LilyPond Beginnershandleiding

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Hoofdstuk 4: Tweaking output 110 a4 g c a | \override Stem.direction = #DOWN a4 g c a | \override Stem.direction = #UP a4 g c a | \revert Stem.direction a4 g c a | Here we use the constants DOWN and UP. These have the values -1 and +1 respectively, and these numerical values may be used instead. The value 0 may also be used in some cases. It is simply treated as meaning UP for stems, but for some objects it means ‘center’. There is a constant, CENTER which has the value 0. However, these explicit overrides are not usually used, as there are simpler equivalent predefined commands available. Here is a table of the commonest. The meaning of each is stated where it is not obvious. Down/Left Up/Right Revert Effect \arpeggioArrowDown\arpeggioArrowUp\arpeggioNormal Arrow is at bottom, at top, or no arrow \dotsDown \dotsUp \dotsNeutral Direction of movement to avoid staff lines \dynamicDown \dynamicUp \dynamicNeutral \phrasingSlurDown \phrasingSlurUp \phrasingSlurNeutralNote: distinct from slur commands \slurDown \slurUp \slurNeutral \stemDown \stemUp \stemNeutral \textSpannerDown \textSpannerUp \textSpannerNeutral Text entered as spanner is below/above staff \tieDown \tieUp \tieNeutral \tupletDown \tupletUp \tupletNeutral Tuplets are below/above notes The neutral/normal variants of these commands are implemented using \revert and may not be preceded by \once. If you wish to limit the effect of the other commands (which are implemented using \override) to a single timestep, you can precede them with \once like you would do with explicit overrides. Fingering The placement of fingering on single notes can also be controlled by the direction property, but changing direction has no effect on chords. As we shall see, there are special commands which allow the fingering of individual notes of chords to be controlled, with the fingering being placed above, below, to the left or to the right of each note. First, here’s the effect of direction on the fingering attached to single notes. The first bar shows the default behaviour, and the following two bars shows the effect of specifying DOWN and UP: c4-5 a-3 f-1 c'-5 | \override Fingering.direction = #DOWN c4-5 a-3 f-1 c'-5 |
Hoofdstuk 4: Tweaking output 111 \override Fingering.direction = #UP c4-5 a-3 f-1 c'-5 | 5 3 1 5 5 3 1 5 5 3 However, overriding the direction property is not the easiest way of manually setting the fingering above or below the notes; using _ or ^ instead of - before the fingering number is usually preferable. Here is the previous example using this method: c4-5 a-3 f-1 c'-5 | c4_5 a_3 f_1 c'_5 | c4^5 a^3 f^1 c'^5 | 5 3 1 5 5 3 1 5 5 3 The direction property is ignored for chords, but the directional prefixes, _ and ^ do work. By default, the fingering is automatically placed both above and below the notes of a chord, as shown: 4 4 4 5 3 5 3 2 5 3 2 1 but this may be overridden to manually force all or any of the individual fingering numbers above or below: 4 4 4 5 5 3 2 1 3 2 1 5 3 2 1 Even greater control over the placement of fingering of the individual notes in a chord is possible by using the \set fingeringOrientations command. The format of this command is: \set fingeringOrientations = #'([up] [left/right] [down]) \set is used because fingeringOrientations is a property of the Voice context, created and used by the New_fingering_engraver. The property may be set to a list of one to three values. It controls whether fingerings may be placed above (if up appears in the list), below (if down appears), to the left (if left appears, 1 1 5 5
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LilyPond Beginnershandleiding Het L
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3.1.4 On the un-nestedness of brack
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Page 149 and 150: Appendix A: Templates 145 \melody }
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Page 153 and 154: Appendix A: Templates 149 } \layout
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Appendix A: Templates 161 } \clef "
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Appendix A: Templates 163 > % End S
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Appendix A: Templates 165 dot = \ma
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Appendix A: Templates 167 A.5 Orche
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Appendix A: Templates 169 } \new St
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Appendix A: Templates 171 } \overri
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Appendix A: Templates 173 tenorNote
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Appendix A: Templates 175 } } } Dis
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Appendix A: Templates 177 \header {
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Appendix A: Templates 179 } trombon
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Appendix A: Templates 181 } down =
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Appendix B: GNU Free Documentation
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Appendix C: LilyPond register 191 \
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Appendix C: LilyPond register 195 t
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LilyPond Beginnershandleiding

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