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DEATH A D WORLDVIEW I A BALLAD CULT
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iv Table of Contents Introouction p
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This study of worldview in a ballad
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self and the olher.! Our judgement
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lIe distinguishes "ethos" from worl
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16 nature, leads the ethnographer f
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20 . folklore ... constitutes a bas
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22 When sufficient evidence has bee
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- Page 44 and 45: consequences.! More, Raymond Firth
- Page 47: symlx>lism of the funeral period ha
- Page 54 and 55: 49 These revenants, which the women
- Page 56 and 57: The process of traditionalizing an
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- Page 87 and 88: 82 ... its (the folk society] power
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- Page 106 and 107: 101 beyond death. To this general p
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- Page 112: 107 Chapter 5 Omens, Lights, Phanto
- Page 117 and 118: 112 5.2. "Ye'll not die, son, till
- Page 122: PURITY The Kflown The Natural Prese
- Page 126 and 127: 121 environment. I The case clearly
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127 oneself in this lethal environm
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135 progressively internalizing the
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140 whalever the deeper meaning of
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142 Chapter 6 "Hard Death": Persona
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145 In keeping with the recognized
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151 bUI of becoming pregnant 10 boO
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153 c'esi-a-dire d'un patrimoine co
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156 intcresling--if all too obvious
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158 Full load of general cargo for
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163 denunciation and resolUlion. In
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168 a little while ago. We emptied
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171 The Seagulls Still Follow on Fr
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173 merely to the "new" horror of d
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178 traditional society. I As a pol
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182 a "falalistic belief in God's w
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186 Even though "there was only fai
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191 together in church. When three
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194 could be no joke, even among fr
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196 hear her comment. "he should be
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199 "Enrollments," which were total
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201 Vatican Council II stressed the
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203 action, consequently, was large
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206 between the two: the impression
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209 8.1. "His spirit was what hagge
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212 buried beneath each one, and fe
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217 The following nalive account, w
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221 While the means of salvation ar
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223 burying her husband and son, a
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225 somehow still behaves like a li
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228 weakness than the "human" satis
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, E 233 Chapter 9 Heartbreak: Fetch
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235 by the sQU'WeSler, but she didn
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237 A posteriori, many of these wid
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241 This well-known plot illustrati
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243 2. Supper it being ended and ov
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246 The local repenoire still also
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251 Oh dig me a grave long, narrow,
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253 The Deserter l 1. You tender-he
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10.1. "I saw Mum last night" 255 Ch
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259 and trust in Your love and prom
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261 These stories show how the dead
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Jimmy Whelan l 263 I . One evening
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266 "in thinking on you I encounter
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268 4. "My dear," she says "You don
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270 and the religiolls undertones o
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272 Father K. remembers the case of
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274 Photographs as well as telephon
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276 separation through death,! such
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279 other hand, persists best in th
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281 once a year for Christmas, or w
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283 (0 fifteen or (wenty people to
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285 you will find uncontrollable em
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289 testimonies, on the other hand,
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291 especially the older people in
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293 FO: They usually dress--this is
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295 FO: We have three cemeteries an
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297 Gratitude on behalf of "the fam
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299 While the material burden of fu
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301 Chapter 12 The Sources Newfound
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303 language use and ealing habits.
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305 'Come-aU-ye' type of rune. They
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307 The latest published song colle
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309 Although the title of Kinsella'
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311 for the Newfoundland public, wh
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313 In November 1986, as a result o
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316 1972 is meant to give an indica
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318 Ch 14 Seven reported singings i
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320 (missing from MUNFLA), two by M
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322 This fraction gives us an evalu
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Clara Stevens 51 Pam Morgan 30 Mati
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326 Whether or not classical ballad
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329 Chapter 13 Death according to T
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332 several spheres of action; and
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335 young man in a duel, and only f
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"The Suffolk Miracle" (Ch 272) 337
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13.6.1. By a Third Character 339 In
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341 visited by her lover's revenant
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13.8.3. Ballads versus Mourning 345
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347 between life and death, the lov
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349 and beliefs, this counter-examp
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351 restricted to a particular subg
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354 Conclusions This invesligalion
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357 enhance its standard meaning. T
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359 I am thankful to you Lady Marga
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361 argument to the effect of oblit
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363 The clearest illustration of th
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366 living and the dead, which inde
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368 grief as abound in its texts ev
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372 Works Cited Aarnc, Anni & Stith
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374 Blondahl, 0111ar. Newfoundlande
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376 -------. Neil V. Rosenberg and
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380 Halpert, Herbert and George M.
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383 Lord, Alben B. The Singer otTal
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390 Thomas, Louis-Vincent. Rites de
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