12.12.2012 Aufrufe

II. 2002 – 2008 Arbeitswelt in den USA - Tylle, H. D.

II. 2002 – 2008 Arbeitswelt in den USA - Tylle, H. D.

II. 2002 – 2008 Arbeitswelt in den USA - Tylle, H. D.

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people <strong>in</strong> his triptych measur<strong>in</strong>g 91” x 248” and entitled “November 9, 1989 <strong>in</strong> Deuna, The Morn<strong>in</strong>g<br />

After.” In a scene reconstructed with extras and models, the picture focuses on these people <strong>in</strong> their<br />

“Trabi” cars on their way to now accessible West Germany. They f<strong>in</strong>d themselves stuck <strong>in</strong> a tailback<br />

<strong>in</strong> the open countryside aga<strong>in</strong>st the backdrop of the Deuna cement plant beneath an overcast sky,<br />

broken up <strong>in</strong> the east by the red light of dawn. The central picture is flanked on the left by the colossal<br />

bronze head of a decapitated Len<strong>in</strong> statue <strong>in</strong> front of a detail of a brickwork facade. On the right,<br />

we see the pla<strong>in</strong> entrance to a village fashion store with a satellite dish po<strong>in</strong>t<strong>in</strong>g southwest. With their<br />

closed and <strong>in</strong>hospitable brick walls and their memory-<strong>in</strong>spir<strong>in</strong>g details and fad<strong>in</strong>g brick-red, the two<br />

side panels contrast with the broad panoramic landscape of the middle section <strong>in</strong>dicat<strong>in</strong>g movement<br />

and new departures.<br />

In compositional and allegoric terms, the pa<strong>in</strong>ter has succeeded <strong>in</strong> establish<strong>in</strong>g a def<strong>in</strong>ite relationship<br />

of correspon<strong>den</strong>ce between the sections. In the central section, he depicts the historic, fateful moment<br />

from the po<strong>in</strong>t of view of the people concerned with their wish to actively and <strong>in</strong>dividually seize<br />

the opportunity, make use of their newfound mobility and fulfill their expectations of a better future.<br />

In the side sections, on the other hand, he addresses the past, the abandoned and the vanquished.<br />

This ability to i<strong>den</strong>tify the ‘kairos’, the opportune moment, and to render it with factual accuracy,<br />

comprehensiveness and yet by way of example, while naturally resort<strong>in</strong>g to the artistic tools of the<br />

pa<strong>in</strong>ter’s trade, can be witnessed equally <strong>in</strong> <strong>Tylle</strong>’s landscapes and <strong>in</strong> his <strong>in</strong>dustrial pa<strong>in</strong>t<strong>in</strong>gs.<br />

S<strong>in</strong>ce 1979, <strong>Tylle</strong> has seen an important task of pa<strong>in</strong>t<strong>in</strong>g <strong>in</strong> artistically document<strong>in</strong>g the <strong>in</strong>dustrial<br />

world of labor, <strong>in</strong> show<strong>in</strong>g man and mach<strong>in</strong>e <strong>in</strong> paradigmatically selected production plants. He<br />

presents the ubiquitous rapid changes to which they are exposed due to technological advances,<br />

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