BATTISTA GUARINI - University of Oxford
BATTISTA GUARINI - University of Oxford
BATTISTA GUARINI - University of Oxford
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14<br />
6. [Pastor fido: French]. Le berger fidelle … De l‟italien. A Lyon, par Michel<br />
Be[ublin], M.D.XCVI, 12°. Pp. 296.<br />
Reims, Bibliothèque municipale: P 1881 (lacking pp. 75-94).<br />
Brisset‟s translation (see 1593/3). Baudrier, relying on information supplied by the<br />
then Librarian <strong>of</strong> the Bibliothèque municipale in Reims, Eugène Courmeau, gives the<br />
publisher‟s name as Michel Begon but more than half the surname and part <strong>of</strong> the date<br />
are in fact obscured by two very black library stamps, so it is impossible to read the<br />
details with any certainty. The name Begon, however, is too short for the<br />
typographical balance <strong>of</strong> the imprint. This is the only work attributed by Baudrier to<br />
Begon and we could perhaps hazard a guess that the publisher may in fact be Michel<br />
Beublin, who was active in Lyon in the second half <strong>of</strong> the 1590s (see Baudrier I 44-<br />
45). A careful examination <strong>of</strong> the date, bearing in mind the the spacing required for<br />
typographical balance, shows that, while it is almost certainly 1596 („M.D.XCVI.‟), it<br />
is definitely not 1599, as reported to Baudrier.<br />
Baudrier I 29.<br />
1597<br />
1. Il pastor fido ... Hora in questa nuova decima impressione corretto, et adornato di<br />
vaghe figure intagliate in rame, da Crist<strong>of</strong>oro Paulini. In Venetia, presso Franc o . de<br />
Franc i . senese, M.D.XCVII, 8. Ff. 132.<br />
*Chicago, <strong>University</strong> <strong>of</strong> Chicago Library: PQ4626.P4 1597.<br />
The title-page is engraved and there are 5 signed and numbered engraved illustrations<br />
in the text. Possibly the first illustrated edition <strong>of</strong> the text published in Italy. The<br />
engravings by Paulino (this more normal spelling is used, when not abbreviated, on<br />
the plates) ante-date the entry in Bénézit (VI, 554) by five years. The costumes <strong>of</strong> the<br />
characters depicted and the general style and composition <strong>of</strong> the illustrations<br />
anticipate the engravings and woodcuts used in editions <strong>of</strong> the Pastor fido well into<br />
the 17 th century and are, indeed, strikingly similar to the rather more well-known and,<br />
it has to be said, more accomplished engravings found in the quarto editions <strong>of</strong> 1602<br />
(see 1602/4-6), etc.<br />
ICCU (EDIT16).<br />
2. Il pastor fido ... Hora in questa nuova decima impressione corretto, & di vaghe<br />
figure ornato. In Venetia, presso Francesco de Franceschi senese, M.D.XCVII, 8.<br />
Ff. 132.<br />
*BNFRichelieu: 8º Re.4121. *Harvard, Mass., <strong>University</strong> Library (Houghton<br />
Library): *IC5.G9317.590pn.