Rome Wasn't Digitized in a Day - Council on Library and Information ...
Rome Wasn't Digitized in a Day - Council on Library and Information ...
Rome Wasn't Digitized in a Day - Council on Library and Information ...
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scholars <str<strong>on</strong>g>in</str<strong>on</strong>g> the humanities,” Stokes c<strong>on</strong>cluded, “<strong>and</strong> it may well be that the plug-<str<strong>on</strong>g>in</str<strong>on</strong>g>s should allow both<br />
‘computer-friendly’ <strong>and</strong> ‘human-friendly’ output, with the latter <str<strong>on</strong>g>in</str<strong>on</strong>g>clud<str<strong>on</strong>g>in</str<strong>on</strong>g>g graphical or even <str<strong>on</strong>g>in</str<strong>on</strong>g>teractive<br />
displays”(Stokes 2009).<br />
Recent work by Arianna Ciula (Ciula 2009) has also explored the methodological issues <str<strong>on</strong>g>in</str<strong>on</strong>g>volved <str<strong>on</strong>g>in</str<strong>on</strong>g><br />
us<str<strong>on</strong>g>in</str<strong>on</strong>g>g digital technology to support palaeographical analysis of medieval h<strong>and</strong>writ<str<strong>on</strong>g>in</str<strong>on</strong>g>g. She ma<str<strong>on</strong>g>in</str<strong>on</strong>g>ta<str<strong>on</strong>g>in</str<strong>on</strong>g>ed<br />
that digital methods would assist palaeographers <strong>on</strong>ly if the complex nature of the cultural artifacts<br />
they studied were also c<strong>on</strong>sidered. In additi<strong>on</strong>, she argued that the identificati<strong>on</strong> of “critical processes<br />
with<str<strong>on</strong>g>in</str<strong>on</strong>g> the palaeographic method” was essential before any tools were developed. Digital tools needed<br />
to make the steps of scholarly analysis more explicit, Ciula <str<strong>on</strong>g>in</str<strong>on</strong>g>sisted, <str<strong>on</strong>g>in</str<strong>on</strong>g>clud<str<strong>on</strong>g>in</str<strong>on</strong>g>g “analyses, comparis<strong>on</strong>s,<br />
<strong>and</strong> classificati<strong>on</strong>s.” S<str<strong>on</strong>g>in</str<strong>on</strong>g>ce palaeography is closely related to many other classical discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>es, Ciula<br />
also argued that a more <str<strong>on</strong>g>in</str<strong>on</strong>g>tegrated digital envir<strong>on</strong>ment of tools <strong>and</strong> resources was necessary:<br />
Therefore, <str<strong>on</strong>g>in</str<strong>on</strong>g>dependently from its more or less limited scope, the more any digital tool or<br />
resource—be<str<strong>on</strong>g>in</str<strong>on</strong>g>g it a digital facsimile of a manuscript, an applicati<strong>on</strong> to segment letter forms, a<br />
digital editi<strong>on</strong>, or an electr<strong>on</strong>ic publicati<strong>on</strong> of other k<str<strong>on</strong>g>in</str<strong>on</strong>g>d—can be <str<strong>on</strong>g>in</str<strong>on</strong>g>tegrated with<str<strong>on</strong>g>in</str<strong>on</strong>g> an<br />
envir<strong>on</strong>ment where complementary material is also accessible, the more it becomes<br />
exp<strong>on</strong>entially useful to the palaeographer (Ciula 2009).<br />
Palaeographers <str<strong>on</strong>g>in</str<strong>on</strong>g> particular need more visual representati<strong>on</strong>s of manuscripts <strong>and</strong> open-access<br />
comprehensive collecti<strong>on</strong>s.<br />
In her own work, Ciula developed a comput<str<strong>on</strong>g>in</str<strong>on</strong>g>g applicati<strong>on</strong> called “System for Palaeographic<br />
Inspecti<strong>on</strong>”(SPI) for work she c<strong>on</strong>ducted as a graduate student. Ciula scanned the leaves of several<br />
