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BATTISTA GUARINI - University of Oxford

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68<br />

5. Il pastor fido … Con una nuova aggiunta. In Venetia, per Se. Combi & Gio.<br />

Lanou, 1654, 32. Pp. 315.<br />

All Souls: mm.17.27.<br />

Same compostion as Combi and Lanou‟s Amsterdam issue (1654/1). In the imprint<br />

the words „In Venetia‟ are in black.<br />

Michel.<br />

6. [another state]<br />

Taylorian: 102.A.11.<br />

As 1654/5 but the words „In Venetia‟ are in red and two <strong>of</strong> the plates exhibit<br />

irrregularities. That on p. (110) has the more regular (signed) plate for Act III, with a<br />

putto in the middle <strong>of</strong> the left-hand side, pasted over an (unsigned) engraving in<br />

which the putto appears in the top left-hand corner <strong>of</strong> the composition, while that on<br />

p. (170) is pasted on to a blank page.<br />

1655<br />

1. Il pastor fido & le Rime … In questa nuova impressione aggiuntovi varie poesie in<br />

morte dell‟autore. Venetia, appresso li Guerigli, M.DC.LV, 24. Pp. 333.<br />

*Belfast, Queen‟s <strong>University</strong>: Percy 438 (lacking pp. 25-28),<br />

With engraved frontispiece. As in 1650/3 and 1653/1, the Rime have their own titlepage,<br />

p. [209], but the pagination and signatures are continuous. The title reads: Rime<br />

… Aggiontovi in questa impressione le rime di diversi eccellenti ingegni nella morte<br />

dell‟autore. Venetia, appresso li Guerigli, MDCLV. The same date had appeared in<br />

the 1653 edition and will be used again in 1663 (see 1663/2).<br />

1656<br />

1. Il pastor fido … Con una nuova aggiunta. In Amsterdam, e si vende in Parigi,<br />

appresso Thomaso Jolly, al capo del Ponte S. Michele allo Scuto d‟Hollanda,<br />

M.DC.LVI, 32. Pp. 315.<br />

Grenoble, Bibliothèque municipale: F.1235.

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