Kabbalah-of-the-Golden-Dawn-Pat-Zalewski - D Ank Unlimited
Kabbalah-of-the-Golden-Dawn-Pat-Zalewski - D Ank Unlimited
Kabbalah-of-the-Golden-Dawn-Pat-Zalewski - D Ank Unlimited
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The Early Books 39<br />
2. Gives explanations <strong>of</strong> <strong>the</strong> formation <strong>of</strong> <strong>the</strong> first eight letters <strong>of</strong> <strong>the</strong><br />
Hebrew alphabet from Aleph to Cheth. When compared with <strong>the</strong> later<br />
Zohar <strong>the</strong>re are vast number <strong>of</strong> differences regarding <strong>the</strong> esoteric significance<br />
<strong>of</strong> <strong>the</strong> formation <strong>of</strong> <strong>the</strong> letters. It is obvious that we are looking at<br />
two periods <strong>of</strong> development <strong>of</strong> <strong>the</strong> Hebrew letters when comparing <strong>the</strong>ir<br />
etymological origins. Rabbi Kaplan, in his translation <strong>of</strong> <strong>the</strong> Bahir, solves<br />
part <strong>of</strong> this problem by associating <strong>the</strong> descriptions to <strong>the</strong> Ashur type<br />
script, whereas <strong>the</strong> Westcott translation uses a later script.<br />
3. Shemhamphoresch, name <strong>of</strong> 72 letters.<br />
4. Discussion <strong>of</strong> <strong>the</strong> Seven Voices as heard by Moses on Mount<br />
Sinai. This relates to <strong>the</strong> manner in which <strong>the</strong> Torah was given to<br />
<strong>the</strong> jews.<br />
5. Descriptions <strong>of</strong> <strong>the</strong> Sephiroth, which are given for <strong>the</strong> first time.<br />
It is thus, <strong>the</strong> hands have ten fingers, relating to <strong>the</strong> ten<br />
Sephiroth with which both <strong>the</strong> heaven and <strong>the</strong> Earth<br />
were sealed. 25<br />
Though <strong>the</strong> Sephiroth are not named directly in <strong>the</strong> Bahir, notes<br />
made by both Westcott and Kaplan in <strong>the</strong>ir translations more than adequately<br />
explain some <strong>of</strong> <strong>the</strong> hidden references to <strong>the</strong>m.<br />
6. The functions <strong>of</strong> <strong>the</strong> Kabbalistic Soul. Although not as sophisticated<br />
as that found in <strong>the</strong> Zohar, <strong>the</strong> concept <strong>of</strong> <strong>the</strong> formation <strong>of</strong> <strong>the</strong><br />
Soul is given, showing that both <strong>the</strong> male and female souls develop from<br />
each o<strong>the</strong>r.<br />
7. Within <strong>the</strong> Bahir <strong>the</strong>re is also a reference to what could possibly<br />
be described as <strong>the</strong> practical part <strong>of</strong> Kabbalism, ins<strong>of</strong>ar as it speaks <strong>of</strong> <strong>the</strong><br />
making <strong>of</strong> a Golern/? by Rabba.<br />
lS Westcott translation.<br />
10 The Golem was a man made <strong>of</strong> clay who was brought to life by Kabbalisric meditations and rituals.<br />
See The Golem <strong>of</strong> Prague by Yehuda Yudel Rosenberg (Warsaw, 1939), "The <strong>Kabbalah</strong> and its<br />
Symbolism" by Gershom Scholern, pages 158--204.