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Two years later, Heinz-Glas designed<br />
a superb bottle for Vera Wang’s new<br />
fragrance with use of a fully automatic<br />
process. “This flacon was supposedly<br />
only feasible through a semi-automatic<br />
process,” explains Ulrich Nebe, “in which<br />
we were able to produce it on a fully<br />
automatic machine.” Then proceeded<br />
Thierry Mugler’s Cologne... and at this<br />
time the list was only beginning.<br />
Three different bottles on the same<br />
line at the same time!<br />
“But to achieve this and, try to go even<br />
further, just taking risks commercially<br />
or technically speaking was still not<br />
enough,” underlines Ulrich Nebe. “It<br />
was also necessary to rethink the way<br />
things were done, even if we had to<br />
upset some given ideas.” Thus, at his<br />
instigation, engineers developed a new<br />
patented process which allowed to<br />
produce on a single line totally different<br />
bottles in weights and geometries. It was<br />
a technique implemented using single<br />
and double glob machines. “On our<br />
three sites we can produce, if necessary,<br />
up to three references with a difference<br />
in glass weight of up to 50 grams, using<br />
simultaneously blow-blow and pressblow<br />
processes”, explains Ulrich Nebe.<br />
The benefits of using such advanced<br />
technologies were obviously abundant.<br />
First of all, the adjustments on the<br />
production line were improved. The line<br />
would never be completely stopped.<br />
The changes in schedule were easier<br />
to manage and were of no major consequence<br />
for current productions. The<br />
loading of an extra bottle on the line could<br />
quickly be implemented. This benefits<br />
the plants in terms of responsiveness<br />
and flexibility and enables them to<br />
cope more easily with future changes in<br />
market forecasts. Inventory management<br />
is directly optimized. “We produce the<br />
fair quantities,” insists Ulrich Nebe.<br />
“So we have less stock and/or more<br />
provisional stock. We are getting closer<br />
to lean inventory management.”<br />
The minimum production time for one<br />
article is logically a day’s production.<br />
“And that’s where the customer benefit<br />
concept takes its full value. Since a day’s<br />
production with two or three sections<br />
represents less than half the daily<br />
output of the line. Furthermore, it is<br />
common knowledge that on a line with<br />
8 single-format sections, the minimum<br />
required to start production is<br />
60,000 pieces. With our method,<br />
the minimum required production<br />
falls to 25,000 pieces (But don’t<br />
forget the set-up times which remain<br />
proportional!). At customer request,<br />
we can also produce small quantities.<br />
A big asset when initiating a launch<br />
for a new bottle by an emerging<br />
brand, for a market testing, for<br />
additional orders, for out of schedule<br />
emergency orders, for the production<br />
of limited series with appropriate<br />
quality levels and finally to maintain<br />
flacons on the market at the end of<br />
their shelf life!”, clarifies Ulrich Nebe.<br />
Mastering the whole decoration<br />
process: “The key to modern<br />
glass making!”<br />
In the early 2000s, decoration process<br />
was the other important decision<br />
made by the Heinz management.<br />
Here too, Heinz-Glas, “will be up<br />
to the challenge regarding finishes<br />
and all types of decoration... nothing<br />
more, nothing less!” And no less<br />
than fifteen million Euros would<br />
be invested over next ten years into<br />
acid etching, screen printing, hot<br />
stamping, water based lacquering,<br />
metallization and more importantly,<br />
tampon printing. The Heinz Group<br />
would provide itself with the means<br />
to succeed, by investing in a brand<br />
new lacquering unit in Kleintettau<br />
(four lacquering lines, with a capacity<br />
of 120 million pieces per year, and<br />
two metallization workshops), by<br />
highly specializing their Czech<br />
plant, in parallel heavily investing in<br />
both Polish and Chinese plants, and<br />
currently in the Peruvian plant. “Today<br />
in the glass making industry, the key<br />
at all levels of production remains<br />
flexible and decoration processing<br />
is one of its most important links.”<br />
On top of this proactive approach<br />
stands tampon printing. “It is true<br />
that this technique is absolutely<br />
fantastic,” explains Ulrich Nebe.<br />
“It allows to deboss decorations,<br />
emboss decorations and multi-facet<br />
decorations. And we have invested a<br />
lot, particularly in multi-pass tampon<br />
printing with rotating flacons on the<br />
production line, high-precision four<br />
colour tampon printing and tampon<br />
printing on precious metals which is<br />
new in perfumery.”<br />
The latest reference resulting from this<br />
technological mastery in tampon<br />
printing, is the “Opium” perfume<br />
flacon for Yves Saint Laurent.<br />
Think tank<br />
Is it still possible to really innovate<br />
in glass, an ancient material? “Yes,<br />
ten times yes!”, insists Ulrich<br />
Nebe. “And we are proving it every<br />
day! The challenges are huge and<br />
constant. It is also often a question<br />
of knowing the tricks.” “For example,<br />
‘Perbuseal’, a process we developed<br />
over the past four years for coating<br />
the surface lip of a cream jar. This<br />
technology was selected, among<br />
other products by the Beiersdorf<br />
Group. The research cost amounted<br />
to half a million Euros. This technical<br />
neutral glass is associated with an<br />
organic oil which is burned without<br />
leaving any residue after the sintering<br />
process. This layer of sintered glass<br />
is securely attached to the lip of the<br />
ring and eliminates the appearance<br />
of hygroscopic leaching. The defined<br />
roughness of the surface coating is<br />
also very important. The strength<br />
and sealing temperature helps to<br />
adjust the strength and gesture for<br />
the type of opening required.”<br />
“Flexibility” is Key<br />
Are flexibility and constant heaviness<br />
in the glass industry compatible?<br />
“This is all the paradox,” says<br />
Ulrich Nebe. “But the success of<br />
our business development and<br />
sustainability consists precisely in<br />
solving this equation. This is what<br />
has guided us to the adjustment of<br />
the manufacturing process with three<br />
different types of bottles on the same<br />
line. It is also the same approach for<br />
finishing lines. It should also be the<br />
same approach for the production of<br />
glass itself in order to have sufficient<br />
capacities available (not to say<br />
„well above“ a classical industrial<br />
logic) in „tons of glass“ to be able<br />
to react immediately if the market is<br />
suddenly on the rise.”<br />
But for the Heinz-Glas Group,<br />
„flexibility“ is also within the<br />
workforce and its ability to adapt to<br />
events.<br />
HEINZGLAS KLEINTETTAU<br />
51