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A dictionary of modern gardening - University Library

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C LU 157 C N E<br />

clump <strong>of</strong> such trees is therefore morel thicket to open plantations, be frequent<br />

agreeable when it is extended rather in and sudden, the disorder is more suited<br />

length than in breadth.<br />

to rude than to elegant scenes.<br />

Three trees tocether must form either The occasions on which independent<br />

right line or a triangle; to disguise clumps may be applied are many. They<br />

the regularity, the distances should be are <strong>of</strong>ten desirable as beautiful objects<br />

very different. Distinctions in their in themselves ; they are sometimes neshapes<br />

contribute also to the same end ; cessary to break an extent <strong>of</strong> lawn, or<br />

nnd variety in their growths still more, a continued line, whether <strong>of</strong> ground or<br />

When a straight line consists <strong>of</strong> two <strong>of</strong> plantation; but on all occasions, a<br />

trees nearly similar, and <strong>of</strong> a third much jealousy <strong>of</strong> art constantly attends them,<br />

lower than they are, the even direction which irregularity in their figure will<br />

in which they stand is hardly discernible.<br />

If humbler growths at the extremity<br />

can discompose the strictest regularity,<br />

the use <strong>of</strong> it is thereby recommended<br />

I<br />

not always alone remove. Though elevations<br />

show them to advantage, yet a<br />

hillock evidently thrown up on purpose<br />

to be crowned with a clump, is artificial<br />

to a degree <strong>of</strong> disgust; some <strong>of</strong> the<br />

i<br />

i<br />

'<br />

'<br />

|<br />

upon other occasions. It is, indeed, the trees should therefore be planted on<br />

variety peculiarly proper for clumps : the sides to take <strong>of</strong>f that appearance,<br />

every apparent artifice affecting the ob- The same expedient may be applied to<br />

jects <strong>of</strong> nature, disgusts; and clumps clumps placed on the brow <strong>of</strong> a hill.<br />

are such distinguished objects, so liable to interrupt its sameness; they will<br />

to the suspicion <strong>of</strong> having been left or have less ostentation <strong>of</strong> design if they<br />

placed on purpose to be so distinguish- are in part carried down either deed,<br />

that, to divert the attention from<br />

these symptoms <strong>of</strong> art, irregularity in<br />

clivity.<br />

A line <strong>of</strong> clumps, if the intervals be<br />

the composition is more important to closed by others beyond them, has the<br />

them, than to a wood or to a grove. appearance <strong>of</strong> a wood, or <strong>of</strong> a grove ;<br />

Being also less extensive, they do not and in one respect the semblance has<br />

admit so much variety <strong>of</strong> outline ; but an advantage over the reality in difvariety<br />

<strong>of</strong> growths is most observable ferent points <strong>of</strong> view ; the relations be<br />

in a small compass, and the several tween the clumps are changed, and a<br />

gradations may <strong>of</strong>ten be cast into beau- variety <strong>of</strong> forms is produced, which no<br />

tiful figures.<br />

continued wood or grove, however<br />

The extent and the outline <strong>of</strong> a wood broken, can furnish. These forms canor<br />

a grove, engage the attention more not all be equally agreeable, and too<br />

than the extremities; but in clumps anxious a solicitude to make them everythese<br />

last are <strong>of</strong> the most consequence ; where pleasing, may, perhaps, prevent<br />

their being ever beautiful,<br />

they determine the form <strong>of</strong> the whole, i<br />

and both <strong>of</strong> them are generally in sight: The effect must <strong>of</strong>ten be left to<br />

but it should be studiously con-<br />

I chance,<br />

.<br />

great care should therefore be taken to<br />

make them agreeable and different. suited from a few principal points <strong>of</strong><br />

The ease with which they may be com- view ; and it is easy to make any recess,<br />

pared, forbids all similarity between any prominence, any iigure in the outthem<br />

; for every appearance <strong>of</strong> equality line, by clumps thus advancing before,<br />

i<br />

suggests an idea <strong>of</strong> art, and therefore a or retiring behind one another."<br />

clump as broad as it is long, seems less<br />

the work <strong>of</strong> nature than one which<br />

Whateley.<br />

CLUSIA. Four species. Stove<br />

stretches into length.<br />

Another peculiarity <strong>of</strong> clumps is the<br />

facility with which tliey admit a mixture<br />

<strong>of</strong> trees and <strong>of</strong> shrubs, <strong>of</strong> wood and <strong>of</strong><br />

evergreen trees. Cuttings. Light sandy<br />

loam<br />

CLUYTIA. Twelve species. Greenhouse<br />

or stove evergreen shrubs. Cut-<br />

grove; in short, <strong>of</strong> every species <strong>of</strong> plantation.<br />

None are more beautiful than<br />

those which are so composed. Such<br />

compositions are, however, more proper<br />

in compact than in straggling clumps ;<br />

they are most agreeable when they tori'.i<br />

one mass. If the transitions from very<br />

tings. Loam and peat.<br />

CLYPEOLA. Two species. Hardy<br />

annuals. Seeds. Common soil.<br />

CNEORUM. Two species. Greenhouse<br />

evergreen shrubs. Cuttings. Peat<br />

''''" loam.<br />

l<strong>of</strong>ty to very humble growths, from Three species. Stove<br />

CNESTIS.<br />

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