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The Historiographical Development of the Concept “mfecane” and ...

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illustrates, in part, <strong>the</strong> weddedness <strong>of</strong> historians to certain narrative modes <strong>and</strong><br />

methodological dispositions, that is to <strong>the</strong>ir literary antecedents’. 95<br />

Subsequent to that conference, four significant publications appeared. Eldredge<br />

<strong>and</strong> Morton’s edited volume, based on Cobbing’s 1988 article, dealt with <strong>the</strong><br />

enslavement <strong>of</strong> indigenous peoples in late eighteenth <strong>and</strong> early nineteenth<br />

century South African history. In a chapter on <strong>the</strong> Transgariep Eldredge<br />

reversed her earlier stance, based on evidence presented by Cobbing <strong>and</strong><br />

above all myself, <strong>and</strong> accepts now that slave raiding by mounted <strong>and</strong> armed<br />

Griqua, Bastaard <strong>and</strong> Kora raiders was sufficiently formidable <strong>and</strong> extensive to<br />

have been <strong>the</strong> cause <strong>of</strong> much <strong>of</strong> <strong>the</strong> dislocation reported in <strong>the</strong> greater Caledon<br />

Valley area, <strong>the</strong> Free State <strong>and</strong> <strong>the</strong> Transvaal. 96 Hamilton’s Terrific Majesty,<br />

published in 1998, was a ‘historical-political’ 97 work, which explores Zulu identity<br />

through her study <strong>of</strong> <strong>the</strong> construction over time <strong>of</strong> <strong>the</strong> image <strong>of</strong> Shaka. Her main<br />

innovation is her view <strong>of</strong> oral traditions. Wylie, who published his Ph.D. <strong>the</strong>sis<br />

as Savage Delight in 2000, presented a post-modern, literary analysis <strong>of</strong> <strong>the</strong><br />

treatment <strong>of</strong> Shaka at <strong>the</strong> h<strong>and</strong>s <strong>of</strong> white writers <strong>of</strong> <strong>the</strong> nineteenth <strong>and</strong> twentieth<br />

century. 98 He brings out clearly that <strong>the</strong> production <strong>of</strong> <strong>the</strong> modern image <strong>of</strong><br />

Shaka is tied to both <strong>the</strong> literary devices employed in <strong>the</strong> texts, <strong>and</strong> also how<br />

inconsistent <strong>and</strong> problematic <strong>the</strong>se texts are. Wylie made it clear that, in order<br />

to research mfecane history, texts have to be subjected to methodical<br />

examinations just as oral history is. E<strong>the</strong>rington’s <strong>The</strong> Great Treks <strong>of</strong> 2001 99<br />

takes a fresh look at both <strong>the</strong> mfecane <strong>and</strong> <strong>the</strong> Great Trek. He considers what<br />

has hi<strong>the</strong>rto been regarded as separate historical “events” as one sou<strong>the</strong>rn<br />

African history. He incorporates many aspects <strong>of</strong> <strong>the</strong> anti-mfecane critique but<br />

his innovations are connected with a longer chronology which extends from<br />

1815 to 1854. He postulates that large states existed in sou<strong>the</strong>rn Africa at<br />

various times before <strong>the</strong> early nineteenth century, that <strong>the</strong>ir structures were<br />

95 Wylie , Savage Delight, 214.<br />

96 F. Morton, 'Slavery <strong>and</strong> South African Historiography', in Eldredge et al., Slavery in South<br />

Africa, 4-5. Cobbing, ‘Mfecane as Alibi'. For Richner see Footnote no. 14.<br />

97 Wylie , Savage Delight, 8.<br />

98 Ibid.<br />

99 E<strong>the</strong>rington, Great Treks.<br />

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