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Rome Wasn't Digitized in a Day - Council on Library and Information ...

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83<br />

One of the largest <strong>and</strong> best-known websites described by Gill is the Digital Karnak Project, 261 created<br />

under the directi<strong>on</strong> of two scholars at the University of California, Los Angeles. The Temple of Karnak<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g> Egypt existed for more than 3,000 years, <strong>and</strong> this website has created a number of ways for users to<br />

explore its history. A 3-D virtual reality model of the temple was created that allows users to view how<br />

the temple was c<strong>on</strong>structed <strong>and</strong> modified over time; this is accompanied by orig<str<strong>on</strong>g>in</str<strong>on</strong>g>al videos, maps, <strong>and</strong><br />

thematic essays written by Egyptologists. A simplified versi<strong>on</strong> of the model of the temple was also<br />

made available <strong>on</strong> Google Earth. There are four ways to enter the website: (1) us<str<strong>on</strong>g>in</str<strong>on</strong>g>g a Timemap of the<br />

site that enables users to choose a time period <strong>and</strong> view features that were created, modified, <strong>and</strong><br />

destroyed; (2) choos<str<strong>on</strong>g>in</str<strong>on</strong>g>g <strong>on</strong>e of a series of thematic topics with essays <strong>and</strong> videos; (3) brows<str<strong>on</strong>g>in</str<strong>on</strong>g>g the<br />

archive by chr<strong>on</strong>ology, type, feature, or topic, which takes the user to both rec<strong>on</strong>structi<strong>on</strong> model<br />

render<str<strong>on</strong>g>in</str<strong>on</strong>g>gs, descripti<strong>on</strong>s <str<strong>on</strong>g>in</str<strong>on</strong>g> the object catalog, videos, <strong>and</strong> a large number of photographs; <strong>and</strong> (4) us<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />

Google Earth to view the model. This website dem<strong>on</strong>strates how many of these technologies are be<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />

put to use to create sophisticated teach<str<strong>on</strong>g>in</str<strong>on</strong>g>g resources.<br />

The city of <str<strong>on</strong>g>Rome</str<strong>on</strong>g> has also been the subject of a number of virtual rec<strong>on</strong>structi<strong>on</strong> projects, with the<br />

Digital Roman Forum explor<str<strong>on</strong>g>in</str<strong>on</strong>g>g <strong>on</strong>e particular m<strong>on</strong>ument, 262 while the Plan de <str<strong>on</strong>g>Rome</str<strong>on</strong>g>, 263 the Stanford<br />

Digital Forma Urbis Romae 264 project, <strong>and</strong> the particularly well-known <str<strong>on</strong>g>Rome</str<strong>on</strong>g> Reborn 265 focus <strong>on</strong> the<br />

city as a whole. The Digital Roman Forum provides access to a digital model of the Roman Forum as it<br />

appeared <str<strong>on</strong>g>in</str<strong>on</strong>g> late antiquity <strong>and</strong> was created by the University of California, Los Angeles, Cultural<br />

Virtual Reality Lab (CVRLab). 266 Users can use TimeMap to view different features (e.g., the Basilica<br />

Aemilia, the Curia Iulia) <strong>on</strong> the model, <strong>and</strong> click<str<strong>on</strong>g>in</str<strong>on</strong>g>g <strong>on</strong> a feature br<str<strong>on</strong>g>in</str<strong>on</strong>g>gs up both a virtual model <strong>and</strong><br />

current photograph of that feature, each of which can have its po<str<strong>on</strong>g>in</str<strong>on</strong>g>t of view adjusted. The digital<br />

rec<strong>on</strong>structi<strong>on</strong>s can be searched by keyword or browsed by the primary sources that described it, as<br />

well as by functi<strong>on</strong> or type. One facet of this website that is particularly noteworthy is that it seeks to<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>tegrate the textual sources (such as the histories of Livy <strong>and</strong> Tacitus) <strong>and</strong> the sec<strong>on</strong>dary scholarly<br />

