BATTISTA GUARINI - University of Oxford

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Hertz‟s undated Venice edition (see 17xx/6). Here, the engraved titlepage has been
altered, „In Venezia‟ becoming „In Parigi‟, and Hertz‟s name has been replaced by
that of Jolly and the date. In addition, Luciani‟s name has been removed from the
bottom of the plate. The initial S at the beginning of the Argomento (p. 3)
incorporates four flower-heads and the choruses are all headed „CHORO‟.
FirstSearch. French books 1601-1700, reel 177, item 4 (this edition or next?).
2. Il pastor fido. In Parigi, appresso Tomaso Jolly, 1706, 32º. Pp. 256.
Taylorian: Vet.Ital.III.A.
With the same engraved title and plates as the edition above but with a completely
different setting of the text. The easiest way to differentiate between this and 1706/1
is that here the initial S at the beginning of the Argomento incorporates just two
flower-heads and all the choruses are headed „CORO‟. The text is generally more
carefully composed.
1707
1. [Pastor fido: Italian & French]. Le berger fidelle, traduit de l‟italien … en vers
françois. A Lyon, chez Leonard de la Roche, M.DCC.VII, 12º. Pp. [24], 563.
*New Haven, Yale University, Sterling Memorial Library: Hd25 228p.
Parallel Italian and French texts, utilising De Torche‟s translation. The privilège and
registration are dated 3 and 8 January 1706 respectively. With engraved frontispiece
and 5 plates. Edition shared with Antoine Perisse (see next entry).
FirstSearch.
2. [Pastor fido: Italian & French]. Le berger fidelle, traduit de l‟italien … en vers
françois. A Lyon, chez Antoine Perisse, ruë Merciere, à la Bible d‟or, M.DCC.VII,
12º. Pp. [24], 563.
*Cambridge, Trinity College Library: G.12.163.
Parallel Italian and French texts, utilising De Torche‟s translation. With engraved
frontispiece and 5 plates. Edition shared with Leonard de la Roche (see previous
entry).
ICCU. NUC.