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Proceedings e report - Firenze University Press

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EFFECT OF THERMAL TREATMENT ON STRUCTURAL DEFECTS<br />

OF MODEL PANEL PAINTINGS<br />

Anna Moutsatsou 1 *, Eleni Kouloumpi 1 , Agni-Vasileia Terlixi 1 , Marc Georges 2 , Cédric Thizy 2 ,<br />

Vici Tornari 3 , Michail Doulgeridis 1<br />

1 National Gallery – Alexandros Soutzos Museum, Athens (NG), Greece<br />

2 Centre Spatial de Liège (CSL), Université de Liège, Belgium<br />

3 Inst. of Electronic Structure and Laser (IESL), Foundation of Research and Technology, Heraklion, Greece<br />

Abstract<br />

The European research project “MultiEncode” (Multifunctional Encoding System for the Assessment of<br />

Movable Cultural Heritage) involves the use of holography for the “encoding” of structural defects of a painting<br />

and consequently the development of a tool to confirm the originality and to diagnose the state of preservation of<br />

the object, before and after exhibition or loan. The National Gallery’s participation includes the construction of<br />

model panel paintings, which were holographically examined before and after thermal treatment. This paper<br />

describes the thermal program followed and some preliminary results of the samples examination by means of<br />

Dynamic Holographic Interferometry (DyHI).<br />

1. Introduction<br />

The MultiEncode European research project aims to use the advantages of holographic technology in<br />

order to develop an innovative Impact Assessment Procedure. The proposed methodology relies on the<br />

idea of holographic “encoding” of structural defects of an artwork that will be transported or loaned.<br />

The selected defects are considered to form the “signature” of the object. The same defects are to be<br />

detected again after the return of the artwork to the museum. By this way, it is possible to confirm the<br />

originality and to diagnose the state of preservation of the object [1].<br />

National Gallery’s participation in the project as an end-user comprises the definition of “signature<br />

defects” of panel paintings, the construction of artificial samples that imitate original panel paintings<br />

and the evaluation of the holographic experimental results [2]. For the construction of the model panel<br />

paintings, an integral protocol has been developed. The protocol comprised the design, construction<br />

and documentation of the samples, as well as the thermal treatment before and after conservation<br />

interventions.<br />

2. Materials and methods<br />

A series of artificial samples was prepared, taking into consideration the typical structure of a panel<br />

painting (for example, a post-Byzantine icon), the factors of deterioration and the type of defects that<br />

usually occur (see Fig. 1). The main target was the simulation of all possible structures of a panel<br />

painting (use of textile, nails, etc.), and the reproduction of all the types of defects, such as knots,<br />

cracked wood, loss of ground and paint layers, etc. The samples were divided into 6 groups; each<br />

group contained 3 identical samples. Thus each of the three technical partners (Centre Spatial de Liège -<br />

CSL, Institute of Electronic Structure and Laser, FORTH Crete - IESL and Institut fuer Technishe Optik,<br />

Stuttgart – ITO) acquired all six types of samples. Pine wood was selected, according to traditional<br />

handbooks that suggest softwoods as substrates for byzantine and post-byzantine icons. At the<br />

beginning, the samples were sent to the three technical partners for holographic examination and then<br />

they were sent back to the National Gallery for thermal treatment.<br />

Referring to thermal treatment, it has to be noticed that the present experimental procedure aimed to<br />

provoke defects to the wooden substrates, in order to evaluate a novel structural diagnostic<br />

methodology, without taking into account the alterations of the painted surface. For this, extended<br />

literature research has been performed. Most of the international standards (ISO, ASTM, etc.)<br />

referring to artificial ageing of wood, aim to test products that prevent wood degradation. Furthermore,<br />

* E-mail: annamoutsatsou@nationalgallery.gr<br />

Joseph Gril (edited by), Wood Science for Conservation of Cultural Heritage –Braga 2008: <strong>Proceedings</strong> of the International<br />

Conference held by COST Action IE0601 (Braga - Portugal, 5-7 November 2008, ISBN 978-88-6453-157-1 (print)<br />

ISBN 978-88-6453-165-6 (online) © 2010 <strong>Firenze</strong> <strong>University</strong> <strong>Press</strong>

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