Volume 4 - TARANTINO - Via: Ed. Alápis

CREED, Barbara. “Alien and the Monstrous-Feminine” In: KUHN, Annette.
Alien Zone: cultural theory and contemporary science fiction cinema. Londres: Verso,
1990, pp. 128-141.
CROFTS, Stephen. “Reconceptualizing National Cinema/s”. In: Quarterly
Review of Film and Video 14, no. 3, 1993, pp. 49-55.
DAVIS, Darrell W.; YUEH-YU, Emilie Yeh. “Inoue at Shaws: The Well-spring
of Youth” In: AIN-LING, Wong (org.). The Shaw Screen: a preliminary study.
Hong Kong: Hong Kong Film Archive, 2003, 255-271.
DESSER, David. “Hong Kong Film and the New Cinephilia” In: MORRIS,
Meaghan; LI, Siu-leung; CHAN, Stephen Ching-kiu (orgs.). Hong Kong
Connections: transnational imagination in action cinema. Durham, NC: Duke
University Press, 2005.
GOLDSTEIN, Paul. Copyright’s Highway: from Gutenberg to the celestial jukebox.
Stanford: Stanford University Press, 2003.
GOMERY, Douglas. “Hollywood as Industry” In: HILL, John; GIBSON,
Pamela Church (orgs.). American Cinema and Hollywood: critical approaches.
Londres: Oxford University Press, 2000.
HIGSON, Andrew. “The Limiting Imagination of National Cinema” In:
MACKENZIE, Scott; HJORT, Mette (orgs.). Cinema and Nation. New York:
Routledge, 2000, pp. 63-74.
HOZIC, Aida. Hollywood World: space, power and fantasy in the American economy.
Ithaca, NY: Cornell University Press, 2001.
LANDES, William M.. “Copyright”. In: TOWSE, Ruth (org.). A Handbook of
Cultural Economics. Cheltenham, Reino Unido: Elgar, 2003, p. 132.
LEITCH, Thomas. “Twice-Told Tales: disavowal and the rhetoric of the
remake” In: FORREST, Jennifer; KOOS, Leonard R. (orgs.). Dead Ringers: the
remake in theory and practice. Albany, NY: State University of New York Press,
2002, pp. 43-59.
LESSIG, Lawrence. The Future of Ideas: the fate of the commons in a connected world.
Nova York: Random House, 2001.
LÓPEZ, Ana M. “Facing up to Hollywood” In: GLEDHILL, Christine;
WILLIAMS, Linda (orgs.). Reinventing Film Studies. Londres: Arnold, 2000,
pp. 419-437.
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