Scottish Rite Masonry Illustrated - The Masonic Trowel
Scottish Rite Masonry Illustrated - The Masonic Trowel
Scottish Rite Masonry Illustrated - The Masonic Trowel
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496 MAITEB X*30E’B , ~ AJD REAL GRIP.<br />
SIGN 01 A MAE?ER MASON.<br />
Made from due-guard, by dropping left<br />
aand and drawing right hand across the<br />
~owe1sto the rig<br />
1ht, thumb toward the body,<br />
,ight of hips. [See cut.<br />
]<br />
51gm of aMaatez<br />
Mason.<br />
PASS GRIP OF A MASTER<br />
MASON.<br />
Grasp hands naturnily and<br />
rmGripof a Master Mason. press thumb between<br />
buckles of second and third fingers.<br />
STEONG GRIP OF A MASTER MA5ON OR LION’S PAW.<br />
~iandsjoined as shown in cut, thumb and flngeu<br />
r issing hard on hand and wrist of each other.<br />
PASS OP A MASTER ~!ASON Tubal Cain; name of grip.<br />
A<br />
“THE COMPASSES<br />
Are peculiarly consecrated to this degree,<br />
because within their extreme<br />
points, when properly extended, are<br />
emblematically said to be inclosed the<br />
principal tenets of our profession, and<br />
hence t~’e moral application of the Compasses, in the<br />
third dearee, is to those precious jewels of a Master<br />
YLason, Triendship, Morality, and Brotherly Love.”—<br />
Mackey’. Ritualist, page 110.<br />
TIlE Wouxlxu loftS or .4 MA~TI:u MASON. 49~<br />
~ Are all the implements of ma-.<br />
sonry indiscriminately but more<br />
~ especially the <strong>Trowel</strong>.<br />
“<strong>The</strong> Toowel is an in’drurnent made use of by Opera~<br />
tive Masons to spread the cement which unites a build<br />
ing into one common noass;but we, as Free and Accepted<br />
Mas3ns, are taught to make use or it for the more<br />
noble and glorious purpose of spreading the cement of<br />
brotherly love and affection; that cement which unites<br />
usinto one sacred band,or society of friends and brothers,<br />
amolig whom no contention, should ever exist,<br />
but that uol)Ie contention or rather emulation; of who<br />
can best work and best agree.”—ifackcg’s Rd. y. 111.<br />
T~r TRAGEDY OF THE THIRD DEGREE.<br />
PLAYING MCflI’o R AND RESURRECTION IN TEN SCENES.<br />
SCENE l.—PLAYING Mtrjwzn Assault by “J’uCcicz” on tho Csndldgg,<br />
aflaa Grand Iliasler Hiram AblE.”