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Chorus<br />

An audio delay in the range of 15-20 milliseconds is too short to be an echo, but is<br />

perceived by the ear as a distinctly separate sound. If we now vary the delay time in this<br />

range, an effect called chorus is created, which gives the illusion of multiple sound<br />

sources. A slight amount of feedback serves to increase the effect. A very slow LFO rate<br />

is usually best for a realistic effect, but a faster LFO rate can also be useful with minimal<br />

LFO depth (.2). Since this is a stereo chorus, an LFO phase parameter is included which<br />

can be used to widen the stereo image.<br />

Parameter Description<br />

Delay Sets the length of the delay. Range: 0ms to 20ms.<br />

Feedback Sets the amount of delayed signal that will be recirculated through<br />

the delay line. Range: 0% to 100%<br />

LFO Rate Sets the frequency of the low frequency oscillator.<br />

Range: .01Hz to 10Hz<br />

LFO Depth Sets how much the LFO affects the delay time. Increases the<br />

animation and amount of the chorus effect. Range: 0% to 100%<br />

LFO Waveform Selectable between Sine or Triangle wave.<br />

LFO L/R Phase Controls the stereo width by adjusting the phase difference of the LFO<br />

waveform between left and right channels. Range: -180° to +180°<br />

Compressor<br />

In its simplest form, an audio compressor is just an automatic gain control. When the<br />

volume gets too loud, the compressor automatically turns it down. Compressors are<br />

useful in musical applications because they allow you to record a “hotter” signal<br />

without overloading the recording device.<br />

Since the compressor turns down the gain of the signal, you might wonder how can it<br />

make the signal level stronger. A Post Gain control allows you to boost the output gain<br />

of the compressor in order to make up for the gain reduction. The overall level is higher<br />

and only turned down when the signal level gets too loud. This level is called the<br />

Threshold, which just happens to be the most important control on the compressor.<br />

In<br />

Signal path = Stereo<br />

Delay<br />

Level<br />

Control<br />

VCA<br />

Threshold Post Gain<br />

Ratio Attack Release<br />

5 - Effects<br />

Core Effects Descriptions<br />

E-MU PCI Digital Audio Systems 67<br />

Out

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