Rome Wasn't Digitized in a Day - Council on Library and Information ...
Rome Wasn't Digitized in a Day - Council on Library and Information ...
Rome Wasn't Digitized in a Day - Council on Library and Information ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
iv<br />
EpiDoc-Based Digital Epigraphy Projects .................................................................................................. 105<br />
The Challenges of L<str<strong>on</strong>g>in</str<strong>on</strong>g>k<str<strong>on</strong>g>in</str<strong>on</strong>g>g Digital Epigraphy <strong>and</strong> Digital Classics Projects ............................................. 110<br />
Advanced Imag<str<strong>on</strong>g>in</str<strong>on</strong>g>g Technologies for Epigraphy ......................................................................................... 115<br />
Manuscript Studies .......................................................................................................................................... 117<br />
Digital Libraries of Manuscripts ................................................................................................................. 118<br />
Digital Challenges of Individual Manuscripts <strong>and</strong> Manuscript Collecti<strong>on</strong>s ............................................... 123<br />
Digital Manuscripts, Infrastructure, <strong>and</strong> Automatic L<str<strong>on</strong>g>in</str<strong>on</strong>g>k<str<strong>on</strong>g>in</str<strong>on</strong>g>g Technologies ................................................ 128<br />
Numismatics .................................................................................................................................................... 131<br />
Numismatics Databases............................................................................................................................... 132<br />
Numismatic Data Integrati<strong>on</strong> <strong>and</strong> Digital Publicati<strong>on</strong> ................................................................................ 135<br />
Palaeography ................................................................................................................................................... 138<br />
Papyrology ...................................................................................................................................................... 141<br />
Digital Papyri Projects ................................................................................................................................ 142<br />
Integrat<str<strong>on</strong>g>in</str<strong>on</strong>g>g Digital Collecti<strong>on</strong>s of Papyri <strong>and</strong> Digital Infrastructure ........................................................... 146<br />
EpiDoc, Digital Papyrology, <strong>and</strong> Reus<str<strong>on</strong>g>in</str<strong>on</strong>g>g Digital Resources ..................................................................... 150<br />
Collaborative Workspaces, Image Analysis, <strong>and</strong> Read<str<strong>on</strong>g>in</str<strong>on</strong>g>g Support Systems .............................................. 152<br />
Philology ......................................................................................................................................................... 157<br />
Tools for Electr<strong>on</strong>ic Philology: BAMBI <strong>and</strong> Aristarchus ........................................................................... 158<br />
Infrastructure for Digital Philology: The Teuchos Project .......................................................................... 160<br />
Prosopography................................................................................................................................................. 164<br />
Issues <str<strong>on</strong>g>in</str<strong>on</strong>g> the Creati<strong>on</strong> of Prosopographical Databases ................................................................................ 165<br />
Network Analysis <strong>and</strong> Digital Prosopography ............................................................................................ 167<br />
Relati<strong>on</strong>al Databases <strong>and</strong> Model<str<strong>on</strong>g>in</str<strong>on</strong>g>g Prosopography ................................................................................... 169<br />
Other Prosopographical Databases .............................................................................................................. 172<br />
THE USE AND USERS OF RESOURCES IN DIGITAL CLASSICS AND THE DIGITAL<br />
HUMANITIES................................................................................................................................................... 175<br />
Citati<strong>on</strong> of Digital Classics Resources ............................................................................................................ 176<br />
The Research Habits of Digital Humanists ..................................................................................................... 177<br />
Humanist Use of Source Materials: Digital <strong>Library</strong> Design Implicati<strong>on</strong>s ...................................................... 181<br />
Creators of Digital Humanities Resources: Factors for Successful Use ......................................................... 184<br />
“Traditi<strong>on</strong>al” Academic Use of Digital Humanities Resources ...................................................................... 186<br />
The CSHE Study ......................................................................................................................................... 186<br />
The LAIRAH Project .................................................................................................................................. 188<br />
The RePAH Project ..................................................................................................................................... 190<br />
The TIDSR Study ........................................................................................................................................ 193<br />
OVERVIEW OF DIGITAL CLASSICS CYBERINFRASTRUCTURE ..................................................... 195<br />
Requirements of Cyber<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure for Classics .......................................................................................... 195<br />
Open-Access Repositories of Sec<strong>on</strong>dary Scholarship ................................................................................. 195<br />
Open Access, Collaborati<strong>on</strong>, Reuse, <strong>and</strong> Digital Classics .......................................................................... 196<br />
Undergraduate Research, Teach<str<strong>on</strong>g>in</str<strong>on</strong>g>g, <strong>and</strong> E-Learn<str<strong>on</strong>g>in</str<strong>on</strong>g>g .................................................................................. 202<br />
Look<str<strong>on</strong>g>in</str<strong>on</strong>g>g Backward: State of Digital Classics <str<strong>on</strong>g>in</str<strong>on</strong>g> 2005 ................................................................................ 209<br />
Look<str<strong>on</strong>g>in</str<strong>on</strong>g>g Forward: Classics Cyber<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure, Themes, <strong>and</strong> Requirements <str<strong>on</strong>g>in</str<strong>on</strong>g> 2010 ............................... 210<br />
Classics Cyber<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure Projects.............................................................................................................. 215<br />
APIS—Advanced Papyrological Informati<strong>on</strong> System ................................................................................ 215<br />
CLAROS—Classical Art Research Onl<str<strong>on</strong>g>in</str<strong>on</strong>g>e Services .................................................................................. 215<br />
C<strong>on</strong>cordia .................................................................................................................................................... 216<br />
Digital Antiquity ......................................................................................................................................... 216<br />
Digital Classicist ......................................................................................................................................... 216<br />
eAQUA ....................................................................................................................................................... 216<br />
eSAD—e-Science <strong>and</strong> Ancient Documents ................................................................................................ 217