LilyPond Beginnershandleiding

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Hoofdstuk 4: Tweaking output 108 } } >> r4 | Since the length of stems and many other length-related properties are always calculated relative to the value of the staff-space property these are automatically scaled down in length too. Note that this affects only the vertical scale of the ossia – the horizontal scale is determined by the layout of the main music in order to remain synchronized with it, so it is not affected by any of these changes in size. Of course, if the scale of all the main music were changed in this way then the horizontal spacing would be affected. This is discussed later in the layout section. This, then, completes the creation of an ossia. The sizes and lengths of all other objects may be modified in analogous ways. For small changes in scale, as in the example above, the thickness of the various drawn lines such as bar lines, beams, hairpins, slurs, etc does not usually require global adjustment. If the thickness of any particular layout object needs to be adjusted this can be best achieved by overriding its thickness property. An example of changing the thickness of slurs was shown above in Sectie 4.2.1 [Properties of layout objects], pagina 93. The thickness of all drawn objects (i.e., those not produced from a font) may be changed in the same way. 4.4 Placement of objects 4.4.1 Automatic behavior There are some objects in musical notation that belong to the staff and there are other objects that should be placed outside the staff. These are called within-staff objects and outside-staff objects respectively. Within-staff objects are those that are located on the staff – note heads, stems, accidentals, etc. The positions of these are usually fixed by the music itself – they are vertically positioned on specific lines of the staff or are tied to other objects that are so positioned. Collisions of note heads, stems and accidentals in closely set chords are normally avoided automatically. There are commands and overrides which can modify this automatic behavior, as we shall shortly see. Objects belonging outside the staff include things such as rehearsal marks, text and dynamic markings. LilyPond’s rule for the vertical placement of outside-staff objects is to place them as close to the staff as possible but not so close that they collide with any other object. LilyPond uses the outside-staff-priority property to determine the order in which the objects should be placed, as follows. First, LilyPond places all the within-staff objects. Then it sorts the outside-staff objects according to their outside-staff-priority. The outside-staff objects are taken one by one, beginning with the object with the lowest outside-staff-priority, and placed so that they do not collide with any objects that have already been placed. That is, if two outside-staff grobs are competing for the same space, the one with the lower outside-staff-priority will be placed closer to the staff. If two objects have the same outside-staff-priority the one encountered first will be placed closer to the staff.
Hoofdstuk 4: Tweaking output 109 In the following example all the markup texts have the same priority (since it is not explicitly set). Note that ‘Text3’ is automatically positioned close to the staff again, nestling under ‘Text2’. c2^"Text1" c2^"Text2" | c2^"Text3" c2^"Text4" | Text2 Text4 Text1 Text3 Staves are also positioned, by default, as closely together as possible (subject to a minimum separation). If notes project a long way towards an adjacent staff they will force the staves further apart only if an overlap of the notation would otherwise occur. The following example demonstrates this ‘nestling’ of the notes on adjacent staves:
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LilyPond Beginnershandleiding Het L
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3.1.4 On the un-nestedness of brack
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Hoofdstuk 1: Leerboek 1 1 Leerboek
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Hoofdstuk 1: Leerboek 3 Uit de menu
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Hoofdstuk 1: Leerboek 5 Stap 3. Bek
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Hoofdstuk 1: Leerboek 7 Stap 1. Maa
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Hoofdstuk 1: Leerboek 9 Stap 2a. Co
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Hoofdstuk 1: Leerboek 11 Het PDF-be
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Hoofdstuk 1: Leerboek 13 1.1.4 Comm
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Hoofdstuk 1: Leerboek 15 Relatieve
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Hoofdstuk 1: Leerboek 17 4 3
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Hoofdstuk 1: Leerboek 19 • Uitdru
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Hoofdstuk 1: Leerboek 21 • Voorda
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Hoofdstuk 2: Algemene muzieknotatie
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Hoofdstuk 3: Fundamentele concepten
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Page 93 and 94: Hoofdstuk 4: Tweaking output 89 The
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Page 97 and 98: Hoofdstuk 4: Tweaking output 93 Zie
Page 99 and 100: Hoofdstuk 4: Tweaking output 95 mak
Page 101 and 102: Hoofdstuk 4: Tweaking output 97 4.2
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Page 105 and 106: Hoofdstuk 4: Tweaking output 101 }
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Page 115 and 116: Hoofdstuk 4: Tweaking output 111 \o
Page 117 and 118: Hoofdstuk 4: Tweaking output 113 5
Page 119 and 120: Hoofdstuk 4: Tweaking output 115 Sl
Page 123 and 124: Hoofdstuk 4: Tweaking output 119 si
Page 125 and 126: Hoofdstuk 4: Tweaking output 121 b2
Page 127 and 128: Hoofdstuk 4: Tweaking output 123 st
Page 129 and 130: Hoofdstuk 4: Tweaking output 125 Th
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Page 139 and 140: Hoofdstuk 4: Tweaking output 135 \s
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Page 145 and 146: Hoofdstuk 4: Tweaking output 141 %%
Page 147 and 148: Hoofdstuk 4: Tweaking output 143 7)
Page 149 and 150: Appendix A: Templates 145 \melody }
Page 151 and 152: Appendix A: Templates 147 \score {
Page 153 and 154: Appendix A: Templates 149 } \layout
Page 155 and 156: Appendix A: Templates 151 %%%%% (Th
Page 157 and 158: Appendix A: Templates 153 Violin 1
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Appendix A: Templates 159 altonotes
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Appendix A: Templates 161 } \clef "
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Appendix A: Templates 163 > % End S
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Appendix A: Templates 165 dot = \ma
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Appendix A: Templates 167 A.5 Orche
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Appendix A: Templates 169 } \new St
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Appendix A: Templates 171 } \overri
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Appendix A: Templates 173 tenorNote
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Appendix A: Templates 175 } } } Dis
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Appendix A: Templates 177 \header {
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Appendix A: Templates 179 } trombon
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Appendix A: Templates 181 } down =
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Appendix B: GNU Free Documentation
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Appendix C: LilyPond register 191 \
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Appendix C: LilyPond register 193 L
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Appendix C: LilyPond register 195 t
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