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354<br />

Conclusions<br />

This invesligalion of death as an expression of worldview in Newfoundland has<br />

examined salient diachronic and synchronic aspects of its culture, and paid particular<br />

attention 10 the relevant classical ballads. This intra-cultural examination, besides, has been<br />

guided by insights borrowed from psychology, sociology and cultural history with regard<br />

to personal, social and cullural responses to dealh. The result is a set of three distinct<br />

analyses "identifying" meanings at the levels of these ballads' pragmatic, symbolic and<br />

poetic contexts. PUI together, this data projects a constellation of meanings expressed both<br />

within and around the ballads, and allows an assessment of the cullural character of their<br />

worldview with respect to death.<br />

In nccordance with the initial hYJX>thesis of this thesis, this analysis of cultural altitudes<br />

about death claims to have found unity underneath diversity, or, as Renwick suggests<br />

concerning a heterogeneous body of English folk poetry, "the coherence of a unified<br />

system of meanings."1 The present study, indeed, yields an "interpretation" of these<br />

ballads' message as corresponding both with their people's environment and their<br />

expressive culture at large. More even than a fitling pan of this culture, the ballad corpus,<br />

within its own poetic context, articulates a sharp expression of this cultural message.<br />

While this translates attitudes and meanings pervading Anglo-American classical balladry<br />

and even Western cultural tradition at large, its expression via the Newfoundland ballad<br />

corpus and its revenant types in particular, attests emphasis and popularity suggesting<br />

uncommon and lasting significance locally. Even though Iheir message makes universal<br />

sociological and psychological sense. the maritime as well as "traditional" character of<br />

'ewfoundland society quite reasonably accounts for the revenant types' local prominence<br />

and Sllccess. As a poetic and eminently dramatic expression of Newfoundlanders'<br />

voluntary and positive attti[lJde 10 life, whatever its hardships, these ballads' message has<br />

likely sustained Iheir people's courage in life, and especially in bereavement.<br />

To assess the cultural meaning and function of the local ballad corpus. I propose to<br />

start back from the core analysis of this study and "reconstruct" Newfoundland's death<br />

tradition .md worldview around it.<br />

IRcnwick. EnglLth 14.

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