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Appendix A: Templates 160<br />

<br />

<br />

<br />

<br />

p<br />

<br />

do<br />

p<br />

<br />

re<br />

mp<br />

<br />

<br />

8 mi<br />

mf<br />

<br />

<br />

<br />

mi<br />

<br />

do<br />

<br />

re<br />

<br />

mi<br />

<br />

mi<br />

<br />

do<br />

<br />

re<br />

<br />

mi<br />

<br />

mi<br />

f<br />

<br />

do<br />

<br />

re<br />

<br />

mi<br />

<br />

mi<br />

A.4.5 Solo verse and two-part refrain<br />

This template creates a score which starts with a solo verse and continues into a refrain for two<br />

voices. It also demonstrates the use of spacer rests within the \global variable to define meter<br />

changes (and other elements common to all parts) throughout the entire score.<br />

global = {<br />

\key g \major<br />

}<br />

% verse<br />

\time 3/4<br />

s2.*2<br />

\break<br />

% refrain<br />

\time 2/4<br />

s2*2<br />

\bar "|."<br />

SoloNotes = \relative g' {<br />

\clef "treble"<br />

}<br />

% verse<br />

g4 g g |<br />

b4 b b |<br />

% refrain<br />

R2*2 |<br />

SoloLyrics = \lyricmode {<br />

One two three |<br />

four five six |<br />

}<br />

SopranoNotes = \relative c'' {

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