research that were used <str<strong>on</strong>g>in</str<strong>on</strong>g> mak<str<strong>on</strong>g>in</str<strong>on</strong>g>g some model<str<strong>on</strong>g>in</str<strong>on</strong>g>g decisi<strong>on</strong>s. Each feature also <str<strong>on</strong>g>in</str<strong>on</strong>g>cludes a full<br />

descripti<strong>on</strong> 267 with an <str<strong>on</strong>g>in</str<strong>on</strong>g>troducti<strong>on</strong>, history, rec<strong>on</strong>structi<strong>on</strong> issues <str<strong>on</strong>g>in</str<strong>on</strong>g>clud<str<strong>on</strong>g>in</str<strong>on</strong>g>g sources <strong>and</strong> levels of<br />

certa<str<strong>on</strong>g>in</str<strong>on</strong>g>ty, a bibliography, a series of QuickTime object <strong>and</strong> panorama movies, <strong>and</strong> still images. This<br />

website illustrates the complicated nature of creat<str<strong>on</strong>g>in</str<strong>on</strong>g>g rec<strong>on</strong>structi<strong>on</strong>s, <str<strong>on</strong>g>in</str<strong>on</strong>g>clud<str<strong>on</strong>g>in</str<strong>on</strong>g>g the amount of work<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>volved, the number of sources used, <strong>and</strong> the uncerta<str<strong>on</strong>g>in</str<strong>on</strong>g> nature of many visualizati<strong>on</strong> decisi<strong>on</strong>s.<br />

The Stanford Digital Forma Urbis Romae project provides digital access to the rema<str<strong>on</strong>g>in</str<strong>on</strong>g>s “Forma Urbis<br />

Romae,” a large marble plan of the city that was carved <str<strong>on</strong>g>in</str<strong>on</strong>g> the third century AD This website <str<strong>on</strong>g>in</str<strong>on</strong>g>cludes<br />

digital photographs, 3-D models of the plan, <strong>and</strong> a database that <str<strong>on</strong>g>in</str<strong>on</strong>g>cludes details <strong>on</strong> all of the<br />

fragments. The Plan de <str<strong>on</strong>g>Rome</str<strong>on</strong>g> website provides access to a virtual 3-D model of the “Plan of <str<strong>on</strong>g>Rome</str<strong>on</strong>g>,” a<br />

large plaster model of the city that was created by architect Paul Bigot, <strong>and</strong> an extraord<str<strong>on</strong>g>in</str<strong>on</strong>g>ary level of<br />

detail <strong>on</strong> the city.<br />

The most ambitious of all of these projects, <str<strong>on</strong>g>Rome</str<strong>on</strong>g> Reborn, is an <str<strong>on</strong>g>in</str<strong>on</strong>g>ternati<strong>on</strong>al effort that seeks to create<br />

3-D models that illustrates the urban development of <str<strong>on</strong>g>Rome</str<strong>on</strong>g> from the late Br<strong>on</strong>ze age (1000 BC) to the<br />

early Middle Ages. The project staff has decided to focus <str<strong>on</strong>g>in</str<strong>on</strong>g>itially <strong>on</strong> 320 AD because at this time<br />

<str<strong>on</strong>g>Rome</str<strong>on</strong>g> had reached its peak populati<strong>on</strong>; many major churches were be<str<strong>on</strong>g>in</str<strong>on</strong>g>g built, <strong>and</strong> few new build<str<strong>on</strong>g>in</str<strong>on</strong>g>gs<br />

261 http://dlib.etc.ucla.edu/projects/Karnak/<br />

262 http://dlib.etc.ucla.edu/projects/Forum<br />

263 http://www.unicaen.fr/services/cireve/rome/<str<strong>on</strong>g>in</str<strong>on</strong>g>dex.phplangue=en<br />

264 http://formaurbis.stanford.edu/docs/FURdb.html<br />

265 http://www.romereborn.virg<str<strong>on</strong>g>in</str<strong>on</strong>g>ia.edu/<br />

266 http://www.cvrlab.org/<br />

267 http://dlib.etc.ucla.edu/projects/Forum/rec<strong>on</strong>structi<strong>on</strong>s/CuriaIulia_1

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