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A dictionary of modern gardening - University Library

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HO R 301 HOR<br />

into execution. According to Lord continued in repute for upwards <strong>of</strong> a<br />

Walpole, he was painter enough to century ; tor it appears to have been in<br />

taste the charms <strong>of</strong> landscape, suffi- vogue as late as 1770. The court and<br />

ciently bold and opinionative to dare nation wished to be dazzled by novelty<br />

and to dictate, and born with a genius and singularity, and his long, clipped<br />

to strike out a great system from the alleys, triumphal arches, richly decotwilight<br />

<strong>of</strong> imperfect essays. He leap- rated 1<br />

parterres, his fountains and cased<br />

the fence, and saw that all nature! cades, with their grotesque and strange<br />

was a • garden. The great principles on ornaments, his groves full <strong>of</strong> architec-<br />

i which he worked were perspective, ture and gilt trellises, and his pr<strong>of</strong>usion<br />

light and shade. Groups <strong>of</strong> trees broke <strong>of</strong> statues, enchanted | every class <strong>of</strong> oba<br />

too extensive lawn ; evergreens and servers. His principal works were the<br />

' wood were opposed to the glare <strong>of</strong> the gardens<br />

champaign, and, by selecting favourite<br />

<strong>of</strong> Versailles, Meudon, St.<br />

Cloud, Sceaux, Chantilly, and the terobjects,<br />

and veiling deformities, he re- race <strong>of</strong> St. Germain. Gray, the poet,<br />

alized the compositions <strong>of</strong> the great was struck with their splendor when<br />

masters in painting. Where objects ! filled with company, and when the<br />

were wanting to animate his horizon, ' water-works<br />

were in full action; but<br />

his taste as an architect could immedi-^ Lord Kaimes says, they would tempt<br />

ately produce them. His buildings, one to believe, that nature was below<br />

his temples, his seats, were more the! the notice <strong>of</strong> a great monarch. Le<br />

work <strong>of</strong> his pencil than <strong>of</strong> his science Nijtre was succeeded by Dufresny, who,<br />

as a constructor. He bade adieu to differing considerably in taste from that<br />

all the stiff modes <strong>of</strong> canals, circular, great artist, determined on inventing a<br />

basins, and cascades tumbling over | more<br />

picturesque style ; but his efforts<br />

marble steps. Dealing in none but I the were rarely carried into full execution,<br />

true colours <strong>of</strong> nature, and seizing upon He, however, constructed in a manner<br />

|<br />

i its most interesting features, a new superior to his predecessor, the gardens<br />

creation was gradually presented. The <strong>of</strong> Abbe Pajot and those <strong>of</strong> Moulin j and<br />

living landscape was chastened or po- Chemin , creux. After the peace <strong>of</strong> 1762,<br />

lished, not transformed. The elegant! the English system began to pass into<br />

works <strong>of</strong> Rcpton, the unrivalled essays , France, and portions <strong>of</strong> ancient gardens<br />

' <strong>of</strong> Price on the picturesque, and the were destroyed, to make way for young<br />

valuable pulilications <strong>of</strong> Gilpin, Madock, plantations a l^Anglaise. Laugier was<br />

Panty, Sang and Loudon, with those <strong>of</strong> the first author who espoused the Engmany<br />

other writers on landscape and lish style, and the next in order j was<br />

ornamental <strong>gardening</strong>, have had an ex- Prevot. i It was at this time that Viscount<br />

tensive influence in promoting correct Girardin commenced ! his improvements<br />

ideas <strong>of</strong> natural scenery. The improv- at P>menonville, and the change <strong>of</strong> the<br />

j<br />

ed style <strong>of</strong> horticulture, every where horticultural taste in France, may be<br />

apparent in Great Britain, attracted the referred to the last : quarter <strong>of</strong> the 18th<br />

attention <strong>of</strong> the other nations <strong>of</strong> Europe, century. The English style has graand<br />

English <strong>gardening</strong> became the de- dually , found its way into most civilized<br />

signation for all that was beautiful in countries. Only 25 | years have elapsed<br />

that pleasing art—the synonyme <strong>of</strong> per- since the London Horticultural Society<br />

fection in rural culture. At the period ! was established, and there are now more<br />

when this new system <strong>of</strong> laying out than 50 similar institutions in Great<br />

|<br />

ground was gaining converts, and be- Britain, which still maintains the first<br />

[<br />

|<br />

gan to be practically adopted, Viscounts rank in the art ; but France is making<br />

Girardin, a French military <strong>of</strong>ficer <strong>of</strong>| great efforts to rival her. A horticulhigh<br />

rank, travelled through England, tural<br />

and, on his return, he not only improved<br />

society was established in Paris<br />

in 1S26, and has already more than two<br />

his seat at Ermenonville in conformity thousand members, and the number is<br />

to that style, but published a work <strong>of</strong>| rapidly increasing. It has been patron-<br />

great celebrity on the Composition des ised by the court, and most ] <strong>of</strong> the nobles<br />

Paysages sur le Terrain, ou des Moyens^ and men <strong>of</strong> distinction in France have<br />

d'embellir la Nature pris des i/a6i7a- I eagerly united with the proprietors <strong>of</strong> es-<br />

tions. The French style <strong>of</strong> laying out I tales and practical cultivators to collect<br />

gardens had been settled by Le Notre, and disseminate intelligence throughout<br />

|<br />

during the reign <strong>of</strong> Louis XIV., and flourishing empire. In the various<br />

|<br />

that

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