LilyPond Beginnershandleiding

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Appendix A: Templates 170 Lyr 8 Lyr Ah Lyr Flute Piano Soprano Alto I Alto II Tenor Violin I Violin II Viola Cello Clarinet in B Horn in F Trumpet in C Percussion Double Bass 8 ics ics ah ics A.6 Ancient notation templates A.6.1 Transcription of mensural music When transcribing mensural music, an incipit at the beginning of the piece is useful to indicate the original key and tempo. While today musicians are used to bar lines in order to faster recognize rhythmic patterns, bar lines were not yet invented during the period of mensural music; in fact, the meter often changed after every few notes. As a compromise, bar lines are often printed between the staves rather than on the staves. global = { \set Score.skipBars = ##t % incipit \once \override Score.SystemStartBracket.transparent = ##t % Set tight spacing \override Score.SpacingSpanner.spacing-increment = #1.0 \key f \major \time 2/2 \once \override Staff.TimeSignature.style = #'neomensural \override Voice.NoteHead.style = #'neomensural
Appendix A: Templates 171 } \override Voice.Rest.style = #'neomensural \set Staff.printKeyCancellation = ##f \cadenzaOn % turn off bar lines \skip 1*10 \once \override Staff.BarLine.transparent = ##f \bar "||" \skip 1*1 % need this extra \skip such that clef change comes % after bar line \bar "" % main \cadenzaOff % turn bar lines on again \once \override Staff.Clef.full-size-change = ##t \set Staff.forceClef = ##t \key g \major \time 4/4 \override Voice.NoteHead.style = #'default \override Voice.Rest.style = #'default % Setting printKeyCancellation back to #t must not % occur in the first bar after the incipit. Dto. for forceClef. % Therefore, we need an extra \skip. \skip 1*1 \set Staff.printKeyCancellation = ##t \set Staff.forceClef = ##f \skip 1*7 % the actual music % let finis bar go through all staves \override Staff.BarLine.transparent = ##f % finis bar \bar "|." discantusNotes = { \transpose c' c'' { \set Staff.instrumentName = #"Discantus " % incipit \clef "neomensural-c1" c'1. s2 % two bars \skip 1*8 % eight bars \skip 1*1 % one bar % main \clef "treble" d'2. d'4 | b e' d'2 | c'4 e'4.( d'8 c' b | a4) b a2 | b4.( c'8 d'4) c'4 |
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LilyPond Beginnershandleiding Het L
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3.1.4 On the un-nestedness of brack
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Hoofdstuk 1: Leerboek 1 1 Leerboek
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Hoofdstuk 1: Leerboek 3 Uit de menu
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Hoofdstuk 1: Leerboek 5 Stap 3. Bek
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Hoofdstuk 1: Leerboek 7 Stap 1. Maa
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Hoofdstuk 1: Leerboek 9 Stap 2a. Co
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Hoofdstuk 1: Leerboek 11 Het PDF-be
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Hoofdstuk 1: Leerboek 13 1.1.4 Comm
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Hoofdstuk 1: Leerboek 15 Relatieve
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Hoofdstuk 1: Leerboek 17 4 3
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Hoofdstuk 1: Leerboek 19 • Uitdru
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Hoofdstuk 1: Leerboek 21 • Voorda
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Hoofdstuk 2: Algemene muzieknotatie
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Hoofdstuk 3: Fundamentele concepten
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Hoofdstuk 4: Tweaking output 89 The
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Hoofdstuk 4: Tweaking output 91 The
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Hoofdstuk 4: Tweaking output 93 Zie
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Hoofdstuk 4: Tweaking output 95 mak
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Hoofdstuk 4: Tweaking output 97 4.2
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Hoofdstuk 4: Tweaking output 99 Zie
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Hoofdstuk 4: Tweaking output 101 }
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Hoofdstuk 4: Tweaking output 105
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Hoofdstuk 4: Tweaking output 109 In
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Hoofdstuk 4: Tweaking output 111 \o
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Hoofdstuk 4: Tweaking output 113 5
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Hoofdstuk 4: Tweaking output 115 Sl
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Hoofdstuk 4: Tweaking output 117
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Page 131 and 132: Hoofdstuk 4: Tweaking output 127 }
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Page 139 and 140: Hoofdstuk 4: Tweaking output 135 \s
Page 141 and 142: Hoofdstuk 4: Tweaking output 137 \s
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Page 145 and 146: Hoofdstuk 4: Tweaking output 141 %%
Page 147 and 148: Hoofdstuk 4: Tweaking output 143 7)
Page 149 and 150: Appendix A: Templates 145 \melody }
Page 151 and 152: Appendix A: Templates 147 \score {
Page 153 and 154: Appendix A: Templates 149 } \layout
Page 155 and 156: Appendix A: Templates 151 %%%%% (Th
Page 157 and 158: Appendix A: Templates 153 Violin 1
Page 159 and 160: Appendix A: Templates 155 hi
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Page 163 and 164: Appendix A: Templates 159 altonotes
Page 165 and 166: Appendix A: Templates 161 } \clef "
Page 167 and 168: Appendix A: Templates 163 > % End S
Page 169 and 170: Appendix A: Templates 165 dot = \ma
Page 171 and 172: Appendix A: Templates 167 A.5 Orche
Page 173: Appendix A: Templates 169 } \new St
Page 177 and 178: Appendix A: Templates 173 tenorNote
Page 179 and 180: Appendix A: Templates 175 } } } Dis
Page 181 and 182: Appendix A: Templates 177 \header {
Page 183 and 184: Appendix A: Templates 179 } trombon
Page 185 and 186: Appendix A: Templates 181 } down =
Page 187 and 188: Appendix B: GNU Free Documentation
Page 195 and 196: Appendix C: LilyPond register 191 \
Page 197 and 198: Appendix C: LilyPond register 193 L
Page 199: Appendix C: LilyPond register 195 t
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