codices <strong>and</strong> developed a basic system that <str<strong>on</strong>g>in</str<strong>on</strong>g>cluded image preprocess<str<strong>on</strong>g>in</str<strong>on</strong>g>g, <str<strong>on</strong>g>in</str<strong>on</strong>g>serti<strong>on</strong> of images <str<strong>on</strong>g>in</str<strong>on</strong>g>to a<br />
relati<strong>on</strong>al database, segmentati<strong>on</strong> of h<strong>and</strong>writ<str<strong>on</strong>g>in</str<strong>on</strong>g>g <str<strong>on</strong>g>in</str<strong>on</strong>g> images <str<strong>on</strong>g>in</str<strong>on</strong>g>to relevant letters <strong>and</strong> ligatures, <strong>and</strong><br />
automatic generati<strong>on</strong> of letter models. She created extensive documentati<strong>on</strong> regard<str<strong>on</strong>g>in</str<strong>on</strong>g>g her choice of<br />
digitizati<strong>on</strong> criteria, the ref<str<strong>on</strong>g>in</str<strong>on</strong>g>ement <strong>and</strong> evaluati<strong>on</strong> of segmentati<strong>on</strong> processes, <strong>and</strong> tun<str<strong>on</strong>g>in</str<strong>on</strong>g>g the<br />
parameters for generat<str<strong>on</strong>g>in</str<strong>on</strong>g>g letter models. For this she made extensive use of the large body of literature<br />
<strong>on</strong> manuscript digitizati<strong>on</strong> <strong>and</strong> OCR development, but she underscored that the development of this<br />
system required extensive doma<str<strong>on</strong>g>in</str<strong>on</strong>g> knowledge as well:<br />
On the other h<strong>and</strong>, the <str<strong>on</strong>g>in</str<strong>on</strong>g>terpretative phase based <strong>on</strong> the analysis of the letter models <strong>and</strong> their<br />
automatic cluster<str<strong>on</strong>g>in</str<strong>on</strong>g>g has required <str<strong>on</strong>g>in</str<strong>on</strong>g>sights <str<strong>on</strong>g>in</str<strong>on</strong>g>to a much more established traditi<strong>on</strong> of do<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />
palaeography. The comparis<strong>on</strong> of types of letterforms—which is the ma<str<strong>on</strong>g>in</str<strong>on</strong>g> objective of<br />
analytical palaeography—has not effectively been supported so far by any tool. Therefore, the<br />
major challenge was represented by the attempt to <str<strong>on</strong>g>in</str<strong>on</strong>g>tegrate <strong>and</strong> support the palaeographical<br />
method with<str<strong>on</strong>g>in</str<strong>on</strong>g> a digital humanities (as def<str<strong>on</strong>g>in</str<strong>on</strong>g>ed by McCarty …) research approach (Ciula 2009).<br />
One of the greatest challenges faced by many digital classics practiti<strong>on</strong>ers was the need for both<br />
extensive discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>ary expertise <strong>and</strong> technical knowledge.<br />
The tool she developed had a number of technical limitati<strong>on</strong>s, Ciula granted, <strong>and</strong> she commented that<br />
various scholarly stages of <str<strong>on</strong>g>in</str<strong>on</strong>g>terpretati<strong>on</strong>, such as letter segmentati<strong>on</strong> <strong>and</strong> model generati<strong>on</strong>, were<br />
assisted by the tool but not “comprehensively <strong>and</strong> systematically supported by the tool itself.” The<br />
most powerful functi<strong>on</strong> of the SPI was its ability to “compute graphical features”; this assisted<br />
palaeographic analysis by mak<str<strong>on</strong>g>in</str<strong>on</strong>g>g variati<strong>on</strong>s between characters more perceptible to human visi<strong>on</strong>.<br />
Ciula n<strong>on</strong>etheless emphasized that her tool was meant to assist scholars, not replace them, <strong>and</strong> this<br />
raised the questi<strong>on</strong> of how well digital tools could ever model scholarly expertise. “How much of the