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Boxoffice-January.17.1953

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standout Entries for 'Caribbean<br />

Win Paramount Cash Avfards<br />

Above, award winning entries in lobby<br />

and front displays submitted by F. H.<br />

Stiles, Uptown, Richland, Wash., at left,<br />

and by P. A. Lentz manager of the Palace,<br />

Jacksonville, at right.<br />

Paramount's exploitation contest on<br />

"Caribbean" attracted a volume of campaign<br />

entries from theatremen intent on winning<br />

a share of the $1,000 in prizes offered for outstanding<br />

showmanship in various facets of<br />

promotion.<br />

Theatremen who shared this bounty in<br />

equal prizes of $200 savings bonds were F. H.<br />

Stiles, manager. Uptown. Richland, Wash.;<br />

Phillip A. Lentz, manager. Palace. Jacksonville,<br />

Fla.; John Langford, manager, Strand,<br />

Ogdensburg, N. Y.: R. A. Langston. ad-manager<br />

Florida State Theatres. Jacksonville, and<br />

Eugene Pleshette and Janet Fine, manager<br />

and publicist of the Paramount in Brooklyn.<br />

Two of the winning contenders represented<br />

extremes in theatre operation—the big city<br />

exploits of the Brooklyn Paramount staff and<br />

the smaller town techniques which were demonstrated<br />

by John Langford of the Strand.<br />

Ogdensburg.<br />

In the latter situation, Langford started his<br />

campaign by .selling the local high school on<br />

sponsoring a benefit show with the picture.<br />

Students established inter-class rivalry to sell<br />

the greatest number of tickets. A portion of<br />

the receipts was donated to the year book fund<br />

and in addition to serving as an incentive to<br />

sell tickets, the benefit received excellent<br />

newspaper publicity from the local daily as<br />

well as three Canadian papers.<br />

The unique phase of the Ogdensburg campaign<br />

which was singled out by the exploitation<br />

contest judges was a tieup with the operators<br />

of a ferry which plies between the<br />

community and Canada.<br />

The Strand plays to a large percentage of<br />

patrons who come from Canada. For the first<br />

time, the ferry boats were posted with banners<br />

on both sides proclaiming the theatre<br />

playdates. Advertising had never been used<br />

on these boats previously. There was no cost<br />

involved to the theatre.<br />

To get his ad message firmly implanted in<br />

the minds of residents, Langford posted a .sixsheet<br />

on each side of a local delivery truck.<br />

He got bumper strips on a fleet of cabs and<br />

posted signs on all buses serving the area.<br />

The radio station sponsored a "Caribbean"<br />

guessing contest for eight days at a cost of a<br />

few theatre passes. An u.sher in pirate costume<br />

walked the downtown shopping section<br />

with a sandwich sign and distributed special<br />

heralds.<br />

On opening night of the picture, the high<br />

school band led a parade of students to the<br />

theatre and entertained a large street crowd<br />

before show time.<br />

For the "Caribbean" engagement at the<br />

Paramount in Brooklyn. Manager Gene<br />

Pleshette and publicist Janet Fine promoted<br />

two two-week vacations at a Miami Beach<br />

hotel appropriately named "Caribbean."<br />

Through attractive lobby displays and newspaper<br />

stories, the public was invited to submit<br />

Below, three phases of lohn Langford's<br />

campaign in Ogdensburg show signs on<br />

truck van, American-Canadian ferry and<br />

public transportation buses.<br />

letters on why they would like to win the<br />

vacation trips. Every available space in the<br />

huge theatre lobby was occupied by colorful<br />

poster cutouts, some as big as 25 feet in<br />

height.<br />

The front of the theatre was equally<br />

dramatic in effect. A skull and crossbones<br />

mounted on a black flag was hung across the<br />

corner facade of the building, almost three<br />

stories high. Adjacent to this was a 14-foot<br />

cutout of John Payne in action pose. At sidewalk<br />

level, flanking the entrance, were two<br />

ma-ssive display pieces which had been used<br />

in the lobby to stimulate advance interest in<br />

the picture.<br />

A borough-wide tieup with Barton's candy<br />

shops based on a contest produced 13 displays<br />

in windows and earned the Paramount<br />

team top honors and cash for the best window<br />

tieup.<br />

A ballyhoo couple, attired a-s pirates and<br />

wearing sa.shes appropriately lettered to exploit<br />

the dates, attracted sufficient attention<br />

to rate a five-column picture on page one of<br />

the Brooklyn Daily.<br />

Under the heading of public relations, a<br />

tieup with the Navy Yard Boys club netted<br />

additional newspaper and radio publicity for<br />

the picture. The entire membership of the<br />

club was invited to be guest of the management<br />

at the Saturday matinee prior to the<br />

opening of "Caribbean." To gain admission,<br />

each member had to attend in pirate costume<br />

and Pleshette awarded prizes for the most<br />

unusual and colorful outfits.<br />

30 — 14 — BOXOrnCE Showrmandiser :: Jan. 17, 1953

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