Rome Wasn't Digitized in a Day - Council on Library and Information ...
Rome Wasn't Digitized in a Day - Council on Library and Information ...
Rome Wasn't Digitized in a Day - Council on Library and Information ...
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“multimedia scholarly editi<strong>on</strong>s.” Reside acknowledged that the market is currently crowded with CMS<br />
opti<strong>on</strong>s but noted that n<strong>on</strong>e of the current opti<strong>on</strong>s quite meets the needs of scholarly editi<strong>on</strong>s.<br />
The fourth <strong>and</strong> f<str<strong>on</strong>g>in</str<strong>on</strong>g>al layer of the TILE model <str<strong>on</strong>g>in</str<strong>on</strong>g>volves user-generated data layers, which Reside<br />
c<strong>on</strong>sidered possibly to be the most “volatile data <str<strong>on</strong>g>in</str<strong>on</strong>g> current digital humanities scholarship.” The open<br />
nature of many sites makes it hard to dist<str<strong>on</strong>g>in</str<strong>on</strong>g>guish c<strong>on</strong>tributi<strong>on</strong>s from the <str<strong>on</strong>g>in</str<strong>on</strong>g>experienced versus expert<br />
scholars. Thus, while their framework argued for the “development of repositories of user-generated<br />
c<strong>on</strong>tent,” s<str<strong>on</strong>g>in</str<strong>on</strong>g>ce all c<strong>on</strong>tent c<strong>on</strong>tributed by users cannot be permanently stored, they suggested<br />
“s<strong>and</strong>box” databases where <strong>on</strong>ly the best user-generated c<strong>on</strong>tent is selected for <str<strong>on</strong>g>in</str<strong>on</strong>g>clusi<strong>on</strong> <strong>and</strong><br />
publicati<strong>on</strong>.<br />
One partner <str<strong>on</strong>g>in</str<strong>on</strong>g> TILE, the DHO, has also c<strong>on</strong>ducted some <str<strong>on</strong>g>in</str<strong>on</strong>g>dependent research <str<strong>on</strong>g>in</str<strong>on</strong>g>to develop<str<strong>on</strong>g>in</str<strong>on</strong>g>g a<br />
framework for scholarly editi<strong>on</strong>s (Schreibman 2009). Schreibman offered criticisms similar to those of<br />
Rob<str<strong>on</strong>g>in</str<strong>on</strong>g>s<strong>on</strong> <strong>and</strong> Reside, stat<str<strong>on</strong>g>in</str<strong>on</strong>g>g that not <strong>on</strong>ly were many early digital editi<strong>on</strong>s typically <strong>on</strong>e-off<br />
producti<strong>on</strong>s where the c<strong>on</strong>tent was tightly <str<strong>on</strong>g>in</str<strong>on</strong>g>tegrated with the chosen software, but that:<br />
We also d<strong>on</strong>’t, as a scholarly edit<str<strong>on</strong>g>in</str<strong>on</strong>g>g community, have agreed up<strong>on</strong> formats, protocols, <strong>and</strong><br />
methodologies for digital scholarly edit<str<strong>on</strong>g>in</str<strong>on</strong>g>g <strong>and</strong> editi<strong>on</strong>s. Moreover, many of the more mature<br />
first-generati<strong>on</strong> digital projects creat<str<strong>on</strong>g>in</str<strong>on</strong>g>g <strong>on</strong>l<str<strong>on</strong>g>in</str<strong>on</strong>g>e editi<strong>on</strong>s from pr<str<strong>on</strong>g>in</str<strong>on</strong>g>t sources have more <str<strong>on</strong>g>in</str<strong>on</strong>g><br />
comm<strong>on</strong> with digital library projects—i.e., editi<strong>on</strong>s created with a light editorial h<strong>and</strong>,<br />
m<str<strong>on</strong>g>in</str<strong>on</strong>g>imally encoded <strong>and</strong> with little more c<strong>on</strong>textualizati<strong>on</strong> than their pr<str<strong>on</strong>g>in</str<strong>on</strong>g>t counterparts<br />
(Schreibman 2009).<br />
To address some of these issues, the DHO held a <strong>on</strong>e-day symposium <str<strong>on</strong>g>in</str<strong>on</strong>g> 2009 <strong>on</strong> the issue of digital<br />
editi<strong>on</strong>s that was followed by a weekl<strong>on</strong>g scholarly edit<str<strong>on</strong>g>in</str<strong>on</strong>g>g school to determ<str<strong>on</strong>g>in</str<strong>on</strong>g>e “a set of protocols,<br />
methodologies, rights management <strong>and</strong> technical procedures to create a shared <str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure for digital<br />
scholarly editi<strong>on</strong>s <str<strong>on</strong>g>in</str<strong>on</strong>g> Irel<strong>and</strong>.” They plan to follow relevant developments from TextGrid <strong>and</strong><br />
Interediti<strong>on</strong>, so that the <str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure <strong>and</strong> tools developed <str<strong>on</strong>g>in</str<strong>on</strong>g> Irel<strong>and</strong> can l<str<strong>on</strong>g>in</str<strong>on</strong>g>k up with these other<br />
nati<strong>on</strong>al <strong>and</strong> <str<strong>on</strong>g>in</str<strong>on</strong>g>ternati<strong>on</strong>al projects.<br />
The Challenges of Text Alignment <strong>and</strong> Text Variants<br />
As illustrated by the preced<str<strong>on</strong>g>in</str<strong>on</strong>g>g discussi<strong>on</strong>, any <str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure developed for digital classics <strong>and</strong> for the<br />
creati<strong>on</strong> of digital editi<strong>on</strong>s will need to c<strong>on</strong>sider the challenges of both text alignment <strong>and</strong> textual<br />
variants. The research literature <strong>on</strong> this topic is extensive. This subsecti<strong>on</strong> briefly describes two recent<br />
state-of-the-art approaches to deal with these issues. 138<br />
While the <str<strong>on</strong>g>in</str<strong>on</strong>g>troducti<strong>on</strong> to this review illustrated that there are a large number of digital corpora<br />
available <str<strong>on</strong>g>in</str<strong>on</strong>g> both Greek <strong>and</strong> Lat<str<strong>on</strong>g>in</str<strong>on</strong>g>, Federico Boschetti (2007) has criticized the fact that although these<br />
corpora are typically based <strong>on</strong> authoritative editi<strong>on</strong>s, they provide no access to the apparatus<br />
criticus. 139 He rem<str<strong>on</strong>g>in</str<strong>on</strong>g>ded his readers that when us<str<strong>on</strong>g>in</str<strong>on</strong>g>g a literary corpus such as the TLG, they must<br />
remember they are deal<str<strong>on</strong>g>in</str<strong>on</strong>g>g with the text of an author that has been created by editorial choices. This<br />
makes it particularly difficult to study l<str<strong>on</strong>g>in</str<strong>on</strong>g>guistic or stylistic phenomen<strong>on</strong> because without access to the<br />
apparatus criticus it is impossible to know what variants an editor may have suppressed. This can<br />
render digital corpora useless for philologists:<br />
138 For a thorough bibliography of over 50 papers <str<strong>on</strong>g>in</str<strong>on</strong>g> this area see the list of references <str<strong>on</strong>g>in</str<strong>on</strong>g> Schmidt <strong>and</strong> Colomb (2009).<br />
139 This criticism has also been made by Ruhleder (1995) <strong>and</strong> Stewart, Crane, <strong>and</strong> Babeu (2007).