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Scottish Rite Masonry Illustrated - The Masonic Trowel

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898 SUELTh!E PRINCE OF THE ROYAL SECRET.<br />

perhaps see that whatever in <strong>Masonry</strong> seems arbitrary<br />

incongruous; mere empty words, and idle images and<br />

pictures, has in reality a profound meaning; that a great<br />

idea is embodied in this degree, of which its organization,<br />

and the d~isposition and details of the camp are the<br />

utterances, scientifically and skillfully arranged, and•<br />

that in every thing it proceeds with precision and order<br />

to develop the idea, and insure the success of the noble<br />

and holy cause for which it is armed and organized.<br />

<strong>The</strong> external lines of the camp form a nonagon, or a<br />

figure o f geometry<br />

‘with nine equal sides.<br />

You perceive that on<br />

each side of the nonagon<br />

is a tent, with a<br />

flag and pennon that<br />

each flag and its pennon<br />

are of a different<br />

color from the others,<br />

and that each tent is<br />

designated by a letter.<br />

E a c h represents a<br />

x 8 -‘ camp, and the several<br />

sides of the nonagon are thus assigned by our rituals, to<br />

the Masons of the different degrees, from the first to the<br />

eighteenth, of which each Commander in turn will give<br />

you an explanation.<br />

Master of Ceremonies—Illustrious Commander Ezra,<br />

be pleased to communicate to our brother, the esoteric<br />

explanation of the tent No. 9.<br />

Ezra.—You are now at the ninth tent, the letter of<br />

which is I.~. Its flag and pennon are blue, and here are<br />

said to be encamped the Apprentices, Fellows Crafts and<br />

Masters of the Blue or Symbolic degrees, and the volunteem.<br />

<strong>The</strong> commanding officer represents Ezra.<br />

I<br />

INITIATION.<br />

399<br />

-THE FIRST DEGREE :—ShOwS you man, such as nature<br />

has made him, with no other resources than his physical<br />

strength. But each symbol and ceremony of <strong>Masonry</strong>,<br />

has more than one meaning; one enveloped as it were,<br />

within the other, and all not developed or made known<br />

at once. <strong>The</strong> inmost meaning of the first degree is man<br />

subjugated and struggling toward freedom, blinded by<br />

superstition, destitute of knowledge, defenceless, and<br />

with the chains of despotism round him.<br />

He knocks timidly at the door of <strong>Masonry</strong>, is received,<br />

sworn to secrecy and made to stand upright in the middie<br />

of the lodge, as a man; as a man!<br />

It is his first lesson. Before then he was half naked,<br />

and half clad, neither barefoot nor shod, half freeman<br />

and half serf.<br />

THE SECOND DEGREE :—.Shows the necessity and holiness<br />

of labor, and consequently of knowledge. Man<br />

perceives here that to supply his physical wants, his<br />

orgar~s are but the instruments of intellect, the expansion<br />

of which, or knowledge can alone constitute him a<br />

freeman and a king over creation.<br />

THE THIRD DEGREE :—Teaches us that our inviolable<br />

destiny is death, but at the same time, in the ceremony<br />

and in the very name of Hiram it shadows forth the great<br />

doctrine of another life, and the immortality of the soul.<br />

<strong>The</strong> word Hiram’” in Hebrew, means, “He who was, or<br />

shall be raised alive or lifted up,” and it also symbolizes<br />

Not. 875.—”Ehrsm Abif. ‘<strong>The</strong>re is no character in the annals of<br />

Freemasonry whose life is so dependent on tradition as the celebrated<br />

architect of King Solomon’s Temple. Profane history is entirely silent<br />

in respect to hi. career, and the sacred records supply us with only very<br />

unimportant items. To Oil up the apace between his life and hIs death.<br />

we are necessarily compelled to resort to those oral legends which have<br />

been handed down trom the ancient Masons to their successors, Yet.<br />

looking to their character. I should he unwilling to vouch for the suthen.<br />

ticity of all; most of them were prohably at first symbolical In their<br />

character; the symbol In the lapse of time haying been converted into<br />

a myth, and the myth, by constant repetition, havIng assumed the formal<br />

~a<br />

rance of a trnthful narraiive. Such has been ibe ease in the history<br />

nations. —Msok.ra Ennyolopasdia of Yre.rnsomy, Mticle Xlxm

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