LilyPond Beginnershandleiding

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Hoofdstuk 4: Tweaking output 128 s8 d2 } \new Voice { \voiceFour s4 fis4. } >> | g2.\) % continuation of main voice } } lhMusic = \relative c' { r2 2( | 1) | r2. d,,4 r4 r | r4 } \score { \new PianoStaff \new Staff = "LH" > >> } 4 6 4 6 The first bar is now correct. The second bar contains an arpeggio and is terminated by a double bar line. How do we do these, as they have not been mentioned in this Learning Manual? This is where we need to turn to the Notation Reference. Looking up ‘arpeggio’ and ‘bar line’ in the index quickly shows us that an arpeggio is produced by appending \arpeggio to a chord, and a double bar line is produced by the \bar "||" command. That’s easily done. We next need to correct the collision of the tie with the time signature. This is best done by moving the tie upwards. Moving objects was covered earlier in Sectie 4.5.1 [Moving objects], pagina 118, which says that objects positioned relative to the staff can be moved vertically by overriding their staff-position property, which is specified in half staff spaces relative to the center line of the staff. So the following override placed just before the first tied note would move the tie up to 3.5 half staff spaces above the center line: \once \override Tie.staff-position = #3.5
Hoofdstuk 4: Tweaking output 129 This completes bar two, giving: rhMusic = \relative c'' { \new Voice { r2 c4.\( g8 | \once \override Tie.staff-position = #3.5 bes1~ | \bar "||" \time 6/4 bes2. r8 % Start polyphonic section of four voices > | g2.\) % continuation of main voice } } lhMusic = \relative c' { r2 2( | 1)\arpeggio | r2. d,,4 r4 r | r4 } \score { \new PianoStaff \new Staff = "LH" > >> }
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3.1.4 On the un-nestedness of brack
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Page 149 and 150: Appendix A: Templates 145 \melody }
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Appendix A: Templates 179 } trombon
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Appendix B: GNU Free Documentation
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Appendix C: LilyPond register 191 \
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Appendix C: LilyPond register 193 L
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Appendix C: LilyPond register 195 t
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