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A dictionary of modern gardening - University Library

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ROC 507 ROC<br />

ground with a thicket, which shall idable, which might otherwise have<br />

cease, or be lowered, as it descends, been unnoticed. A steep, in itself not<br />

A thicket, on other occasions, makes very remarkable, becomes alarming<br />

the rocks which rise out <strong>of</strong> it seem when a path is carried aslant up the<br />

larger than they are. If they stand side. A rail, on the brow <strong>of</strong> a pcrpenupon<br />

a bank overspread with shrubs, dicular fall, shows that the lieii'lit is<br />

their beginning is at the least uncertain,<br />

and the presumption is that they<br />

start from the bottom.<br />

" Another use <strong>of</strong> this brushy under-<br />

|<br />

,<br />

wood is, to conceal the fragments and<br />

rubbish which have fallen from the<br />

sides and the brow, and which are<br />

<strong>of</strong>ten unsightly.<br />

" Rocks are seldom remarkable for<br />

frequented and dangerous; and a cor<br />

mon foot-bridge, thrown over a cleft<br />

between rocks, has a still stronger<br />

effect. In all these instances the imagination<br />

immediately transports the<br />

spectator to the spot, and suggests the<br />

dea <strong>of</strong> looking down such a depth ; in<br />

the Inst that depth is a chasm, and the<br />

situation is directly over it.<br />

the<br />

too<br />

elegance<br />

vast and<br />

<strong>of</strong> their foVms; they are<br />

too rude to pretend to to<br />

'If the body <strong>of</strong> the rock is intended<br />

be raised much above the ground<br />

delicacy; but their shapes are <strong>of</strong>ten level, a quantity <strong>of</strong> soil and rulibish<br />

agreeable, and we can affect those should be carried into the centre <strong>of</strong> the<br />

shapes to a certain degree—at least s[)ace. This soil, besides serving to<br />

we can cover many blemishes in them support the rockwork, will also form a<br />

by conducting the growth <strong>of</strong> shrubby border for the plants to grow in. Havand<br />

creeping plants about them. For ing at hand plenty <strong>of</strong> large rough stones,<br />

|<br />

all these purposes mere underwood broken bricks, or stony rubbish <strong>of</strong> any<br />

suffices ; but for greater effects larger kind or colour, proceed with<br />

trees are requisite. They are worthy imitate the form <strong>of</strong> natural<br />

<strong>of</strong> the scene, and not only improve- nearly<br />

these to<br />

rock as<br />

as possible. Rough, bold, anments<br />

but accessions to its grandeur, gular projections, and deeply-formed<br />

We arc used to rank them among the chasms, are the principal features in<br />

noblest objects <strong>of</strong> nature ; and when natural scenery which please us most,<br />

we see that they cannot aspire to the A rock, with a flat unbroken surface,<br />

,<br />

midway <strong>of</strong> the heights round them, the [<br />

whether horizontal or perpendicular,<br />

rocks are raised by the comparison. A presents too much sameness to be pleas-<br />

.<br />

,<br />

single tree is, therefore, <strong>of</strong>ten prefera- ing to the eye: therefore, in imitating<br />

ble to a clump ; the size, though really nature, the projections should be varied<br />

less, is more remarkable; and clumps and bold, and unless raggedness and<br />

are, besides, generally exceptionable, intricacy form principal features in its<br />

in a very wild spot, from the suspicion composition, it will lose much <strong>of</strong> its<br />

<strong>of</strong> art which attends them. But a wood effect. If the rock-work be on a large<br />

is free from that suspicion ; and its own scale, it should not be one continued<br />

character i <strong>of</strong> greatness recommends it to line,<br />

but broken at intervals, in one part<br />

every scene <strong>of</strong> magnificence lost beneath the surface <strong>of</strong> the earth,<br />

" On the same principle, all the con- and again rising in another part ] and<br />

sideration which can be should be given resuming its sinuous lorm.<br />

to the streams. No number <strong>of</strong> little " So far there is little difference be-<br />

rills are equal to one broad river; and, tween this and the common method <strong>of</strong><br />

in the principal current, some varieties making artificial rock. When, how-<br />

may be sacrificed to importance. But ever, every stone has been arranged to<br />

a degree <strong>of</strong> strength should always be suit the eye, the interstices between<br />

preserved. The water, though it iieeds them are to be filled up with any kind<br />

not be furious, must not be dull ; for <strong>of</strong> rough mortar. Of course fissures,<br />

dignity, when most serene, is not lan- and similar places intended for the<br />

guid and space ; will hardly atone for plants which are to cover the rock,<br />

want <strong>of</strong> animation.<br />

must be left open, so that the roots may<br />

"Inhabitants furnish frequent oppor- penetrate to the soil beneath the stones<br />

tunities to strengthen the appearances j<br />

<strong>of</strong> force by giving intimations <strong>of</strong> danger, i<br />

A house placed at the edge <strong>of</strong> a preci- !<br />

pice—any building on the pinnacle <strong>of</strong> a |<br />

crag—makes that situation seem form- \<br />

next operation is to daub the whole<br />

The<br />

mass over with Roman cement. For<br />

this purpose the latter should be mixed<br />

with water until it is <strong>of</strong> the consistence<br />

<strong>of</strong> thick paint, in which state it may be

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