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stonehenge - English Heritage

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047-120 section 2.qxd 6/21/05 4:19 PM Page 88<br />

Illustration 65<br />

Amesbury Park. A plan of<br />

the park in 1738.<br />

[Reproduced courtesy of<br />

The Bodleian Library,<br />

University of Oxford.<br />

Copyright reserved.]<br />

suggest that, at least for Amesbury, open fields were still used<br />

up until the mid eighteenth century, after which they were<br />

piecemeal and limited. Towards the end of the eighteenth<br />

century all the land owned by the third Duke of Queensberry<br />

(largely around Amesbury) was enclosed and divided between<br />

six farms: West Amesbury; Countess Court; Red House; Earl’s<br />

Court; Kent House; and South Ham (Bond 1991, 419).<br />

Durrington, Shrewton, and Winterbourne Stoke were not<br />

enclosed until the nineteenth century. Elsewhere, essentially<br />

medieval patterns of land ownership were reorganized with a<br />

propensity towards the merging of smaller holdings and<br />

development of existing larger farms (Bond 1991).<br />

Work on the manorial history for the Stonehenge<br />

Landscape is fairly limited but includes Chandler and<br />

Goodhugh’s (1989) accounts of Amesbury. Edward Seymour<br />

procured the manor of Amesbury Priors in 1541 after the<br />

dissolution of Amesbury Priory (Chandler and Goodhugh 1989,<br />

25–6). Five years earlier, Seymour had been bequeathed<br />

Amesbury Earls manor which combined both estates and thus<br />

largely comprised the whole of Amesbury. The Amesbury<br />

estate changed hands a number of times during the postmedieval<br />

period. In 1676 the Bruce family acquired the manor,<br />

but in 1720 sold it to Lord Carleton who, before his death in<br />

1725, devised it to his nephew, Charles Douglas, the third<br />

Duke of Queensberry. Upon the Duke’s death in 1778, the<br />

estate was passed to his cousin, William Douglas, the fourth<br />

Duke of Queensberry who died in 1810 (Pugh 1948, 70–110).<br />

These changes in land ownership affected the character of<br />

the cultural landscape and the extent of innovation and<br />

development within it, especially the development of<br />

Amesbury Park which sees a period of improvement and<br />

expansion under Charles Douglas who lived at Amesbury for<br />

most of the time between 1725 and 1778 followed by a period<br />

of neglect and decline between 1778 and 1810 when the<br />

fourth Duke was mainly absent (<strong>English</strong> <strong>Heritage</strong> 1987;<br />

Chandler 2002; Illustration 65). In 1735, for example, the third<br />

Duke purchased West Amesbury manor which included land<br />

to the west of Vespasian’s Camp and Stonehenge Down,<br />

allowing him to create an area of parkland which he<br />

progressively enlarged. Landscaping features west of the river<br />

included tree-planting within Vespasian’s Camp (previously<br />

arable land); the creation of a grotto known as Gay’s Cave;<br />

establishing a number of serpentine and straight walks,<br />

glades, and radiating vistas such as the prospect towards<br />

Stonehenge; building a Chinese temple over the Avon; and<br />

the construction of a balustraded bridge (Bond 1991, 419). By<br />

1773, the Duke extended the park further to the north, as far<br />

as the Amesbury–Durrington road, and to the west<br />

incorporating the Seven Barrows, which engulfed existing<br />

open fields at West Amesbury and Amesbury Countess. By<br />

the time of his death in 1778 the park covered about 120ha.<br />

Until about 1800 most of the park was under pasture and<br />

there is no evidence that any of it had been ploughed. Over<br />

the ensuing two decades, however, most of the former park<br />

was ploughed up and remained in arable usage at least until<br />

the tithe commutation of 1846 (Chandler 2002, 15).<br />

During the third Duke’s occupation, the wider estate<br />

experienced a period of investment in building construction.<br />

The Countess Court Farmhouse, originally constructed in the<br />

early to mid seventeenth century, received a new three-bay<br />

façade in the Georgian style. To the south of the house, a<br />

five-bayed timber-framed stavel barn and granary were<br />

constructed during this improvement period (Slocombe<br />

1989, 26–7; Illustration 66). Estate cottages were also built<br />

on Countess Road, but have since been demolished for the<br />

construction of Amesbury bypass (Chandler and Goodhugh<br />

1989, 71).<br />

Several earlier extant buildings dating from the sixteenth<br />

and seventeenth centuries can be found within the<br />

Stonehenge Landscape; these include West Amesbury<br />

House and Diana House in Amesbury. Medieval in origin, the<br />

shell of West Amesbury House was extensively altered<br />

during the late seventeenth century. The alterations<br />

consisted of an entirely new stone and flint exterior, a new<br />

gabled and symmetrically fenestrated frontage and<br />

mullioned windows. Diana House in Amesbury, south of the<br />

Avon beyond Grey Bridge, was probably built by the Earl of<br />

Hertford as a lodge around 1600. Also noteworthy is the<br />

domed lock-up at Shrewton (Illustration 67).<br />

Rabbit warrens continued to be an important part of<br />

the rural economy of the area (RCHM 1979, xxi; Betty<br />

2004). In the early seventeenth century the planned<br />

introduction of rabbits to the barrows at Amesbury Abbey<br />

is well recorded. An account of AD 1609–10 shows that in<br />

1605 ‘Two round connye berryes were made to his<br />

Lordship’s appointment and at the same time 14 couple of<br />

conies put into the ground. Which 14 couple of cunnies<br />

with theire encrease did breade and feed there’ (RCHM<br />

1979, xxi; WRO 283/6). Stonehenge had become a wellestablished<br />

rabbit warren by the early 1720s, although by<br />

the later eighteenth century rabbits were regarded locally<br />

as a nuisance (Bond 1991, 420).<br />

The construction of sheep-folds was widespread during<br />

the eighteenth century, and sometimes occasioned damage<br />

to ancient sites. One fold was cut into the southwestern<br />

side of Bush Barrow with a small spinney of thorn bushes<br />

planted for shelter on top (Bond 1991, 417; RCHM 1979, title<br />

page and xxi).<br />

Evidence for roads and trackways within the Stonehenge<br />

Landscape during the sixteenth and seventeenth centuries<br />

88

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