Billy Bunter's Benefit By Frank Richards - Friardale
Billy Bunter's Benefit By Frank Richards - Friardale
Billy Bunter's Benefit By Frank Richards - Friardale
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<strong>Billy</strong> Bunter’s <strong>Benefit</strong><br />
<strong>By</strong> <strong>Frank</strong> <strong>Richards</strong><br />
Remove Dramatic Society were not getting away with this! Coker knew<br />
what was scheduled to happen during that performance, if nobody else<br />
did.<br />
“Will you get out of that doorway, Coker?” bawled Bolsover major.<br />
“No,” said Coker, calmly.<br />
“Then you’ll be chucked out! Here, Linley—Russell—Hazel—Elliot—Fishy—<br />
lend a hand here.”<br />
There was a scuffle in the doorway of the Rag. Half-a-dozen Remove<br />
fellows proved equal to the task of shifting Coker. He disappeared into<br />
the passage without.<br />
More and more fellows came in. Whether it was the rain out of doors, or<br />
Wibley in the role of Hamlet indoors, or both, the Rag was filling fast.<br />
<strong>Billy</strong> Bunter blinked round over the numerous audience, and grinned a grin<br />
of fat satisfaction. Undoubtedly Bunter’s benefit looked like being a<br />
success.<br />
Interfering fellows, much to Bunter’s indignation, were keeping hold of<br />
the cash-box. But once it was over, they would have to shell out. It would<br />
be over by tea-time: and then <strong>Billy</strong> Bunter was going to have the spending<br />
of his own money!<br />
And if Bunter had the spending of the funds raised by his benefit, it was<br />
possible that Mr. Parker, at Courtfield, was booked to wait a little longer<br />
for his little bill! Bunter was not, at the moment, thinking of Mr. Parker.<br />
He was thinking of a great and glorious spread.<br />
Some of the audience, perhaps, were eager for the performance to begin.<br />
The fattest member was only eager for it to end.<br />
Three o’clock boomed out from the clock-tower, The stage was cleared.<br />
The signal was given for the curtain to go up. Up it went: revealing the<br />
stage set for the first scene of “Hamlet”: the ramparts of Elsinore, with<br />
the sentry at his post.<br />
One or two late-corners trickled in. Then Bolsover major closed the door<br />
of the Rag—almost on the nose of Horace Coker. The audience ceased to<br />
scrape chair-legs and shuffle feet, and settled down to watch the Remove<br />
Dramatic Society present “Hamlet” by W. Shakespeare.<br />
CHAPTER XXXVIII<br />
COKER CARRIES ON!<br />
“COKER, old man—,”<br />
“Coker, old chap—.”<br />
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