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Fig.5.3: views from the site <strong>of</strong> ancient Stymphalos across the lake to West (photos: author).<br />

This myth has obvious connotations with death and, by association, so does the plain <strong>of</strong><br />

Stymphalos. What is interesting here though is not just that in the myth the birds killed men<br />

and beasts (and presumably women as well), but that they also devoured the flesh <strong>of</strong> their<br />

victims. One way this happens in reality is through the burial rite <strong>of</strong> excarnation, where an<br />

exposed body would be picked at by birds and other creatures. The practise <strong>of</strong> this rite has<br />

been suggested by Dickinson (1994, p.208) as one reason why the numbers <strong>of</strong> burials for the<br />

LBA are lower than what might be expected. It is also possible that some <strong>of</strong> the secondary<br />

burials in chamber tombs and tholos tombs could have been placed after being exposed<br />

(Cavanagh 1978). It could be that this burial rite was embodied and recalled in the Herakleian<br />

myth. At one time, it may have been the case that the plain <strong>of</strong> Stymphalos had a particular<br />

connection and involvement with death and dealing with the dead.<br />

Approximately 1 km to the north east <strong>of</strong> Lafka, a village at the western end <strong>of</strong> the plain <strong>of</strong><br />

Stymphalia, is a gulley and in it is a built structure (Map 5.1, Fig. 5.4 & 5.5 (5)). There are<br />

two possibilities as to what it could be; a 19th century kiln or, most likely, a Bronze Age<br />

tholos tomb (Hector Williams, pers. comm.; Michopoulou 2004, p.41). If it is a tholos tomb<br />

then its setting must be highly significant, chosen precisely because <strong>of</strong> the characteristics <strong>of</strong><br />

the landscape in which it is set, seemingly hidden away and difficult to find without local<br />

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