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243<br />

2. Supper it being ended and over<br />

And the company sat 'round to sing a song<br />

And the first that was asked was the fonner true lovyer<br />

And he said for the bride that he would sing one.<br />

3. "How can you lie your head on another man's ann,<br />

You that have been mine so late?<br />

And it grieves me now for to wear a green willow<br />

Sighing and lamenting for your sake."<br />

4. Oh the bride she sitting at the head of the table<br />

Hearing these words that she knew right well<br />

No longer to bear it she was not able<br />

Twas down by the feet of the bridegroom she fell.<br />

5. "Oh there's one request of you I will ask love<br />

There is one request pray grant it to me<br />

This very night for to lie with my momma<br />

And the rest of my time I will lie long with thee."<br />

6. This request it was freely granted<br />

Sobbing and sighing as she went to bed<br />

He rose early day the next morning<br />

He went and he found that his young bride was dead.<br />

7 . Oh we (at)tended the funeral in a deep suit of mourning<br />

Sobbing and sighing as he walked along<br />

Two or three days after he ended his own life<br />

And agrieved his parents and everyone.<br />

8. Oh a green willow tree is a very handsome tlower<br />

All in the spring time of the year<br />

Where there's many a true lovyer spends many a long hour<br />

Talking of love that was never there.<br />

As the triangular argumentation of these "songs of women's wailing" suggests, the<br />

worst impediment to a couple's union is not the man's death but the woman's<br />

faithlessness. This irremediably brings about the failure of her own future with the one or<br />

any other partner. "Recognition" here is of her lasting love for her former lover and<br />

irresolute attachment to her would-be husband. Her strange request "to spend a last night<br />

with her mother," in the ballad idiom, signifies her awareness of imminent dealh--but also<br />

defeat. This death has an entirely different valuation from the one preceding; instead of<br />

signifying the consummation of love beyond fatality, such a death, like that of any ballad<br />

criminal, is "the wages of sin."1 Whereas the faithful heroine is "promoted" to marriage<br />

I Laws, American 15.

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