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AN ARCHAEOLOGY OF THE IRON CURTAIN<br />

World War II ended up on the Italian side with a large part of its hinterland<br />

falling within the Yugoslavian territory. A new city, Nova Gorica, was built<br />

on the Yugoslavian side to provide a new centre for the surrounding areas.<br />

The two towns developed side by side, divided by an international border<br />

and the effects of local and global politics (Figure 15).<br />

Methods and aims<br />

The aim of the research of the Italian-Slovenian border was to study the<br />

border between Italy and Slovenia to understand what this border looked<br />

like during the Cold War period as well as what it looks like today. The<br />

information gained during the research was then to be used in a discussion<br />

of this border’s role within the Cold War division of Europe as well as<br />

people’s attitude towards it today.<br />

Two fieldwork trips were carried out, the first in September 2008 which<br />

consisted of a survey of the Italian-Slovenian and the Austrian-Slovenian<br />

borders. The second fieldwork, carried out in August 2011, focussed on the<br />

area in and around the towns of Gorizia and Nova Gorica. The length of the<br />

border from Šempeter to Solkan was subjected to a walkover survey, as was<br />

the southernmost section of Mount Sabotino/Sabotin. Archival research<br />

was carried out at the Goriški Musej Archive, Solkan, Slovenia, the Archivio<br />

storico – Biblioteca provinciale in Gorizia, Italy and the National Archives,<br />

Kew, UK. These studies were not meant as a full archival and documentary<br />

study but rather the documents obtained were a way to help understand the<br />

material discovered during the fieldwork. Of particular use were maps and<br />

photos as these helped to provide an understanding of the kinds of material<br />

that had existed along the Iron Curtain and how the border’s different areas<br />

had looked in the past.<br />

Recording was carried out through photographing and taking notes.<br />

Drawings were also produced wherever necessary to clarify certain features.<br />

Maps were studied both in advance and during the research in order to help<br />

direct further investigations. Remains in the landscape were recorded on<br />

maps to document their location and to help understand their distribution.<br />

Interviews were carried out both with people working with the area’s<br />

history (museum personnel, historians) as well as citizens living in the area,<br />

either currently or in the past. Some of these interviews were taped whilst<br />

others were recorded through taking notes. I interviewed 14 people during<br />

my fieldwork in the area of which seven were women ranging in age from<br />

68

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