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S90 XS/S70 XS Reference Manual - zZounds.com

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4 Filter/EG<br />

Cutoff<br />

Determines the cutoff frequency for the Filter, The frequency set here is the center frequency at which the signals are<br />

affected when they pass through each filter. This parameter can be changed via the Knob directly.<br />

Settings: -64 – +0 – +63<br />

Resonance<br />

This parameter’s function varies according to the selected Filter Type. If the selected filter is an LPF, HPF, BPF<br />

(excluding the BPFw), or BEF, this parameter is used to set the Resonance. If the selected filter is a BPFw, this<br />

parameter is used to adjust the frequency bandwidth.<br />

Resonance is used to set the amount of Resonance (harmonic emphasis) applied to the signal at the cutoff frequency.<br />

This can be used in <strong>com</strong>bination with the cutoff frequency parameter to add further character to the sound.<br />

The Width parameter is used to adjust the width of the band of signal frequencies passed by the filter with the BPFw.<br />

The settings made here will be applied as offsets to the same parameters in the Filter display (page 50) of Voice<br />

Common Edit.<br />

This parameter can be changed via the Knob directly.<br />

Settings: -64 – +0 – +63<br />

FEG Attack/Decay/Release/Depth (FEG Attack Time/Decay Time/Release Time/Depth)<br />

AEG Attack/Decay/Sustain/Release (AEG Attack Time/Decay Time/Sustain Level/Release Time)<br />

Determines the basic EG settings, both volume and filter, for the selected Part. The parameter values offset the same<br />

parameters of the assigned Element set in Voice Element Edit of the assigned Voice. For details about Amplitude EG/<br />

Filter EG, refer to the Filter/EG display (page 43) in Voice Edit. However in the case of the Drum Voices, only AEG Attack<br />

and AEG Decay are available. Each of the AEG parameters can be changed directly via the Knob.<br />

Settings: -64 – +0 – +63<br />

5 3 Band EQ<br />

You can apply 3-band parametric EQ to each Part to adjust the sound. The EQ shapes for Low and High are fixed as<br />

shelving types.<br />

Freq (Frequency)<br />

Frequencies around this point are attenuated /boosted by the “Gain” setting below. Higher values produce higher<br />

frequencies. The Mid Freq parameter can be changed directly via the Knob.<br />

Settings: Low: 50.1Hz – 2.0kHz<br />

Mid: 139.7Hz – 10.1kHz<br />

High: 503.8Hz – 14.0kHz<br />

Gain<br />

Determines the level gain for the Frequency (set above), or the amount the selected frequency band is attenuated or<br />

boosted. This parameter can be changed via the Knob directly.<br />

Settings: -12dB – +0dB – +12dB<br />

Q<br />

This varies the signal level at the “Freq” (Frequency) setting to create various<br />

frequency curve characteristics. The higher the setting, the smaller the<br />

bandwidth. The lower the setting, the greater the bandwidth.<br />

Settings: 0.7 – 10.3<br />

<strong>Reference</strong> <strong>Manual</strong><br />

+<br />

0<br />

–<br />

<strong>Reference</strong><br />

0.7<br />

10.3<br />

Frequency<br />

Frequency<br />

Basic Structure<br />

Multi<br />

Voice<br />

Performance<br />

Multi<br />

SEQ Play<br />

Master<br />

Remote<br />

File<br />

Audio Rec/Play<br />

Utility<br />

Play<br />

Mixing<br />

Edit Select<br />

Common Edit<br />

Name<br />

Arpeggio<br />

Controller<br />

Effect<br />

Parameter<br />

Master EQ<br />

A/D Out<br />

A/D FX<br />

Parameter<br />

Part Edit<br />

Voice<br />

Play Mode<br />

Arpeggio<br />

Arp Edit<br />

Arp 1-5 Type<br />

Filter/EG<br />

3 Band EQ<br />

Rcv Sw<br />

FX Send<br />

Job Select<br />

Recall<br />

Bulk<br />

Copy<br />

Initialize<br />

Appendix<br />

108

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