S90 XS/S70 XS Reference Manual - zZounds.com

More documents

Recommendations

Info

Click Tempo Determines the tempo of the click (metronome) sound. The tempo set here will be applied to the Arpeggio playback. When MIDI Sync is set to “external” or “auto” with the MIDI clock (F8) received, “external” is shown here, and the tempo cannot be set. Settings: 5 – 300, external NOTE: This parameter can be set also by holding the [SHIFT] button and pressing the [ENTER] button a few times at the desired tempo. This function is referred to as “Tap Tempo.” Click Volume Determines the volume level of the click (metronome) sound. Settings: 0 – 127 Click Type Determines the tonal type (Voice) of the click (metronome) sound. Ten types are available. Settings: 1 – 10 Click Output Sel (Click Output Select) Determines the output destination of the click (metronome) sound. Settings: L&R, asL&R, asL, asR Layer/Split/Drum Assign Determines the parameters for the Performance Creator ([LAYER]/[SPLIT]/[DRUM ASSIGN] buttons). Type Determines which Voice is assigned first when using the Performance Creator. When “manual” is selected, the Voice specified as Bank/Number below is assigned. When “random” is selected, a Voice is assigned at random. Settings: manual, random Bank Number Name Determines the Voice assigned first when using the Performance Creator. Select the desired Voice by setting the Bank and Number. The Name is determined automatically. Settings: Bank: PRE1 – 8, USR1 – 4, PDR, UDR, GM, GMDR Number: 001 – 128 Name: Indication only Split Lo/Up (Split Lower/Upper) Determines the keyboard area to which the first Voice is assigned when executing the Split of the Performance Creator. When “both” is selected, the first Voice is assigned to all the notes on the keyboard. When “lower” is selected, the first Voice is assigned to the area lower than the Split Point. When “upper” is selected, the first Voice is assigned to the Split Point and higher. Settings: both, lower, upper Reference Manual Reference Basic Structure Voice Performance Multi SEQ Play Master Remote File Utility Audio Rec/Play Utility Utility Select General Layer/Split/ Drum Assign MIDI Controller Micro Tune Voice Select Arpeggio A/D Out A/D FX Master FX Master EQ Remote Quick Set Panel Lock Fctry Set Appendix 136
2 MIDI This lets you set the MIDI settings of this instrument. Local Control This determines whether or not the tone generator of the instrument responds to your keyboard playing. If you set “Local Control” to “off,” the Knobs, Sliders, keyboard and any controllers on the panel are internally disconnected from the tone generator. Even if this is set to “off,” the data will be transmitted via MIDI. Also, the internal tone generator will respond to messages received via MIDI. Settings: off, on Keyboard Transmit Ch (Keyboard Transmit Channel) Determines the MIDI channel over which the instrument sends MIDI data (to an external sequencer, tone generator, or other device). This parameter is available in the single-timbre tone generator mode (Voice/Performance modes). Settings: 1 – 16, off NOTE: In the Multi mode, the MIDI data created by playing the keyboard/knobs/wheels is sent to the tone generator block or the external MIDI devices via the MIDI channel same as the MIDI Receive channel of the currently selected Part. The Receive channel for each Part can be set in the Voice display (page 101) of Multi Part Edit. Basic Receive Ch (Basic Receive Channel) Determines the MIDI receive channel when this synthesizer is set to single-timbre tone generator mode (Voice/ Performance modes). Settings: 1 – 16, omni, off NOTE: In the Multi mode, the Receive channel for each Part can be set in the Voice display (page 101) of Multi Part Edit. MIDI In/Out Determines which physical output/input terminal(s) will be used for transmitting/receiving MIDI data. Settings: MIDI, USB NOTE: When a USB cable is not connected to the S90 XS/S70 XS, the MIDI terminal will be automatically used for transmitting/receiving MIDI data, even if this parameter is set to “USB.” MIDI Sync Determines whether Arpeggio playback will be synchronized to the instrument’s internal clock or an external MIDI clock. Settings: internal, external, auto NOTE: When setting this instrument so that Arpeggio playback is synchronized to an external MIDI clock, make sure to set the devices so that the MIDI clock from the DAW software/ external MIDI device is properly transmitted to this instrument. Clock Out Determines whether MIDI clock (F8H) messages will be transmitted via MIDI. Settings: off, on internal Synchronization to internal clock. You can use this setting when this tone generator is to be used alone or as the master clock source for other equipment. external Synchronization to a MIDI clock received from an