strong>de</strong>as and<br />

more in the book, "SALAMANCA. SIGLO XXI.<br />

PLAZA MAYOR".<br />

"…The Presi<strong>de</strong>nt of the United States travels to<br />

Salamanca to give a speech in a conference. In the<br />

middle of the political meeting, someone tries to<br />

commit an outrage right at this moment, against his life.<br />

The history is told through the eyes of eight persons<br />

who were there at the time. Eight points of view, each<br />

one with a different version of the only truth. What<br />

really happened? ". This is the plot of the movie "<br />

VANTAGE POINT ", a recently released American<br />

movie, which has its principal scene in a replica of the<br />

Plaza Mayor of Salamanca, set up in a film studio of<br />

Mexico. Another <strong>de</strong>monstration of the Plaza Mayor as<br />

a stage of events.<br />

In conclusion, I would say that thronghot time places<br />

pass through different phases to then be reinvented .<br />

This is the case of our Plaza Mayor. As the centuries<br />

have passed by in Salamanca, we have experimented<br />

different visions of this stage, which adapts and evolves<br />

with time just as a living organism does, to the cultural,<br />

social and temporary changes.<br />

Elena Herrero Rodríguez, 2ºE NB Inglés

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