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52<br />

1.<br />

The Pragmatic Context<br />

Redfield recommends thaI the invesligalion of cultural worldview progress from<br />

describing the milieu in its immediate and objeclive reality lawards less readily observable<br />

aspects of culture. To initiate this inquiry, the following two chapters examine the<br />

ethnographic reality of the symbolic expressions of Newfoundland's trilditional culture on<br />

the undersmnding that<br />

The singing of songs mUSt, in some manner or other, rehllc 10 the<br />

unfolding drama that is the human community. Traditional songs--like the<br />

community and its institutions--outlive the individual actors involved, so<br />

for them 10 persist through time they must speak to individuals in Icons of<br />

cultural constants .... The locus of the continuity of folklore fomls may<br />

finally be found in lhe social roles of a community (...) and their relalion<br />

to the persistem problems ofcommunity organization and survival. t<br />

The first of lhese chaplers surveys the major eXlernal evems which have shaped<br />

Newfoundland's society; the second looks al the moral orientalions of its people in these<br />

circumstances with a view to assessing lhe meanings thal classical ballads and other genres<br />

have communicated to local audiences in the light of lhese "pragmatics."

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