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Proceedings e report - Firenze University Press

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STRUCTURAL DEFECT DETECTION USING ACOUSTIC HOLOGRAPHY IN THE<br />

CULTURAL HERITAGE FIELD – A PRELIMINARY STUDY<br />

Sandie Le Conte 1 *, Sylvie Le Moyne 2<br />

1 Laboratoire du Musée de la musique. Paris, France.<br />

2 UPMC Université Paris 6, Institut Jean Le Rond d'Alembert, CNRS UMR 7190. Paris, France.<br />

Abstract<br />

We are now able to measure a dynamic property of the wood [1], the loss angle through the whole audio<br />

frequency range (20 Hz- 20 kHz), when the wood sample is excited with a continue vibration (simulation of the<br />

playing effect). But its disadvantage is that it’s a destructive technique because we need a wood sample. So, in<br />

addition, to know better the dynamical behaviour of a whole wooden structure we use holographic acoustic.<br />

After preliminary acoustical holography experiments realized on a 17 th century harpsichord, a detailed study has<br />

been carried out to measure the wooden structure ageing using this technique. The main objective of this<br />

measurement is to control the stress on a soundboard before the rupture due to string tension, due to vibration<br />

when the musical instrument is played, or due to low hygrometric variations. Indeed, all these modifications in<br />

the structure will modify dynamical response of this structure. We show that this technique is able to detect a<br />

simulated structural defect in the soundboard, by measuring a shift for a few resonance frequencies.<br />

1. Introduction<br />

The Musée de la musique laboratory is carrying research to improve the knowledge of the mechanical<br />

phenomena related to conservation and restoration of the soundboards of musical instruments. Indeed,<br />

the soundboard is one of the most important elements in the sound production of stringed instruments.<br />

Musical instruments preserved in the museum are cultural heritage objects, and not only their material<br />

integrity, but also their sound production function should be preserved, when possible. This goes with<br />

the conservation of the vibrational properties of the wood of the soundboard (Young's modulus, loss<br />

angle and resonance frequencies). Particularly, it is interesting to understand the mechanical effects<br />

due to string tension and/or to hygrometric variations on load structure as the soundboard. How is it<br />

possible to detect cracks, or loading variations on the soundboard through vibrational analysis without<br />

contact? Any structural modification of the vibrating element induces a variation in its acoustic<br />

response.<br />

The playing conditions for a musical instrument induce quick hygrometric variations for the wood. In<br />

fact, the proximity of the musician generates an increase of temperature and humidity in the musical<br />

instrument's environment. Preliminary viscoelasticity measurements of the variation of the loss angle<br />

with hygrometry changes have shown that this property is very sensitive to water content in wood<br />

(Fig. 1) ([2]).<br />

Loss angle variation (%)<br />

Time (min)<br />

Fig. 1 Water content effect on the spruce loss angle at 300 Hz . The grey squares are for a dried sample, and the<br />

black ones for a sample conditioned at 12 %<br />

* E-mail: sleconte@cite-musique.fr<br />

Joseph Gril (edited by), Wood Science for Conservation of Cultural Heritage –Braga 2008: <strong>Proceedings</strong> of the International<br />

Conference held by COST Action IE0601 (Braga - Portugal, 5-7 November 2008, ISBN 978-88-6453-157-1 (print)<br />

ISBN 978-88-6453-165-6 (online) © 2010 <strong>Firenze</strong> <strong>University</strong> <strong>Press</strong>

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