external MIDI instrument via MIDI. You can use this setting when the external device is to be used as master. auto When MIDI clock is transmitted continuously from an external MIDI device or computer, the internal clock of the S90 XS/S70 XS is not effective and the S90 XS/S70 XS is synchronized with the external clock. When MIDI clock is not transmitted from the external MIDI device or computer, the internal clock of the S90 XS/S70 XS continues to run in sync with the latest received tempo of the external MIDI device or computer (DAW software). This setting is useful when you wish to alternate between external clock and internal clock. NOTE: When “MIDI Sync” is set to “external,” MIDI clock of this instrument is not transmitted to an external device. Reference Manual Reference Basic Structure Voice Performance Multi SEQ Play Master Remote File Utility Audio Rec/Play Utility Utility Select General Layer/Split/ Drum Assign MIDI Controller Micro Tune Voice Select Arpeggio A/D Out A/D FX Master FX Master EQ Remote Quick Set Panel Lock Fctry Set Appendix 137
Page 1 and 2:
How to Use This Manual The S90 XS/S
Page 3 and 4:
Tone Generator Block The tone gener
Page 5 and 6:
Elements and Drum Keys Elements and
Page 7 and 8:
Multi A/D Input Block A program in
Page 9 and 10:
How to Use the Arpeggio Type List T
Page 11 and 12:
Arpeggio Playback Types The Arpeggi
Page 13 and 14:
Controller Block This block consist
Page 15 and 16:
Effect Connection in Each Mode Voic
Page 17 and 18:
Delay An effect (or device) that de
Page 19 and 20:
Effect Parameters VCM (Virtual Circ
Page 21:
Parameter name Descriptions Drive R
Page 24 and 25:
Internal Memory As you use this ins
Page 27:
Voice Mode Voice Play The Voice mod
Page 32:
Using the Arpeggio Function The Arp
Page 35 and 36:
PB Range Upper (Pitch Bend Range Up
Page 37 and 38:
Velocity Rate Determines how much t
Page 39 and 40:
Random SFX Some Arpeggio types feat
Page 41 and 42:
Phase Determines the starting phase
Page 43 and 44:
User LFO Cycle Determines the amoun
Page 45 and 46:
Chorus To Reverb Determines the Sen
Page 47 and 48:
Tempo Sync (Delay Tempo Sync) Deter
Page 49 and 50:
Time Velocity Sens (EG Time Velocit
Page 51 and 52:
Cutoff Key Follow (Cutoff Key Follo
Page 53 and 54:
Filter Scale Break Point 1 - 4 Dete
Page 55 and 56:
Segment (EG Time Velocity Sensitivi
Page 57 and 58:
EQ Type (EQ Type) Determines the EQ
Page 59 and 60:
7 Effect Same as the Effect in Norm
Page 61 and 62:
Reverb Send (Key Reverb Send) Deter
Page 63 and 64:
Voice Job The Voice Job mode featur
Page 65 and 66:
Setting examples of the Destination
Page 67 and 68:
Combination Type Filter This type i
Page 69 and 70:
Performance Mode Performance Play T
Page 73 and 74:
Performance Edit Performance Edit c
Page 75:
Arp Tempo (Arpeggio Tempo) Determin
Page 78 and 79:
Effect Parameter 1 - 16 The effect
Page 80 and 81:
Effect Parameters Switch Determines
Page 82 and 83:
2 Play Mode Volume Adjusts the Volu
Page 84 and 85:
Vel Sens Offset (Velocity Sensitivi
Page 86 and 87: Velocity Mode Adjusts the velocity
Page 88 and 89: 4 Filter/EG Cutoff Determines the c
Page 90 and 91: Performance Job The Performance Job
Page 92: Supplementary Information Performan
Page 96: Arp Tempo (Arpeggio Tempo) Determin
Page 99 and 100: 7 A/D FX (A/D Effect) From this dis
Page 101 and 102: Part Edit Part Edit lets you edit t
Page 103 and 104: Velocity Limit Lo/Hi (Velocity Limi
Page 105 and 106: Gate Time Rate Determines how much
Page 107 and 108: Random SFX Some Arpeggio types feat
Page 109 and 110: 6 Rcv Sw (Receive Switch) From this
Page 111: Voice This convenient operation let
Page 115 and 116: Master Mode The Master mode offers
Page 117 and 118: 3 Zone Sw (Zone Switch) Zone Switch
Page 119 and 120: 2 Note From this display you can se
Page 121 and 122: Master Job The Master Job mode feat
Page 123 and 124: Remote Mode In the Remote mode, you
Page 126: File Mode The File mode provides to
Page 130 and 131: File Job In the File Job display, d
Page 133 and 134: Utility Mode In the Utility mode, y
Page 135: Knob Curve Adjusts the touch respon
Page 139 and 140: 3 Controller Determines Controller
Page 141 and 142: Output Select Determines the output
Page 143 and 144: Master EQ (Voice Master EQ) This di
Page 145 and 146: 8 Panel Lock Determines which butto
Page 147 and 148: Port 2 This port is used to control
Page 149 and 150: Brightness (Control #74) Messages w
Page 151 and 152: System Messages System messages are
Page 153 and 154: LCD Indication Description Load All
Page 155 and 156: Are the parameter settings such as
Page 157 and 158: Wrong pitch or unexpected pitch Is
Page 159 and 160: The S90 XS/S70 XS does not sound pr
show all

S90 XS/S70 XS Reference Manual - zZounds.com

Create successful ePaper yourself

Delete template?

Save as template?