BATTISTA GUARINI - University of Oxford

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Quinet and extended to Barbin. The achevé d‟imprimer is dated 27 March 1664,
registration having taken place the previous day. Translation of the other acts
followed in 1665 and 1666 (see below). With engraved frontispiece and 1 plate. The
title-page and frontispiece are reproduced by Whitfield from the copy in the Taylorian
(„La belle Charite‟, pl. VI).
Dalla Valle.
6. Sonetti e madrigali … Ristampati. In Heidelberga, appresso Aegidio Gualteri,
1664, 8º. Pp. [6], 196, [20].
*Milano, Biblioteca Trivulziana, Archivio storico civico.
ICCU.
1665
1. Il pastor fido … Di nuovo con bellissime figure adornato, e con somma diligenza
ricorretto. In Venetia, appresso Gio. Battista Brigna, M.DC.LXV, 12º. Pp. 216.
Taylorian: 102.B.36. BL: 11715.b.57(3).
With Brigna‟s 1654 dedication to the Signora Perina Eugenica (see 1654/4). There
are 5 woodcut illustrations in the text.
ICCU.
2. [Pastor fido: French]. Il pastor fido … traduit de l‟italien en vers françois. A
Paris, chez Claude Barbin, dans la grand‟salle du Palais, au signe de la Croix, 1665,
12º. Pp. [16], 56.
*Stockholm, Kungliga Biblioteket: Elz. 902.
A pirated edition of Act I in de Torche‟s translation. The title-page bears the Elsevier
sphere and Brunet thought it „assez jolie pour qu‟on puisse l‟attribuer aux presses
elseviriennes‟. Willems declared that it was „certainement imprimée par Fr. Foppens‟
but Berghman (no. 551) denies this, attributing it rather to an Amsterdam printer.
Willems 2011.
3. [Pastor fido: French]. Il pastor fido. Le berger fidelle, traduit de l‟italien … en
vers françois. Acte second. A Paris, chez Claude Barbin, vis à vis le Portail de la
Sainte Chapelle, au Signe de la Croix [Gabriel Quinet, au Palais, dans la Galerie des
Prisonniers, à l‟Ange Gabriel], M.DC.LXV, 12º. Pp. [11], 60.