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Kabbalah-of-the-Golden-Dawn-Pat-Zalewski - D Ank Unlimited

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The Soul <strong>of</strong><strong>the</strong> <strong>Kabbalah</strong> 101<br />

ward marion, but from <strong>the</strong> view <strong>of</strong> ascent as well. Our experiences in<br />

daily life are <strong>the</strong>n manifested in dream states that are passed on to <strong>the</strong><br />

E<strong>the</strong>ric Body, where <strong>the</strong>y are sometimes amalgamated, refined, and<br />

passed on to <strong>the</strong> next Astral Body.<br />

The psychological terminology that is analogous with <strong>the</strong> E<strong>the</strong>ric<br />

Body is <strong>the</strong> libido. From here <strong>the</strong> energy must be separated into a form <strong>of</strong><br />

polarity, so both progression and regression can occur through a state <strong>of</strong><br />

regular interaction. The Jungian concept <strong>of</strong> <strong>the</strong> libido, which we refer to<br />

here, goes beyond <strong>the</strong> original Freudian concept, which associated it with<br />

sexuality. [ung considers that it refers to "psychic energy" in general and<br />

warned against trying to define it too rapidly.<br />

The energy flow from <strong>the</strong> E<strong>the</strong>ric Body into <strong>the</strong> physical body relies<br />

primarily on two aspects (1) a daily flow rate which is divided into <strong>the</strong><br />

five major Tattvic divisions,98 and (2) <strong>the</strong> energy effected by <strong>the</strong> astrological<br />

influences (<strong>the</strong> o<strong>the</strong>r effects <strong>of</strong> disease and karmic influences are<br />

not included here). The first such influence is <strong>the</strong> Akasha Tattva which<br />

is <strong>the</strong> encompassing tubular linkage (space) for <strong>the</strong> energy to flow<br />

through. Its main principle is to "connect." The next division is <strong>the</strong> Vayu<br />

Tattva, which provides <strong>the</strong> pulse for <strong>the</strong> energy to flow, much in <strong>the</strong> same<br />

vein as <strong>the</strong> heartbeat <strong>of</strong> <strong>the</strong> body. The Tejas Tattva produces a stronger<br />

flow rate while <strong>the</strong> Apas Tartva provides <strong>the</strong> control mechanism that<br />

reduces <strong>the</strong> flow <strong>of</strong> energy. The Prithvi Tattva is <strong>the</strong> one that resists <strong>the</strong><br />

flow rate <strong>of</strong> energy when <strong>the</strong> various centers <strong>of</strong> <strong>the</strong> body are full <strong>of</strong> energy,<br />

and this helps to produce overstimulation.<br />

During <strong>the</strong> process <strong>of</strong> initiation ei<strong>the</strong>r directly or indirectly into a<br />

group, or by an individual into a different field <strong>of</strong> awareness, <strong>the</strong> E<strong>the</strong>ric<br />

Body is <strong>the</strong> one that is first stimulated. In forms <strong>of</strong> ritual magic we have<br />

<strong>the</strong> temple <strong>of</strong>ficers slowly stimulating your E<strong>the</strong>ric Body by carefully<br />

altering its vibrational rate so that it becomes more receptive to <strong>the</strong><br />

external stimuli <strong>of</strong> <strong>the</strong> Higher Self.<br />

This stimulation can, in some cases, produce what is called in alternative<br />

medicine a "healing crisis," in which <strong>the</strong> transition state that <strong>the</strong><br />

E<strong>the</strong>ric Body goes through does not immediately settle on one vibrational<br />

pitch but alters until it finds its own correct accord within a new range or<br />

98 The Tattwas are located in <strong>the</strong> Chakra centers and control <strong>the</strong> flow rates <strong>of</strong> energy going to and<br />

from it. See Narum FinerForces by Rama Prasad for a full indcprh study <strong>of</strong> <strong>the</strong>m. The Knowledge<br />

lectures on <strong>the</strong> Tartwas in <strong>the</strong> <strong>Golden</strong> <strong>Dawn</strong> were based on Prasad's book.

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