LilyPond Beginnershandleiding

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Appendix A: Templates 160 p do p re mp 8 mi mf mi do re mi mi do re mi mi f do re mi mi A.4.5 Solo verse and two-part refrain This template creates a score which starts with a solo verse and continues into a refrain for two voices. It also demonstrates the use of spacer rests within the \global variable to define meter changes (and other elements common to all parts) throughout the entire score. global = { \key g \major } % verse \time 3/4 s2.*2 \break % refrain \time 2/4 s2*2 \bar "|." SoloNotes = \relative g' { \clef "treble" } % verse g4 g g | b4 b b | % refrain R2*2 | SoloLyrics = \lyricmode { One two three | four five six | } SopranoNotes = \relative c'' {
Appendix A: Templates 161 } \clef "treble" % verse R2.*2 | % refrain c4 c | g4 g | SopranoLyrics = \lyricmode { la la | la la | } BassNotes = \relative c { \clef "bass" } % verse R2.*2 | % refrain c4 e | d4 d | BassLyrics = \lyricmode { dum dum | dum dum | } \score { \new Lyrics \lyricsto "SoloVoice" \SoloLyrics \new ChoirStaff \new Lyrics \lyricsto "SopranoVoice" \SopranoLyrics \new Voice = "BassVoice" > \new Lyrics \lyricsto "BassVoice" \BassLyrics >> >> \layout { ragged-right = ##t \context { \Staff % these lines prevent empty staves from being printed \RemoveEmptyStaves \override VerticalAxisGroup.remove-first = ##t } }
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LilyPond Beginnershandleiding Het L
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3.1.4 On the un-nestedness of brack
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Hoofdstuk 1: Leerboek 1 1 Leerboek
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Hoofdstuk 1: Leerboek 3 Uit de menu
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Hoofdstuk 1: Leerboek 5 Stap 3. Bek
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Hoofdstuk 1: Leerboek 7 Stap 1. Maa
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Hoofdstuk 1: Leerboek 9 Stap 2a. Co
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Hoofdstuk 1: Leerboek 11 Het PDF-be
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Hoofdstuk 1: Leerboek 13 1.1.4 Comm
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Hoofdstuk 1: Leerboek 15 Relatieve
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Hoofdstuk 1: Leerboek 17 4 3
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Hoofdstuk 1: Leerboek 19 • Uitdru
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Hoofdstuk 1: Leerboek 21 • Voorda
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Hoofdstuk 2: Algemene muzieknotatie
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Hoofdstuk 3: Fundamentele concepten
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Hoofdstuk 4: Tweaking output 89 The
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Hoofdstuk 4: Tweaking output 91 The
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Hoofdstuk 4: Tweaking output 93 Zie
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Hoofdstuk 4: Tweaking output 95 mak
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Hoofdstuk 4: Tweaking output 97 4.2
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Hoofdstuk 4: Tweaking output 99 Zie
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Hoofdstuk 4: Tweaking output 101 }
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Hoofdstuk 4: Tweaking output 105
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Page 113 and 114: Hoofdstuk 4: Tweaking output 109 In
Page 115 and 116: Hoofdstuk 4: Tweaking output 111 \o
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Page 119 and 120: Hoofdstuk 4: Tweaking output 115 Sl
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Page 123 and 124: Hoofdstuk 4: Tweaking output 119 si
Page 125 and 126: Hoofdstuk 4: Tweaking output 121 b2
Page 127 and 128: Hoofdstuk 4: Tweaking output 123 st
Page 129 and 130: Hoofdstuk 4: Tweaking output 125 Th
Page 131 and 132: Hoofdstuk 4: Tweaking output 127 }
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Page 139 and 140: Hoofdstuk 4: Tweaking output 135 \s
Page 141 and 142: Hoofdstuk 4: Tweaking output 137 \s
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Page 145 and 146: Hoofdstuk 4: Tweaking output 141 %%
Page 147 and 148: Hoofdstuk 4: Tweaking output 143 7)
Page 149 and 150: Appendix A: Templates 145 \melody }
Page 151 and 152: Appendix A: Templates 147 \score {
Page 153 and 154: Appendix A: Templates 149 } \layout
Page 155 and 156: Appendix A: Templates 151 %%%%% (Th
Page 157 and 158: Appendix A: Templates 153 Violin 1
Page 159 and 160: Appendix A: Templates 155 hi
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Page 163: Appendix A: Templates 159 altonotes
Page 167 and 168: Appendix A: Templates 163 > % End S
Page 169 and 170: Appendix A: Templates 165 dot = \ma
Page 171 and 172: Appendix A: Templates 167 A.5 Orche
Page 173 and 174: Appendix A: Templates 169 } \new St
Page 175 and 176: Appendix A: Templates 171 } \overri
Page 177 and 178: Appendix A: Templates 173 tenorNote
Page 179 and 180: Appendix A: Templates 175 } } } Dis
Page 181 and 182: Appendix A: Templates 177 \header {
Page 183 and 184: Appendix A: Templates 179 } trombon
Page 185 and 186: Appendix A: Templates 181 } down =
Page 187 and 188: Appendix B: GNU Free Documentation
Page 195 and 196: Appendix C: LilyPond register 191 \
Page 197 and 198: Appendix C: LilyPond register 193 L
Page 199: Appendix C: LilyPond register 195 t
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