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Scottish Rite Masonry Illustrated - The Masonic Trowel

Scottish Rite Masonry Illustrated - The Masonic Trowel

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496 MAITEB X*30E’B , ~ AJD REAL GRIP.<br />

SIGN 01 A MAE?ER MASON.<br />

Made from due-guard, by dropping left<br />

aand and drawing right hand across the<br />

~owe1sto the rig<br />

1ht, thumb toward the body,<br />

,ight of hips. [See cut.<br />

]<br />

51gm of aMaatez<br />

Mason.<br />

PASS GRIP OF A MASTER<br />

MASON.<br />

Grasp hands naturnily and<br />

rmGripof a Master Mason. press thumb between<br />

buckles of second and third fingers.<br />

STEONG GRIP OF A MASTER MA5ON OR LION’S PAW.<br />

~iandsjoined as shown in cut, thumb and flngeu<br />

r issing hard on hand and wrist of each other.<br />

PASS OP A MASTER ~!ASON Tubal Cain; name of grip.<br />

A<br />

“THE COMPASSES<br />

Are peculiarly consecrated to this degree,<br />

because within their extreme<br />

points, when properly extended, are<br />

emblematically said to be inclosed the<br />

principal tenets of our profession, and<br />

hence t~’e moral application of the Compasses, in the<br />

third dearee, is to those precious jewels of a Master<br />

YLason, Triendship, Morality, and Brotherly Love.”—<br />

Mackey’. Ritualist, page 110.<br />

TIlE Wouxlxu loftS or .4 MA~TI:u MASON. 49~<br />

~ Are all the implements of ma-.<br />

sonry indiscriminately but more<br />

~ especially the <strong>Trowel</strong>.<br />

“<strong>The</strong> Toowel is an in’drurnent made use of by Opera~<br />

tive Masons to spread the cement which unites a build<br />

ing into one common noass;but we, as Free and Accepted<br />

Mas3ns, are taught to make use or it for the more<br />

noble and glorious purpose of spreading the cement of<br />

brotherly love and affection; that cement which unites<br />

usinto one sacred band,or society of friends and brothers,<br />

amolig whom no contention, should ever exist,<br />

but that uol)Ie contention or rather emulation; of who<br />

can best work and best agree.”—ifackcg’s Rd. y. 111.<br />

T~r TRAGEDY OF THE THIRD DEGREE.<br />

PLAYING MCflI’o R AND RESURRECTION IN TEN SCENES.<br />

SCENE l.—PLAYING Mtrjwzn Assault by “J’uCcicz” on tho Csndldgg,<br />

aflaa Grand Iliasler Hiram AblE.”

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