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Hoofdstuk 3: Fundamentele concepten 72 } a4 b c d sopranoLyrics = \lyricmode { Aaa Bee Cee Dee } celloMusic = \relative c { \clef "bass" \key c \major \time 4/4 d4 g fis8 e d4 } \score { > \layout { } \midi { } } This is looking promising, but the cello part won’t appear in the score – we haven’t used it in the \score section. If we want the cello part to appear under the soprano part, we need to add \new Staff \celloMusic underneath the soprano stuff. We also need to add > around the music – that tells <strong>LilyPond</strong> that there’s more than one thing (in this case, two Staves) happening at once. The \score looks like this now: \score { \new Staff \celloMusic >> \layout { } \midi { } } This looks a bit messy; the indentation is messed up now. That is easily fixed. Here’s the complete soprano and cello template. \version "2.17.21" sopranoMusic = \relative c' {
Hoofdstuk 3: Fundamentele concepten 73 } Zie ook \clef "treble" \key c \major \time 4/4 a4 b c d sopranoLyrics = \lyricmode { Aaa Bee Cee Dee } celloMusic = \relative c { \clef "bass" \key c \major \time 4/4 d4 g fis8 e d4 } \score { \new Staff \celloMusic >> \layout { } \midi { } } Aaa Bee Dee Cee The starting templates can be found in the ‘Templates’ appendix, see Sectie A.1 [Single staff templates], pagina 144. 3.4.2 Four-part SATB vocal score Most vocal scores of music written for four-part mixed choir with orchestral accompaniment such as Mendelssohn’s Elijah or Handel’s Messiah have the choral music and words on four staves, one for each of SATB, with a piano reduction of the orchestral accompaniment underneath. Here’s an example from Handel’s Messiah:
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LilyPond Beginnershandleiding Het L
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3.1.4 On the un-nestedness of brack
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Hoofdstuk 1: Leerboek 1 1 Leerboek
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Hoofdstuk 1: Leerboek 3 Uit de menu
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Hoofdstuk 1: Leerboek 5 Stap 3. Bek
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Hoofdstuk 1: Leerboek 7 Stap 1. Maa
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Hoofdstuk 1: Leerboek 9 Stap 2a. Co
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Hoofdstuk 1: Leerboek 11 Het PDF-be
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Hoofdstuk 1: Leerboek 13 1.1.4 Comm
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Hoofdstuk 1: Leerboek 15 Relatieve
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Hoofdstuk 1: Leerboek 17 4 3
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Hoofdstuk 1: Leerboek 19 • Uitdru
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Page 115 and 116: Hoofdstuk 4: Tweaking output 111 \o
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Hoofdstuk 4: Tweaking output 123 st
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Hoofdstuk 4: Tweaking output 125 Th
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Hoofdstuk 4: Tweaking output 127 }
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Hoofdstuk 4: Tweaking output 129 Th
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Hoofdstuk 4: Tweaking output 135 \s
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Hoofdstuk 4: Tweaking output 137 \s
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Hoofdstuk 4: Tweaking output 139
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Hoofdstuk 4: Tweaking output 141 %%
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Hoofdstuk 4: Tweaking output 143 7)
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Appendix A: Templates 145 \melody }
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Appendix A: Templates 147 \score {
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Appendix A: Templates 149 } \layout
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Appendix A: Templates 151 %%%%% (Th
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Appendix A: Templates 153 Violin 1
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Appendix A: Templates 155 hi
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Appendix A: Templates 157
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Appendix A: Templates 159 altonotes
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Appendix A: Templates 161 } \clef "
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Appendix A: Templates 163 > % End S
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Appendix A: Templates 165 dot = \ma
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Appendix A: Templates 167 A.5 Orche
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Appendix A: Templates 169 } \new St
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Appendix A: Templates 171 } \overri
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Appendix A: Templates 173 tenorNote
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Appendix A: Templates 175 } } } Dis
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Appendix A: Templates 177 \header {
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Appendix A: Templates 179 } trombon
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Appendix A: Templates 181 } down =
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Appendix B: GNU Free Documentation
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Appendix C: LilyPond register 191 \
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Appendix C: LilyPond register 193 L
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Appendix C: LilyPond register 195 t
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