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Tesis y Tesistas 2020 - Postgrado - Fac. de Informática - UNLP

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especialización

COMPUTACIÓN GRÁFICA,

IMÁGENES Y VISIÓN

POR COMPUTADORA

Esp. Cesar Armando Estrebou

e-mail

cesarest@lidi.info.unlp.edu.ar

Advisor

Dr. Laura Lanzarini

Thesis defense date

June 26, 2020

SEDICI

http://sedici.unlp.edu.ar/handle/10915/100550

Human skin identification

algorithms and their relation

with colour systems

Keywords: image segmentation, skin detection, colour systems, skin dataset

Motivation

The systems of gesture detection have become a boom

during the recent years due to their technological progress

and the great interface potential for all kinds of applications.

A gesture detection system has four stages or sequences

where the output of a stage is the input of the following. In a

first stage, the movement and/or configuration of the hands

is captured by means of a sensor such as a webcam, a timeof-flight

camera, position sensor gloves or a combination

of any of them. Then, the segmentation or cutting of the

corresponding area of the hands is carried out. In a third stage,

from the image of the cut hand, the representative features

of the hand are removed in order to get a representation of

its configuration and movement that can be processed by a

computer. Finally, in the last stage, the gesture meaning is

identified after a combined classification of what the hand

gesture and its movement represent.

Together with my research team, we have been working on

the last two stages of removing features and classifying

gestures for many years. Recently, we have started working

on the first two stages, exploring different options using

a conventional video camera for the segmentation stage

without markers to cut hands. In the state-of-the-art

literature, there are several papers with a wide range of

options but they often choose as a partial or complete

solution the segmentation based on skin colour pixels to

remove the right areas of the hands and the face.

There are plenty of authors who publish solutions that

transform a wide range of colour systems and use different

algorithms to determine if a pixel in an image is skin or

not. Personally, I have started investigating the colour

systems used in different papers in order to find an answer

to the difficult question: what is the most appropriate

colour pattern to segment skin in colours? After reading

and studying many publications with specific solutions and

papers that revise the state-of-the-art, I could not find a

convincing answer. Furthermore, many authors in their

papers do not justify the use of different colour systems in

their skin segmentation applications, but if they do it, they

justify it vaguely and without enough reasons.

The main goal of this work was to determine the most

convenient representation colour pattern for the segmentation

based on human skin pixels in images. In order to carry this

out, a study was done on the influence of the colour patterns

in the different pixel-based segmentation algorithms that are

generally used in research papers of this field.

As a secondary goal, the idea was to document and describe

in detail the colour representation patterns, the pixel-based

segmentation algorithms and the skin dataset employed to

perform tests and obtain results. This is vital information to

copy and complement the results obtained by the authors

of the publications for future experiments.

Thesis Final Work contrinutions

This work described and studied in depth the colour

representation systems, an analysis of the skin distribution

was done for each of them, the algorithms that are

frequently used for skin segmentation were described and

more than 30 research publications were included for their

revision and study. The emphasis was on a survey as broad

as possible in order to analyse different works that include

as many colour representations models and segmentation

algorithms as possible.

This work has three interesting points to highlight after the

survey carried out, and they can be useful for future works

or publications. The first point is the collection of colour

representation models that are frequently used together

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