Boxoffice-January.17.1953
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standout Entries for 'Caribbean<br />
Win Paramount Cash Avfards<br />
Above, award winning entries in lobby<br />
and front displays submitted by F. H.<br />
Stiles, Uptown, Richland, Wash., at left,<br />
and by P. A. Lentz manager of the Palace,<br />
Jacksonville, at right.<br />
Paramount's exploitation contest on<br />
"Caribbean" attracted a volume of campaign<br />
entries from theatremen intent on winning<br />
a share of the $1,000 in prizes offered for outstanding<br />
showmanship in various facets of<br />
promotion.<br />
Theatremen who shared this bounty in<br />
equal prizes of $200 savings bonds were F. H.<br />
Stiles, manager. Uptown. Richland, Wash.;<br />
Phillip A. Lentz, manager. Palace. Jacksonville,<br />
Fla.; John Langford, manager, Strand,<br />
Ogdensburg, N. Y.: R. A. Langston. ad-manager<br />
Florida State Theatres. Jacksonville, and<br />
Eugene Pleshette and Janet Fine, manager<br />
and publicist of the Paramount in Brooklyn.<br />
Two of the winning contenders represented<br />
extremes in theatre operation—the big city<br />
exploits of the Brooklyn Paramount staff and<br />
the smaller town techniques which were demonstrated<br />
by John Langford of the Strand.<br />
Ogdensburg.<br />
In the latter situation, Langford started his<br />
campaign by .selling the local high school on<br />
sponsoring a benefit show with the picture.<br />
Students established inter-class rivalry to sell<br />
the greatest number of tickets. A portion of<br />
the receipts was donated to the year book fund<br />
and in addition to serving as an incentive to<br />
sell tickets, the benefit received excellent<br />
newspaper publicity from the local daily as<br />
well as three Canadian papers.<br />
The unique phase of the Ogdensburg campaign<br />
which was singled out by the exploitation<br />
contest judges was a tieup with the operators<br />
of a ferry which plies between the<br />
community and Canada.<br />
The Strand plays to a large percentage of<br />
patrons who come from Canada. For the first<br />
time, the ferry boats were posted with banners<br />
on both sides proclaiming the theatre<br />
playdates. Advertising had never been used<br />
on these boats previously. There was no cost<br />
involved to the theatre.<br />
To get his ad message firmly implanted in<br />
the minds of residents, Langford posted a .sixsheet<br />
on each side of a local delivery truck.<br />
He got bumper strips on a fleet of cabs and<br />
posted signs on all buses serving the area.<br />
The radio station sponsored a "Caribbean"<br />
guessing contest for eight days at a cost of a<br />
few theatre passes. An u.sher in pirate costume<br />
walked the downtown shopping section<br />
with a sandwich sign and distributed special<br />
heralds.<br />
On opening night of the picture, the high<br />
school band led a parade of students to the<br />
theatre and entertained a large street crowd<br />
before show time.<br />
For the "Caribbean" engagement at the<br />
Paramount in Brooklyn. Manager Gene<br />
Pleshette and publicist Janet Fine promoted<br />
two two-week vacations at a Miami Beach<br />
hotel appropriately named "Caribbean."<br />
Through attractive lobby displays and newspaper<br />
stories, the public was invited to submit<br />
Below, three phases of lohn Langford's<br />
campaign in Ogdensburg show signs on<br />
truck van, American-Canadian ferry and<br />
public transportation buses.<br />
letters on why they would like to win the<br />
vacation trips. Every available space in the<br />
huge theatre lobby was occupied by colorful<br />
poster cutouts, some as big as 25 feet in<br />
height.<br />
The front of the theatre was equally<br />
dramatic in effect. A skull and crossbones<br />
mounted on a black flag was hung across the<br />
corner facade of the building, almost three<br />
stories high. Adjacent to this was a 14-foot<br />
cutout of John Payne in action pose. At sidewalk<br />
level, flanking the entrance, were two<br />
ma-ssive display pieces which had been used<br />
in the lobby to stimulate advance interest in<br />
the picture.<br />
A borough-wide tieup with Barton's candy<br />
shops based on a contest produced 13 displays<br />
in windows and earned the Paramount<br />
team top honors and cash for the best window<br />
tieup.<br />
A ballyhoo couple, attired a-s pirates and<br />
wearing sa.shes appropriately lettered to exploit<br />
the dates, attracted sufficient attention<br />
to rate a five-column picture on page one of<br />
the Brooklyn Daily.<br />
Under the heading of public relations, a<br />
tieup with the Navy Yard Boys club netted<br />
additional newspaper and radio publicity for<br />
the picture. The entire membership of the<br />
club was invited to be guest of the management<br />
at the Saturday matinee prior to the<br />
opening of "Caribbean." To gain admission,<br />
each member had to attend in pirate costume<br />
and Pleshette awarded prizes for the most<br />
unusual and colorful outfits.<br />
30 — 14 — BOXOrnCE Showrmandiser :: Jan. 17, 1953